Electronics : Cables To Go - 40315 - 2M (6.5ft) Velocity HDMI Digital Video Cable (Blue)

Electronics : Cables To Go - 40315 - 2M (6.5ft) Velocity HDMI Digital Video Cable (Blue)

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Cables To Go - 40315 - 2M (6.5ft) Velocity HDMI Digital Video Cable (Blue)

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Cables To Go - 40315 - 2M (6.5ft) Velocity HDMI Digital Video Cable (Blue)
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Average Buyer Rating:  out of 5 stars
Sales Rank:





Binding: Accessory
Product Brand: Cables To Go
Color: Blue
EAN: 0757120403159
Label: Cables To Go
Product Manufacturer: Cables To Go
Model: 40315
Publisher: Cables To Go
Special Features: nv:Cable Type^HDMI|Cable Length (Meters)^2 m|Cable Length (Feet)^6.5 ft|Cable Connector A^HDMI Male|Cable Connector B^HDMI Male|Connector Material^Gold Plated|Shielded^Yes
Studio: Cables To Go
Variation Description: Blue
Warranty: Limited lifetime warranty


Piece facts:
  • Connectors: HDMI male to HDMI male
  • Fully shielded to provide complete immunity to environmental EMI and RFI
  • 24-karat gold-plated connectors ensure superior signal transfer
  • Digital video, audio, and intercomponent control signals in one connection
  • Ships in retail packaging




(Blue) Cable Video Digital HDMI Velocity (6.5ft) 2M - 40315 - Go To Cables






0ur opinion:

:
Certified to perform at standards set by HDMl. Velocity HDMl cables deliver a strong combination of performance and value. Enjoy high-resolution digital video and true digital audio, delivered together in one convenient, compact connection. High-quality materials and construction ensure a lifetime of dependable performance. Fully-shielded conductors provide complete immunity to EMl/RFl interference, and 24-karat gold-plated connectors ensure superior signal transfer. These fully-functional, high-bandwidth cables are tested to perform at industry standards.


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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 4 out of 5 stars - * Good cable that does the job ...
This purchase was a tossup between the cheap cable and the outrageously priced Monster cable. I spent hours reading reviews, but all the reviewers who said that the cable doesn't matter and you will either get a signal or not, were correct. It produces a pretty good picture if you have a good quality TV. In order to give myself peace of mind, I decided to purchase the top of the line Monster cable for the purpose of comparison, and unless you are very sensitive to colors and details, the differences are very minor. My initial reaction was, I'm glad there isn't a noticeable difference because I'd have to spend more money! The picture from the monster cable is slightly more vibrant and it definitely reduces pixelation from fast moving scenes. But again, you have to be a true videophile in order to notice these subtle variations. My only complaint about the inexpensive HDMI cable is that you do experience some signal and noise interference. For example, if you don't position it in a certain way, the HD picture is grainy and you will have to move it around to get it situated perfectly. I didn't get that from the Monster cable.



Buyer's feedback: 5 out of 5 stars - Great price, great picture
As I said in my title, I get a great picture at a great price. What more could one want?



Buyer's feedback: 1 out of 5 stars - * From Package to Garbage ...
Not all cables are created equally as the review above correctly suggests. This product did NOT work out of the sealed package. Useless.
Better Quality + Spending a few (or many) dollars more = A cable you can use for many years or until technology changes.
This product went from the package to the recycling bin. It's garbage. Buying cheap sure costs a lot more money and time in the end. Don't make the same mistake I did.
Cables To Go - 40315 - 2M (6.5ft) Velocity HDMI Digital Video Cable (Blue)



Buyer's feedback: 5 out of 5 stars - HDMI Cables
Cables work great. Great price. Better than paying $40-$50 at Best Buy or Circuit City. Very happy with the purchase.



Buyer's feedback: 5 out of 5 stars - * It's A Cable, And It Worked ...
Not sure why I was asked to write a review for this cable. I hooked it up between my TV and DVD player, and it worked. I don't know what else I can say.

read more customer reviews on Cables To Go - 40315 - 2M (6.5ft) Velocity HDMI Digital Video Cable (Blue)


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Sales of semiconductors in November indicate that consumer products such as LCD (liquid crystal display) TVs, digital music players, and other devices sold well during the holidays, the Semiconductor Industry Association (SIA) said Monday.

November chip sales rose 2.3 percent year-on-year to $23.1 billion, the SIA said.

Unit demand has far outpaced last year. But falling chip prices have hurt industry revenue, the chip association said. For example, DRAM (dynamic RAM) bit shipments grew 25 percent in the three months through mid-December, but average selling prices have declined 20 percent over the same period.

The association also noted that rising energy prices and concerns about the sub-prime lending issue in the U.S. do not appear to have had a significant impact on consumer spending for the holidays, the SIA said. The group reiterated its forecast that worldwide semiconductor sales will reach a new record in 2007. But it will take a stronger than expected December selling season to reach the 3.8 percent growth goal the group had forecast earlier this year, the SIA said.

Investment banking firm Credit Suisse was not as optimistic as the SIA.

The November data was below normal seasonal trends, noted analyst John Pitzer, in a report on Monday. Even if December reaches its normal seasonal growth, 2007 industry revenue will only reach $255.7 billion, up 3.2 percent over last year. The growth percentage would fall short of the SIA's 3.8 percent target.

The slow November prompted Credit Suisse to lower its 2008 chip industry revenue forecast to 9.4 percent year-on-year growth, down from a previous target of 13 percent.


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Stephen Sondheim's Victorian horror thriller Sweeney Todd: The Demon Barber of Fleet Street is generally considered his greatest work, macabre but darkly humorous with a viscerally powerful score that has found a home both on Broadway and in opera houses. George Hearn (who replaced Len Cariou of the original Broadway cast) plays the title character, a wronged man whose lust for revenge drives him to murder (an 18th-century legend who has been traced to a real-life barber), and Angela Lansbury plays his partner in crime, Mrs. Lovett, who finds a practical business use for Todd's victims. This combination of horror and humor is echoed in Sondheim's score: brooding menace ("The Ballad of Sweeney Todd," "My Friend"), achingly beautiful ballads ("Johanna," "Not While I'm Around"), clever puns ("A Little Priest"), coloratura arias ("Green Finch and Linnet Bird"), and intricate choral and ensemble numbers.

Continuing a fortuitous tradition of capturing the Sondheim legacy on video recordings, this performance was filmed before a live audience in Los Angeles during the 1982 national tour. Almost 20 years later, Hearn returned to the role opposite Patti LuPone in an acclaimed concert production. But Sweeney Todd is an especially compelling experience in this 1982 version, complete with the clever staging tricks (e.g., the barber's chair) and as close to the original cast as we're likely to see. --David Horiuchi

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A guilty, guilty pleasure, perhaps not one a left-wing feminist should be admitting to in public. Female boomers should recall yearly TV reruns of this Rodgers and Hammerstein production, featuring such delights as "Impossible" and "Do I Love You Because You're Beautiful?" It may appear a bit stark to younger viewers, but part of the charm of this 1964 network TV special, a remake of the live 1957 telecast originally built around Julie Andrews, is its utter simplicity. An extremely young Lesley Ann Warren and Stuart Damon (of General Hospital fame) are joined by Ginger Rogers, Walter Pidgeon, and Celeste Holm. Warren is all sweetness and innocence without a hint of saccharine artificiality, while Damon is a clear-eyed romantic. This very handsome love story is a bit of an oddity, but worth owning just for the memorable score. --Rochelle O'Gorman
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John Waters made his bid for PG respectability with this enjoyably trashy comedy about the racial integration of a teen dance show on Baltimore television in the early '60s. Waters, as always, makes a virtue of junk culture and the powerful emotional forces it can represent as kids vie to get on the show. Meanwhile, a parade of former stars (Pia Zadora, Debbie Harry, Sonny Bono) and pseudostars (Divine, Ricki Lake) cross the screen, playing freakish characters absorbed by thoughts of fame. (Waters himself turns up as a weirdo psychiatrist.) This transitional film for Waters is rough going at times and not as interesting or funny as his later features Cry-Baby and Serial Mom, but it's worth a look. --Tom Keogh

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Martina McBride has long been a champion of music as social consciousness, particularly for abused women ("Independence Day") and children. On Waking Up Laughing, her ninth album and the follow-up to Timeless, her platinum-selling album of country classics, she advances the theme while expanding it. While two songs explore the issue of unwed mothers (particularly the exquisite "Love Land," which closes the album), and another, "Beautiful Again," touches on child sexual abuse, her overall repertoire embraces the wholeness of family, and of standing strong together in the face of adversity and defeat. Musically, McBride has always proved to be an elegant thorn--her song selection is often inspired (and here, she co-wrote three tunes, including the skyscraping single "Anyway"), but she has tended to use her huge, ride-the-wave soprano full-tilt, without employing the subtle shadings that would make her even more emotionally resonant. On Waking Up Laughing she seems to have worked on the problem, yet in her second foray as solo producer, she still tends to gild the lily instrumentally--inflating string bridges between choruses, for example, or loading the opening country-pop track, "If I Had Your Name," with a Southern-rock guitar break, a listen-to-me fiddle showcase, a Celtic guitar intro, and a close that brings to mind George Harrison's sitar in play-it-backward mode. That said, she makes fine use of what sounds like a black female choir on the uplifting "For These Times," and wisely keeps the haunting break-up ballad "Tryin' to Find a Reason" (with Keith Urban's harmony vocals and guitar solo) lean and affecting. As McBride works to refine her pastiche of creativity, commerciality, and social awareness, she slyly takes more chances than one might think, all the while rallying old fans and making new ones. --Alanna Nash
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For right-minded buyers of the reissued Muppet Christmas Carol soundtrack, the odds of disappointment are about as remote as Miss Piggy's chances with Kermit. If you loved the movie, you will love the loopy mayhem of the Muppet Brass Buskers ("Good King Wenceslas"), the cartoonish malice of the black-hearted misanthropes Marley & Marley ("Marley & Marley"), and the hope-swollen harmonies of Tiny Tim and Family ("Bless Us All"), Muppeted here to hilariously humble effect. If, on the other hand, your interest in this disc has more to do with its inclusion in the way-narrow Christmas-record-for-kids category--if the spirit of the season doesn't extend, for you, to the magic of the Muppets--you may want to keep browsing, as it's a soundtrack first (overture, instrumentals, and all) and a Christmas CD second. That's not to suggest you're stuck with an un-fun disc should it land on your holiday stack without a prior screening, though. Miles Goodman's score sweeps and inspires, and certain tracks--"One More Sleep 'til Christmas" and "Fozziwig's Party"--are future classics. (Note to the right-minded: After a misstep on the original release, Martina McBride's version of "When Love is Gone" is back.) -Tammy La Gorce


(Blue) Cable Video Digital HDMI Velocity (6.5ft) 2M - 40315 - Go To Cables
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