Photo : Canon PowerShot SD1000 7.1MP Digital Elph Camera with 3x Optical Zoom (Silver)

Photo : Canon PowerShot SD1000 7.1MP Digital Elph Camera with 3x Optical Zoom (Silver)

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Canon PowerShot SD1000 7.1MP Digital Elph Camera with 3x Optical Zoom (Silver)

from: Canon



Canon PowerShot SD1000 7.1MP Digital Elph Camera with 3x Optical Zoom (Silver)
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Average Buyer Rating:  out of 5 stars
Sales Rank: 161







Binding: Electronics
Product Brand: Canon
Color: Silver
Digital Zoom: 4 x
Display Size: 2.5 inches
EAN: 0013803078015
Has Red Eye Reduction: 1
Included Software: true
Label: Canon
Legal Disclaimer: Warranty does not cover misuse of product.
Product Manufacturer: Canon
Maximum Focal Length: 17.4 millimeters
Maximum Resolution: 7 MP
Minimum Focal Length: 5.8 millimeters
Model: SD1000
Monitor Size: 250 hundredths-inches
Optical Zoom: 3 x
Publisher: Canon
Release Date: March 19, 2007
Ranking: 161
Studio: Canon


Piece facts:
  • 7.1-megapixel CCD captures enough detail for photo-quality 15 x 20-inch prints
  • DIGIC III Image Processor; Face Detection Technology and Red-eye Correction
  • Vivid, high-resolution 2.5-inch PureColor LCD
  • 17 Shooting modes, including 8 Special Scene modes
  • ISO 1600 and High ISO Auto settings







0ur opinion:

:
Chic, simple. Canon looked to the very first ELPH for inspiration when designing the PowerShot SD1000 Digital ELPH, and came up with a quintessential iteration of the icon: slim, clean-lined and fully flat. lnside, the SD1000 Digital ELPH looks only to the future: 7.1 Megapixels, a 3x optical zoom and advanced DlGlC lll ensure top-quality images, while focus is fast and sharp and red-eye is automatically corrected. The large and more colorful LCD screen now has a tough, anti-reflective coating that makes it as durable as it is beautiful. Shutter Speed - 15-1/1500 sec.; Long Shutter operates with noise reduction when manually set at 1.3-15 sec. Metering - Evaluative, Center-weighted average, Spot; Control to incorporate facial brightness in Face Detection Shooting Modes menu - Auto, Camera M, Portrait, Special Scene (Foliage, Snow, Beach, Fireworks, Aquarium, Underwater, lndoor, Kids & Pets), Night Snapshot, Color Accent, Color Swap, Digital Macro, Stitch Assist, Movie lmage Files - Still lmage - EXlF 2.2 JPEG / Movie - AVl (lmage - Motion JPEG; Audio - WAVE (Monaural) Selectable image resolutions - Still lmage - 640 x 480 (Small), 1,600 x 1,200 (Medium 3), 2,048 x 1,536 (Medium 2), 2,592 x 1,944 (Medium 1), 3,072 x 2,304 (Large), 3,072 x 1,728 (Widescreen); Movie - 640 x 480 / 320 x 240 (30 fps/15 fps) available up to 4GB, 320 x 240 (1 min. at 60 fps), 160 x 120 (3 min. at 15 fps), 640 x 480 (2 hrs. at 0.5 fps/1 fps. Playback at 15 fps) Play modes - Still lmage - Single, Magnification (approx. 2x-10x), Jump, Auto Rotate, Rotate, Resume, My Category, Histogram, lndex (9 thumbnails), Sound Memos, Sound Recorder, Slide Show, Red-eye Correction; Movie - Normal Playback, Special Playback, Auto Rotate, Resume Video output is NTSC and PAL compatible Has USB 2.0 port for image transfer to PC or Mac Unit Dimensions WHD - 3.38 x 2.11 x 0.76 in. / 85.9 x 53.5 x 19.4mm; Weight - About 4.41 oz. / 125g

















Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 3 out of 5 stars - * cute size, bad canon quality ...
I'd like to say this was a happy camera to be with, but after a few months it petered out with the dreaded 'lens error'. I decided to write a review because i think there has got to be a bug in the price, i bought mine dec 07 and it was 170 bucks brand new. 300+ for this hunk of crap? I have a 450 that has withstood snow, sand, dirt, and rocks for several years with barely a mark. This one wasn't even close to a beach when the lens got stuck and wouldn't retract.. Canon needs to install a force sensing circuit on their bellows claw so that the motor doesn't jump the track when its got a lens obstruction. It wasn't the case on mine, but the it still would help.



Buyer's feedback: 5 out of 5 stars - Great for concert video
I have snuck this little wonder and other Canon SD cameras into the following concerts and have captured wonderful quality video: Rush, Heaven And Hell, Testament, Slayer, Arch Enemy, Dark Tranquillity, Iron Maiden and Megadeth. Canon Powershot SD cameras are capable of taking excellent video with clear (although mono) sound. When burned onto dvd and viewed on a tv, the colors simply pop off the screen. For those of you interested in capturing your own concert memories, always pack a Canon.



Buyer's feedback: 5 out of 5 stars - * Best in it class. ...
Small, comfortable, great pictures, easy to use, awesome vids for it's kind. Overall a winner.



Buyer's feedback: 4 out of 5 stars - Essential Camera
I love this camera because it's so small that I can take it anywhere, even in a very small purse or even a clutch. I've had it for just under a year and have yet to experience a problem. It's lightweight and sleek and comes packed with different modes and functions. The only thing I can say about this camera that bothers me is that it takes a bit of fiddling for it to capture dark skin tones indoors without the aid of flash. The 'dark skin' setting actually hasn't been a help. But otherwise, this camera is ace. It takes beautiful pictures outside and does well in low light/mood lighting.

The video it captures is very utilitarian but it has colour modes and sound which is really all that a very point-and-shoot camera needs.

Best parts: comes with battery and charger (no fussing with AAAs), very streamlined and compact, many functions, great colours

Cons: some adjusting needed for darker skin, if viewfinder gets dusty it stays dusty (on the inside!)



Buyer's feedback: 5 out of 5 stars - * Great Camera, video feature is the best ...
This is a great overall camera for our family for a great deal. It is small, feels relatively sturdy compared to my previous cameras, and has all the basic feasture that I need in a camera. It also has good battery life, and you can easily purchase spare rechargeably batteries on Ebay. Since it has so many features, sometimes its difficult to get to what you want quickly, but I think Canon did the best they could.

The one feature that I was most pleased with was the video feature which was important to me because I have kids. It takes decent video even indoors at night when you just have regular lamp lighting. My previous camera - Kodak C743 - couldn't take a proper video unless you were in sunlight.

Videos are saved in AVI format, making them easier to edit instead of Quicktime on my old camera which was impossible to edit. You can also adjust if you want 15 or 30 fps and at high or low quality pixels. One thing to note is that if you record at 30 fps with high quality, then be prepared to need a lot of disk space. I normally record at 15 fps in low quality to save disk space and I think its good enough.



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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pithy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" for supposedly nailing his scenes.

The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheimer with serious understatement. Other cool extras include "Tale of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley

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In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

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In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley


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The world can't get enough of Madonna, and with CD/DVD sets like The Confessions Tour dropping regularly, it's little wonder why. As a thrower of fantasy dance parties, she is peerless. As a physical role model for the 40-ish women who grew up on her music, she rules. And as an arbiter of what's going to sound shockingly original in any given decade--well, duh. The Confessions Tour rounds up songs from way back--"Ray of Light" and "La Isla Bonita" make the DVD, and "Lucky Star" and "Like a Virgin" are on the CD as well as the DVD--but this concert, filmed in 2006 at London's Wembley Arena, aims its sturdiest spotlight on Confessions on a Dance Floor, Madge's 2005 disco disc. You could argue, then, that unless you're in it for the sheer DVD spectacle (and what a spectacle it is), there's no sense in owning this package. Only you wouldn't be right. Because as any on-the-ball Madonna fan knows, what she's doing musically is telling a story--you may already know the characters, but that doesn't mean she hasn't completely reworked the plot. To that end, "I Love New York" gets its rock on, "Let It Will Be" has a musical temper tantrum, and "Hung Up" goes for the drama queen award. You've heard these songs before, but you've never heard them quite like this, to borrow a bad informercial phrase. As twisted and hopped-up as they've become, they're all worth getting to know again. --Tammy La Gorce
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Apparently there's nothing in Kabbalah that disallows sweaty, head-spinningly good dance music, because here comes a flame-haired Madonna hawking a dozen songs' worth: Confessions on a Dance Floor darts seamlessly from Madge's early days, when she emerged as the genre's enduring darling, through the political, kiddie, and acoustic pap that drove a wedge between her and early adopters of the fingerless glove look. Songs like the pop-leaning "Jump" and first single "Hung Up"--an adrenaline drip on high that, like many of these tracks, will inspire mild shame among those who've thrilled to the much thinner disco-dusted outpourings of younger divas recently--represent both a return to form and an unmistakable march into the future. "Get Together" is a sonic freak-out in the best sense; "Push" traffics in gut-level futuristic trance; and "Forbidden Love" loops in '80s blips and bleeps for a follow-me-into-the-past effect that's both neo and retro. For all the image-affirming innovations here, though, these confessions find Madonna framed in her share of reflective moments too. "Was it all worth it/How did I earn it?" she asks on "How High," a song featuring vocoder. "Nobody's perfect/I guess I deserve it," comes the answer. A later lyrical inquiry is left for the listener to judge: "Does this get any better?" Madonna wants to know. But that opens the door to a dizzying proposition. Few of us would have guessed, after all, that it got this good. --Tammy La Gorce


(Silver) Zoom Optical 3x with Camera Elph Digital 7.1MP SD1000 PowerShot Canon
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