Photo : CTA DIGITAL MR-NB4L Mini Battery Charger for Canon NB-4L

Photo : CTA DIGITAL MR-NB4L Mini Battery Charger for Canon NB-4L

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CTA DIGITAL MR-NB4L Mini Battery Charger for Canon NB-4L

from: CTA Digital



CTA DIGITAL MR-NB4L Mini Battery Charger for Canon NB-4L
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More Info
Piece Availability: Usually ships in 24 hours

Street Price: $14.99
Gaunz Org Price: $11.86
Savings!: $3.13 (21%)
Prices subject to change.

Average Buyer Rating:  out of 5 stars
Sales Rank:





Binding: Electronics
Product Brand: CTA
EAN: 0656777006020
Label: CTA Digital
Product Manufacturer: CTA Digital
Model: MR-NB4L
Publisher: CTA Digital
Studio: CTA Digital


Piece facts:
  • Foldable Flat Pin for Easy Storage/ Slim/ Lightweight Design
  • Smart Charging LED Indicator
  • Automatically Turns to Trickle Charge After Fully Charged
  • Auto Switching Power Voltage From 110V to 240V AC/ Constant Voltage and Current Charging
  • 2.40 Lbs (WxLxH) 1.80" x 1.50" x 3.25"




NB-4L Canon for Charger Battery Mini MR-NB4L DIGITAL CTA






0ur opinion:

:
110/240v mini battery charger for Canon NB-4L with car and european adapter / For use with Powershot SD200 or SD300








Piece Availability: Usually ships in 24 hours


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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 4 out of 5 stars - * Better than expected ...
It's a good buy at this price though I really miss my original charger which was much more compact than this one.

The quality of this product is pretty good and the car charger is a bonus.



Buyer's feedback: 1 out of 5 stars - BATTERY CHARGER
i MISPLACED MY ORIGINAL CHARGER SO I BOUGHT THIS ONE. WHEN I RECEIVED IT I DETECTED A BURNT SMELL. I PLUGGED IT IN AND IT DID NOT WORK. I RETURNED IT FOR A FULL REFUND.



Buyer's feedback: 5 out of 5 stars - * Used this charger during a week-long fishing trip. AWESOME! ...
I purchased this because I had lost my charger that came with my Canon SD1000. I had a week-long fishing trip on the Columbia River planned with my boyfriend where I knew I wanted tons of pictures, so I needed a car charger for my camera (his boat has a cigarette lighter) since I'd be on the water or at camp for a full week. It worked fine and charged the battery in 30 minutes or less on average.

The fact that this is adaptable to a wall outlet as well makes it even better! I was able to use it to charge my camera battery at our hotel after we made a side trip to the Arizona mountains on my way back home.

And you can't beat the price of this charger when a new camera battery would set you back $40 or more each! If you travel often or even not so often, but like to take pictures as much as I do, I highly recommend taking this multi-use charger with you.





Buyer's feedback: 5 out of 5 stars - Great Charger, and compact too!
I love this charger! It is a replacement for my original Canon Battery charger...which somehow was lost. Other replacement chargers on the market are large and very bulky. I love the way this plugs right into the wall...or car!!!! LOVE IT!!!!!!



Buyer's feedback: 5 out of 5 stars - * It works perfectly ...
I really like this product. It works just fine and is much cheaper than the other brands.

read more customer reviews on CTA DIGITAL MR-NB4L Mini Battery Charger for Canon NB-4L


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Stephen Sondheim's Victorian horror thriller Sweeney Todd: The Demon Barber of Fleet Street is generally considered his greatest work, macabre but darkly humorous with a viscerally powerful score that has found a home both on Broadway and in opera houses. George Hearn (who replaced Len Cariou of the original Broadway cast) plays the title character, a wronged man whose lust for revenge drives him to murder (an 18th-century legend who has been traced to a real-life barber), and Angela Lansbury plays his partner in crime, Mrs. Lovett, who finds a practical business use for Todd's victims. This combination of horror and humor is echoed in Sondheim's score: brooding menace ("The Ballad of Sweeney Todd," "My Friend"), achingly beautiful ballads ("Johanna," "Not While I'm Around"), clever puns ("A Little Priest"), coloratura arias ("Green Finch and Linnet Bird"), and intricate choral and ensemble numbers.

Continuing a fortuitous tradition of capturing the Sondheim legacy on video recordings, this performance was filmed before a live audience in Los Angeles during the 1982 national tour. Almost 20 years later, Hearn returned to the role opposite Patti LuPone in an acclaimed concert production. But Sweeney Todd is an especially compelling experience in this 1982 version, complete with the clever staging tricks (e.g., the barber's chair) and as close to the original cast as we're likely to see. --David Horiuchi

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A guilty, guilty pleasure, perhaps not one a left-wing feminist should be admitting to in public. Female boomers should recall yearly TV reruns of this Rodgers and Hammerstein production, featuring such delights as "Impossible" and "Do I Love You Because You're Beautiful?" It may appear a bit stark to younger viewers, but part of the charm of this 1964 network TV special, a remake of the live 1957 telecast originally built around Julie Andrews, is its utter simplicity. An extremely young Lesley Ann Warren and Stuart Damon (of General Hospital fame) are joined by Ginger Rogers, Walter Pidgeon, and Celeste Holm. Warren is all sweetness and innocence without a hint of saccharine artificiality, while Damon is a clear-eyed romantic. This very handsome love story is a bit of an oddity, but worth owning just for the memorable score. --Rochelle O'Gorman
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John Waters made his bid for PG respectability with this enjoyably trashy comedy about the racial integration of a teen dance show on Baltimore television in the early '60s. Waters, as always, makes a virtue of junk culture and the powerful emotional forces it can represent as kids vie to get on the show. Meanwhile, a parade of former stars (Pia Zadora, Debbie Harry, Sonny Bono) and pseudostars (Divine, Ricki Lake) cross the screen, playing freakish characters absorbed by thoughts of fame. (Waters himself turns up as a weirdo psychiatrist.) This transitional film for Waters is rough going at times and not as interesting or funny as his later features Cry-Baby and Serial Mom, but it's worth a look. --Tom Keogh

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Martina McBride has long been a champion of music as social consciousness, particularly for abused women ("Independence Day") and children. On Waking Up Laughing, her ninth album and the follow-up to Timeless, her platinum-selling album of country classics, she advances the theme while expanding it. While two songs explore the issue of unwed mothers (particularly the exquisite "Love Land," which closes the album), and another, "Beautiful Again," touches on child sexual abuse, her overall repertoire embraces the wholeness of family, and of standing strong together in the face of adversity and defeat. Musically, McBride has always proved to be an elegant thorn--her song selection is often inspired (and here, she co-wrote three tunes, including the skyscraping single "Anyway"), but she has tended to use her huge, ride-the-wave soprano full-tilt, without employing the subtle shadings that would make her even more emotionally resonant. On Waking Up Laughing she seems to have worked on the problem, yet in her second foray as solo producer, she still tends to gild the lily instrumentally--inflating string bridges between choruses, for example, or loading the opening country-pop track, "If I Had Your Name," with a Southern-rock guitar break, a listen-to-me fiddle showcase, a Celtic guitar intro, and a close that brings to mind George Harrison's sitar in play-it-backward mode. That said, she makes fine use of what sounds like a black female choir on the uplifting "For These Times," and wisely keeps the haunting break-up ballad "Tryin' to Find a Reason" (with Keith Urban's harmony vocals and guitar solo) lean and affecting. As McBride works to refine her pastiche of creativity, commerciality, and social awareness, she slyly takes more chances than one might think, all the while rallying old fans and making new ones. --Alanna Nash
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For right-minded buyers of the reissued Muppet Christmas Carol soundtrack, the odds of disappointment are about as remote as Miss Piggy's chances with Kermit. If you loved the movie, you will love the loopy mayhem of the Muppet Brass Buskers ("Good King Wenceslas"), the cartoonish malice of the black-hearted misanthropes Marley & Marley ("Marley & Marley"), and the hope-swollen harmonies of Tiny Tim and Family ("Bless Us All"), Muppeted here to hilariously humble effect. If, on the other hand, your interest in this disc has more to do with its inclusion in the way-narrow Christmas-record-for-kids category--if the spirit of the season doesn't extend, for you, to the magic of the Muppets--you may want to keep browsing, as it's a soundtrack first (overture, instrumentals, and all) and a Christmas CD second. That's not to suggest you're stuck with an un-fun disc should it land on your holiday stack without a prior screening, though. Miles Goodman's score sweeps and inspires, and certain tracks--"One More Sleep 'til Christmas" and "Fozziwig's Party"--are future classics. (Note to the right-minded: After a misstep on the original release, Martina McBride's version of "When Love is Gone" is back.) -Tammy La Gorce


NB-4L Canon for Charger Battery Mini MR-NB4L DIGITAL CTA
Shopping at www.gaunz.org  Created at Tue Dec 2 03:18:06 2008