Electronics : DLO HipCase Leather Folio Case for iPod touch 1G (Black)

Electronics : DLO HipCase Leather Folio Case for iPod touch 1G (Black)
could not open XML input
Accessories & Supplies
Audio & Video
Camera & Photo
Car Electronics
Computers & Add-Ons
GPS & Navigation
Marine Electronics
Office Electronics
Security & Surveillance
Service & Replacement Plans

Click here for your favorite eBay items


DLO HipCase Leather Folio Case for iPod touch 1G (Black)

from: Digital Lifestyle Outfitters



DLO HipCase Leather Folio Case for iPod touch 1G (Black)
Click Larger Image
Piece Availability: Usually ships in 24 hours

Street Price: $29.99
Gaunz Org Price: $26.44
Savings!: $3.55 (12%)
Prices subject to change.

Average Buyer Rating: out of 5 stars
Sales Rank:







Binding: Electronics
Product Brand: DLO
Color: Black
EAN: 0836258818186
Label: Digital Lifestyle Outfitters
Legal Disclaimer: Warranty does not cover misuse of product.
Product Manufacturer: Digital Lifestyle Outfitters
Model: 008-1818
Publisher: Digital Lifestyle Outfitters
Studio: Digital Lifestyle Outfitters


Piece facts:
  • Leather case with front cover and soft, fabric-lined interior
  • Padded cover flips up to reveal a hidden pocket--perfect for an ID, credit cards, or cash
  • Complete access to iPod touch screen, headset jack, and dock connector
  • Sleek belt clip keeps iPod touch securely at your side
  • Compatible with 8 B and 16 GB iPod touch





0ur opinion:

:
The HipCase for the iPod touch is a folio-style case that gives you complete body protection, a padded flip-up cover with hidden inner pocket, a leather-covered belt clip, and total iPod access--all in one sleek leather package.



The Ultimate Case for iPod touch
Constructed of fine-quality leather and featuring a soft fabric-lined interior, the HipCase surrounds your iPod touch with sophisticated protection. Flip open the padded cover to reveal a hidden pocket--perfect for credit cards, lDs, or cash. Even when closed, you'll find access to the earbud jack as well as to the dock connector--which means you can plug in and sync your iPod without having to remove it from your HipCase.

The The HipCase's sturdy, leather-covered belt clip ensures that your iPod touch will always be within easy reach. And with its clean lines and stylish construction, the HipCase is the perfect accessory--from a suit and tie to jeans and a T-shirt. Clipped securely to your belt or your backpack, the HipCase protects your iPod touch in style.

What's in the Box
Black DL0 HipCase Folio for iPod touch









Piece Availability: Usually ships in 24 hours






Testimonials
Average Buyer Rating: out of 5 stars

Buyer's feedback: 4 out of 5 stars - * Needs a belt loop rather than a belt clip ...
This is an excellent product with one exception. My profession requires me to be quite active and once in a while this case will slip off of my belt. I have been lucky a couple of times when I thought I lost my 16GB itouch but thankfully I found it. If it had a belt loop rather than a belt clip this would not happen.


Buyer's feedback: 2 out of 5 stars - Meh, could be better
Given the lack of ipod touch G2 cases, I read other reviews and went with this G1 case in the hopes that it would work. It fit. However, the case is unattractive and thicker than I had hoped. I ended up returning it in the end - which was handled well by Amazon. I bought a pouch-style case from Incipio instead. Also not what I had hoped for, but better than this clunky thing.


Buyer's feedback: 4 out of 5 stars - * Nearly perfect ...
I recently bought the case for my Ipod touch - I love the way it protects the ipod and the way you can attach it to the belt etc.
I do not like the way the bottom part encloses the Menu button, it just makes one of the main buttons less accessible.
But that's just a minor flaw, overall it is very nice and I would recommend it to friends.


Buyer's feedback: 4 out of 5 stars - Good Product
I have it 3 week ago, Its very practical. The flap has a convenient magnet to keep it closed. The cover can be folded all the way back. Nice leather. Its a good product. The only thing to improve is that the volume controls on the side are covered by the side straps, they can be operated but is not the same if you feel them with the fingers.


Buyer's feedback: 5 out of 5 stars - * NOT AN ACCURATE REVIEW ...
I CAN HONESTLY NOT OFFER A REAL OPINION AS I BOUGHT THIS AS A GIFT FOR A FRIEND. I GAVE IT FIVE STARS BECAUSE THE ITEM ARRIVED AS DESCRIBED AND FOR PROMPT SHIPMENT.


We have more similar products, listed by their category for you:

 < Previous Page 
 Next Page > 
page 2 of  20
 1  2  3  4  5  6  7  8  9  10  11  12  13  14  15  16  17  18  19  20 
 



Quick! Who Else Has A VoIP Patent That Vonage Can Settle Over?

We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

Permalink | Comments | Email This Story
via Techdirt

Samsung Helix YX-M1 (XM)

Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.
via CNET Reviews - Most Popular Audio System Components

Aperture 1.5 - complete package

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.
via CNET Reviews - Top Rated Software

The Kingdom (Widescreen Edition)
$18.99



Set in Saudi Arabia, The Kingdom is a political action thriller with good acting and wonderful visuals. Its so-so script, though, at times meanders aimlessly until a good explosion jolts the viewer's attention back to the screen. Jamie Foxx stars as FBI special agent Ronald Fleury, who leads an elite team into Saudi Arabia to find the terrorists who attacked American employees working in the Middle East. He has been given the unlikely deadline of five days to infiltrate the compound, with just his wit and his crew, which includes forensics expert Janet Mayes (Jennifer Garner), explosives guru Grant Sykes (Chris Cooper), and intelligence analyst Adam Leavitt (Jason Bateman). It's unclear how helpful smarmy U.S. diplomat Damon Schmidt (Jeremy Piven) will be, but Fleury knows enough to surmise that the media-hungry Schmidt might not be completely trustworthy. Foxx and Garner have wonderful screen presence, but it's Bateman and Piven who get the best lines. Director Peter Berg peppers The Kingdom with actors he has worked with in the past. Berg, who guest-starred on Alias opposite Garner, casts Tim McGraw in a small role here. (The country singer also had a co-starring role in Berg's 2004 film Friday Night Lights.) And Kyle Chandler and Minka Kelly--two of Berg's lead actors from the Friday Night Lights television series, , make appearances in The Kingdom. The action sequences he creates are impressive and generate a sense of panic that The Kingdom producer Michael Mann (Miami Vice) undoubtedly applauds. While a tauter script would've rounded out the action nicely, the action in many cases does speak for itself. --Jae-Ha Kim
No End in Sight
$19.99



A staggering portrait of arrogance and incompetence, the documentary No End in Sight avoids the question of why the U.S. invaded Iraq in 2003, choosing instead to focus on the war's aftermath--and meticulously examine the chain of decisions that led Iraq into a grotesque state of lawlessness and civil war. Drawing from interviews with top generals, administration officials, journalists, and soldiers who were in the thick of the war itself, No End in Sight lays out a gripping story, as suspenseful as any Hollywood movie, accompanied by terrifying footage of firefights and explosions more vivid than any special effects. Unfortunately, there is no happy ending. If the documentary has a weakness, it's the shortage of voices trying to defend the administration policies (perhaps unsurprisingly, policymakers like Dick Cheney, Donald Rumsfeld, and Paul Wolfowitz declined to be interviewed). But the testimony (presented by administration insiders and officials in Iraq, both military and civilian) argues that, despite contrary analysis and experienced advice against its actions, the top brass of the Bush administration made decisions (that aggravated already existing problems and created devastating new ones. No End in Sight builds its case one voice at a time and avoids the grandstanding that undercuts Michael Moore's work; instead, the gradual accumulation of simple facts--presented with weary resignation, earnest outrage, and restrained anger--results in a compelling condemnation of one of the worst blunders the U.S. has ever made. --Bret Fetzer
Why We Fight
$14.99



Fans of Oliver Stone's J.F.K. will recognize the opening moments of writer-director Eugene Jarecki's Why We Fight, in which outgoing President Dwight Eisenhower warns of the pernicious and growing influence of what he called the "military-industrial complex." But Stone's movie, which uses the same footage, was a work of fiction. While those who disagree with the decidedly leftist point of view in this documentary will probably consider it the product of paranoid liberal fantasy as well, there's enough credible material, much of it supplied by the targets of Jarecki's criticisms, to make Eisenhower look like a prophet and everyone else uneasy about the dark confluence of politics, money, and war that controls the country's fortunes. The message here is that while there may be some who sincerely believe that America's various military engagements (in Iraq, Vietnam, Grenada, Panama, and elsewhere) since World War II are the product of our God-given duty to spread freedom and halt the influence of evil ideologies around the world, the real reason we fight is that war is good business. This is hardly a bulletin; anyone who is surprised by allegations that politicians pander to defense contractors, or that Vice President Dick Cheney helped secure huge deals for Halliburton, the company he formerly headed, simply hasn't been paying attention (Politicians lie? How shocking!). In fact, the principal drawback to Jarecki's film is simply that there's nothing particularly revelatory or compelling about it. Only when he takes a personal approach does he go beyond the obvious; the story of a retired New York policeman and former Vietnam veteran whose son died in the World Trade Center, who wanted revenge, but who became seriously disillusioned when Bush admitted that the war in Iraq had nothing to do with 9/11, adds some much needed human interest. Still, Why We Fight, which includes a director's audio commentary track and a few other bonus features, serves as a grim reminder that the world's most powerful nation has strayed far from the principles of our founding fathers, a development that does not bode well for America's future. --Sam Graham
Dixie Chicks- Taking The Long Way(Piano Vocal Chords)

by Dixie Chicks
$21.95

Average customer rating: ISBN: 0739043439
Dixie Chicks- The Long Way (Guitar Tab Edition)

by Dixie Chicks, Mark Seliger
$16.95

Average customer rating: ISBN: 0739043447
Proud to Be an Okie: Cultural Politics, Country Music, and Migration to Southern California (American Crossroads)

by Peter La Chapelle
$24.95

Average customer rating: ISBN: 0520248899
Marie Osmond's Magic of Christmas



Marie Osmond's Merry Christmas
$4.95



In her snowy home state of Utah, Marie Osmond serves up a warm cup of holiday cheer with Marie Osmond's Merry Christmas, her very first Christmas special. Mixing traditional songs and carols with modern melodies, Marie presents a sentimental hourlong program (originally aired on television in 1989), blending music with short sketches. The show features Kirk Cameron, then-teen heartthrob on Growing Pains; Candace Cameron, his sister and star of Full House; country singer Lee Greenwood; Sally Struthers and daughter Samantha, ice dancers Judy Blumberg and Michael Siebert, and the Osmond Boys.

Marie opens the show with an outdoor rendition of "We Need a Little Christmas" and then moves into the studio where Kirk Cameron arrives on a snowmobile (fresh from rescuing a trio of blonde snow bunnies) to read "The First Christmas Story." Lee Greenwood performs "Christmas to Christmas" and later a duet with Marie. "It's Beginning to Look a Lot Like Christmas" is sung by Sally Struthers and daughter with help from the Osmond Boys--six stepping stones ages 4 to 12 who have the senior Osmonds' moves down pat. The adorable award, though, goes to Marie's 5-year-old son, Steven, who performs a rockin' version of "Santa Claus Is Comin' to Town" (clapping on the off-beat nearly the whole song).

Marie has a good, strong voice, but many of the songs are overproduced and melodramatic. This, most likely, is a product of the big, pouffy '80s (her hair and outfits are also bigger-than-life) rather than a reflection of her talents. The closing number, "O Holy Night," sung by Marie alone, is quite lovely. --Dana Van Nest

Together
$11.98





(Black) 1G touch iPod for Case Folio Leather HipCase DLO
Shopping at www.gaunz.org  Created at Sun Nov 23 12:29:44 2008