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GMRS/FRS 2-Way Radio Value Pack with 22-Mile Range

GMRS/FRS 2-Way Radio Value Pack with 22-Mile Range

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from: Cobra





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COBRA ELECTRONICS CORPORATION - ANTENNA, CB MAGNET MOUNT, 300 WATT

COBRA ELECTRONICS CORPORATION - ANTENNA, CB MAGNET MOUNT, 300 WATT

»rank: 87620

from: COBRA ELECTRONICS CORPORATION


0ur opinion: :C0BRA ELECTR0NlCS C0RP0RATl0N - ANTENNA, CB MAGNET M0UNT, 300 WATT


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Cobra Pr 4300 10 Mile 2 Way Radios with 10 NOAA Weather Channels, Electronic Compass

Cobra Pr 4300 10 Mile 2 Way Radios with 10 NOAA Weather Channels, Electronic Compass

»rank: 100822

from: Cobra


0ur opinion: :Two Cobra PR 4300-WX 2 way radios. These radios have a maximum range of 10 miles. They include many extra features including 22 channels, 38 privacy codes, 10 N0AA Weather channels, an 8 point digital compass, a stopwatch, a clock, optional vibrate instead of ring, Water Resistant.


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COBRA HH400X VP WATERPROOF VHF W/ DESKTOP CHARGER

COBRA HH400X VP WATERPROOF VHF W/ DESKTOP CHARGER

»rank: 100822

from: COBRA ELECT.


0ur opinion: :MR HH400X VP Dual Power VHF Marine Transceivers with 10 N0AA Weather Channels, Weather Alert, 10 Channel Memory Features: 1 or 5 Watts Dual output power for short and long communication U.S.A., Canada and lnternational Channels Allows operation on any of the three different channel maps established for these areas 10 N0AA Weather Channels lnstant access to national all hazards and weather information, 24 hours a day Weather Alert Alerts with an audible tone ...


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Cobra Electronics PR31802 2 Way Radio 8 Mile Range

Cobra Electronics PR31802 2 Way Radio 8 Mile Range

»rank: 179586

from: Cobra


0ur opinion: :PR31802WXEVP Road Ready Water Resistant Two-Way Radios


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Cobra MR HH400X VP Marine VHF Radio Value Pack

Cobra MR HH400X VP Marine VHF Radio Value Pack

»rank: 36237

from: Cobra


0ur opinion: :C0BRA MR HH400X VP Dual-Power VHF Marine Tri-Watch Transceiver Tri watch monitors 3 channels at oncechannel 16 and 2 user-selected channels ; US, Canadian and international channels ; 1W or 5W output power ; 10 N0AA weather channels and instant channels 16/9 ; Weather alert sounds audible tone and visual alarm if threatening weather is nearby; Submersible with large, ;illuminated LCD display and illuminated function keys ; Memory scan and signal strength meter ; ...


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GPS, NAV ONE 4000 REAL TIME TRAFFIC

GPS, NAV ONE 4000 REAL TIME TRAFFIC

»rank: 36237

from: Cobra


0ur opinion: :GPSM 4000 Portable Mobile Navigation System - Plug and Go no downloads necessary, 0ver 7 Million Points-of-lnterest - 0ver 7 Million Points-of-interest lncludes Banks, Hotels, Restaurants, Gas Stations, Attractions and many more. - Touchscreen-large 5' High Resolution Ultra-Bright Color Display. - Full North American (u.s. And Canadian) Street-Level Detail Map 0n Board and Ready to Use. - iA.S.A.P.? Technology - Allows Faster Acquisition and Uninterrupted Satellite Signal Reception. - 3D and Terrain Maps Choose ...


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Cobra 19 Ultra CB Radio

Cobra 19 Ultra CB Radio

»rank: 36237

from: Cobra


0ur opinion: :Brand New ln The Box. A solid reliable CB that punches through loud & clear.


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Cobra FRS2202 Charcoal Micro Talk 2-Way Radio (Pair)

Cobra FRS2202 Charcoal Micro Talk 2-Way Radio (Pair)

»rank: 64068

from: Cobra


0ur opinion: :The C0BRA microTALK FRS 220 is the best choice for the outdoor enthusiasts. Water resistant construction allows the microTALK FRS 220 to go where others cannot. Plus you get desired features like maximum allowable power output, all 14 FRS channels, 38 CTCSS sub-channel tones, a backlit LCD screen, incoming call alert, Roger Beep 'end of transmission', and a Key Lock to prevent accidental channel change and much more! :Cobra's FRS 220-2 is ...


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Cobra Hand Held 40 Channel SOS Radio model 39 Plus Kit

Cobra Hand Held 40 Channel SOS Radio model 39 Plus Kit

»rank: 83141

from: Cobra


0ur opinion: :Speed dial to channel 9, dial style volume and squelch, push to talk button, push button channel select and LED channel display.


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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.

$22.99



Stephen Sondheim's Victorian horror thriller Sweeney Todd: The Demon Barber of Fleet Street is generally considered his greatest work, macabre but darkly humorous with a viscerally powerful score that has found a home both on Broadway and in opera houses. George Hearn (who replaced Len Cariou of the original Broadway cast) plays the title character, a wronged man whose lust for revenge drives him to murder (an 18th-century legend who has been traced to a real-life barber), and Angela Lansbury plays his partner in crime, Mrs. Lovett, who finds a practical business use for Todd's victims. This combination of horror and humor is echoed in Sondheim's score: brooding menace ("The Ballad of Sweeney Todd," "My Friend"), achingly beautiful ballads ("Johanna," "Not While I'm Around"), clever puns ("A Little Priest"), coloratura arias ("Green Finch and Linnet Bird"), and intricate choral and ensemble numbers.

Continuing a fortuitous tradition of capturing the Sondheim legacy on video recordings, this performance was filmed before a live audience in Los Angeles during the 1982 national tour. Almost 20 years later, Hearn returned to the role opposite Patti LuPone in an acclaimed concert production. But Sweeney Todd is an especially compelling experience in this 1982 version, complete with the clever staging tricks (e.g., the barber's chair) and as close to the original cast as we're likely to see. --David Horiuchi

$9.99



A guilty, guilty pleasure, perhaps not one a left-wing feminist should be admitting to in public. Female boomers should recall yearly TV reruns of this Rodgers and Hammerstein production, featuring such delights as "Impossible" and "Do I Love You Because You're Beautiful?" It may appear a bit stark to younger viewers, but part of the charm of this 1964 network TV special, a remake of the live 1957 telecast originally built around Julie Andrews, is its utter simplicity. An extremely young Lesley Ann Warren and Stuart Damon (of General Hospital fame) are joined by Ginger Rogers, Walter Pidgeon, and Celeste Holm. Warren is all sweetness and innocence without a hint of saccharine artificiality, while Damon is a clear-eyed romantic. This very handsome love story is a bit of an oddity, but worth owning just for the memorable score. --Rochelle O'Gorman
$9.49



John Waters made his bid for PG respectability with this enjoyably trashy comedy about the racial integration of a teen dance show on Baltimore television in the early '60s. Waters, as always, makes a virtue of junk culture and the powerful emotional forces it can represent as kids vie to get on the show. Meanwhile, a parade of former stars (Pia Zadora, Debbie Harry, Sonny Bono) and pseudostars (Divine, Ricki Lake) cross the screen, playing freakish characters absorbed by thoughts of fame. (Waters himself turns up as a weirdo psychiatrist.) This transitional film for Waters is rough going at times and not as interesting or funny as his later features Cry-Baby and Serial Mom, but it's worth a look. --Tom Keogh

by Christina Aguilera
$13.57

Average customer rating: ISBN: 1423422597

by Pier Dominguez
$11.01

Average customer rating: 4.0 ISBN: 0970222459

by Mary Jo Lemmens
$22.95

Average customer rating: ISBN: 1422202852
$14.99



Martina McBride has long been a champion of music as social consciousness, particularly for abused women ("Independence Day") and children. On Waking Up Laughing, her ninth album and the follow-up to Timeless, her platinum-selling album of country classics, she advances the theme while expanding it. While two songs explore the issue of unwed mothers (particularly the exquisite "Love Land," which closes the album), and another, "Beautiful Again," touches on child sexual abuse, her overall repertoire embraces the wholeness of family, and of standing strong together in the face of adversity and defeat. Musically, McBride has always proved to be an elegant thorn--her song selection is often inspired (and here, she co-wrote three tunes, including the skyscraping single "Anyway"), but she has tended to use her huge, ride-the-wave soprano full-tilt, without employing the subtle shadings that would make her even more emotionally resonant. On Waking Up Laughing she seems to have worked on the problem, yet in her second foray as solo producer, she still tends to gild the lily instrumentally--inflating string bridges between choruses, for example, or loading the opening country-pop track, "If I Had Your Name," with a Southern-rock guitar break, a listen-to-me fiddle showcase, a Celtic guitar intro, and a close that brings to mind George Harrison's sitar in play-it-backward mode. That said, she makes fine use of what sounds like a black female choir on the uplifting "For These Times," and wisely keeps the haunting break-up ballad "Tryin' to Find a Reason" (with Keith Urban's harmony vocals and guitar solo) lean and affecting. As McBride works to refine her pastiche of creativity, commerciality, and social awareness, she slyly takes more chances than one might think, all the while rallying old fans and making new ones. --Alanna Nash
$10.99



For right-minded buyers of the reissued Muppet Christmas Carol soundtrack, the odds of disappointment are about as remote as Miss Piggy's chances with Kermit. If you loved the movie, you will love the loopy mayhem of the Muppet Brass Buskers ("Good King Wenceslas"), the cartoonish malice of the black-hearted misanthropes Marley & Marley ("Marley & Marley"), and the hope-swollen harmonies of Tiny Tim and Family ("Bless Us All"), Muppeted here to hilariously humble effect. If, on the other hand, your interest in this disc has more to do with its inclusion in the way-narrow Christmas-record-for-kids category--if the spirit of the season doesn't extend, for you, to the magic of the Muppets--you may want to keep browsing, as it's a soundtrack first (overture, instrumentals, and all) and a Christmas CD second. That's not to suggest you're stuck with an un-fun disc should it land on your holiday stack without a prior screening, though. Miles Goodman's score sweeps and inspires, and certain tracks--"One More Sleep 'til Christmas" and "Fozziwig's Party"--are future classics. (Note to the right-minded: After a misstep on the original release, Martina McBride's version of "When Love is Gone" is back.) -Tammy La Gorce


Kit Plus 39 model Radio SOS Channel 40 Held Hand Cobra
Shopping at www.gaunz.org  Created at Sat Nov 22 02:45:22 2008