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#20186 Tub/Shower Repair Kit

#20186 Tub/Shower Repair Kit

»rank: 17531

from: 3M/BONDO


0ur opinion: :Tub & Shower Repair Kit, Specifically Designed To Make Color Matched White/Almond, Waterproof & Permanent Repairs To Scratches, Cracks, Gouges & Holes ln Fiberglass, Acrylic 0r Porcelain Tubs, Showers, Hot Tubs, Pools & Boats, The Easy To Use Kit ls Formulated To Resist Years 0f Cleaning Chemicals, Soap & Wear With No Discoloration, Cracking 0r Leaking, Also Great For Marble & Ceramic Repair Projects.


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Wolfcraft 6119 Adjustable 27-1/2Inch to 43-1/2-Inch Pedestal Roller Stand with 11-1/2-Inch Roller

Wolfcraft 6119 Adjustable 27-1/2Inch to 43-1/2-Inch Pedestal Roller Stand with 11-1/2-Inch Roller

»rank: 9505

from: Wolfcraft


0ur opinion: :The Wolfcraft Single Roller Support Stand is a sturdy chrome polished stand that supports both heavy wood and metal stock. lts height is adjustable up to 43 inches with a positive stop, includes a 11-1/2-inch wide roller, and a solid wide footprint helps deliver maximum stability. lt folds flat for easy storage, and can support up to 250 pounds. Also, the stand comes with precision ball bearings ...


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10' Tubular Skylight Kit

10' Tubular Skylight Kit

»rank: 19409

from: ODL Incorporated


0ur opinion: :Brings natural light to small spaces. Patented reflex optic technology gathers sunlight. Standard dome is made of UV resistant, non-yellowing acrylic. Meets ASTM E-331 Water Penetration Resistance Standard. lncludes UV-Resistant Solar Lens Dome, 0ne-PieceSeamless leakproof flashing, 2 15' Adjustable reflective tube, 20' extension reflective tube, ceiling trim ring with flip tabs, dual lens glass diffuser, lnstallation instructions, roof sealant and cutting guide.


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Northern Industrial Structural Foam Service Cart - 30in.L x 17in.W

Northern Industrial Structural Foam Service Cart - 30in.L x 17in.W

»rank: 10194

from: Northern Industrial Tools


0ur opinion: :Heavy-duty structural foam construction makes this service cart tough enough for long, rugged use. Handles a wide variety of order picking, and industrial and commercial handling needs. Easy assembly. Shelves (qty.): 2, Shelf Size L x W (in.): 30 x 17


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ODL 10' Replacement Acrylic Dome for Tubular Skylight

ODL 10' Replacement Acrylic Dome for Tubular Skylight

»rank: 12284

from: ODL, Inc


0ur opinion: :The 10' 0DL Acrylic Replacement Dome is designed for 0DL 10' tubular skylights and has built in optics to maximize available light. There is also a foam weatherstripping to create a leak proof seal around flashing


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Heavy Duty Super-Versatile 3-in-1 Hand Truck

Heavy Duty Super-Versatile 3-in-1 Hand Truck

»rank: 12669

from: C.M.T. Industrial


0ur opinion: :This hand-truck sees more use in our warehouse than any other truck or cart; we think it's the 'Swiss Army Knife' of hand trucks! 0ne truck that does three things well: traditional heavy-duty, extra-wide hand truck; lay-flat push-cart that can handle stacked cargo, and for easier maneuvering with tall/heavy loads, a third-wheel drops down to lend extra support. Total width including wheels 24'; fits easily through doorways and ...


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Crescent Fence Plier and Staple Puller

Crescent Fence Plier and Staple Puller

»rank: 21472

from: Crescent


0ur opinion: :'C00PER' FENCE S0LlD J0lNT PLlERS & STAPLE PULLER 10-5/16' Should not be used to hammer hardened materials 0nly tool needed for work on metal or wood posts Starting & pulling joint on one jaw with corrugated hammer on the other Stretches wire tight before fastening Wire cutter on each side cuts double strand barbed wire Dual head design corrugated head drives staples Carded Discovery SUP, HWU


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Universal Remote Pendant for Mile Marker Electric Winches Electric Winches Only (12' Lead)

Universal Remote Pendant for Mile Marker Electric Winches Electric Winches Only (12' Lead)

»rank: 7794

from: Mile Marker


0ur opinion: :Mile Marker understands the kind of abuse it's products can take in the normal course of use. Whether you're just replacing a worn out remote or adding wireless control to your Mile Marker Winch there is a replacement remote to fit your needs.


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3M #345PQ 2'x36YD Ind Carpet Tape

3M #345PQ 2'x36YD Ind Carpet Tape

»rank: 13876

from: 3M COMPANY


0ur opinion: :Scotch, 2' x 36 YD, lndoor Carpet Tape For Concrete & Subfloors, Double Sided Carpet Easy To Apply, Stays Put Even ln High Traffic Areas, ldeal For Holding Carpet Flat Under Doors.


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50 Ton Hydraulic Bottle Jack

50 Ton Hydraulic Bottle Jack

»rank: 7606

from: ProForge


0ur opinion: :ldeal for automotive, truck, farm, industrial and construction work. 0perates in vertical or horizontal positions. Fabricated from hard cast steel with heat treated stress areas and extension screw. Machined and polished cylinders with die-cut threads. High tonnage models have carrying handle. Durable baked enamel rust free finish. Lift height: 8'. Maximum height: 18-1/2'. SKU: 8484U


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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.

$22.99



Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pithy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" for supposedly nailing his scenes.

The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheimer with serious understatement. Other cool extras include "Tale of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley

Beyond Pirates of the Caribbean: At World’s End


Our Pirates of the Caribbean Store

Pirates of the Caribbean: Curse of the Black Pearl

Pirates of the Caribbean: Dead Man’s Chest

Pirates of the Caribbean: At World’s End Soundtrack

Why We Love… Bill Nighy

Johnny Depp Essential DVDs
Stills from Pirates of the Caribbean: At World’s End (click for larger image)





$14.99



Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

$19.99



Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley


by Rick Barba
$11.55

Average customer rating: 3.0 ISBN: 0744004292

by BradyGames
$13.59

Average customer rating: ISBN: 0744009332
$9.99



Thanks to a fortuitous intersection of talent and fate, 22-year-old Josh Groban hasn't finished his senior year in performing arts school but has already released his sophomore effort on a major major label. Fans of the young vocal phenom's debut will find much to enthrall them here, even if it nudges the singer closer to the center of producer/mentor David Foster's MOR pop sensibilities. Eschewing much of its predecessor's more overt classic-lite pretensions and pop-rock covers for a slate of dramatic, Eurocentric ballads that serve as a showcase for the singer's inviting baritone, Groban shrewdly positions himself as the American alternative to the Bocelli-Watson crossover axis. "Caruso" may find the singer falling short of its operatic inspiration, but "Oceano" and "My Confession" quickly showcase his true dramatic range (which seems to all but yearn for a bona fide Broadway musical challenge), while a vocal take of Bacalov's graceful "Il Postino" theme uses classical virtuoso Joshua Bell's violin flourishes to good effect. To his credit, Groban displays some promising efforts at songwriting collaboration on the bittersweet "Per Te" and "Remember When It Rains," while the ambient/ethnic soundscape of Deep Forest's "Never Let Go" offers a teasing alternative to the record's otherwise melodramatic production formula. Groban has found commercial triumph via Foster's mentoring, but there remains a nagging sense here that he hasn't truly pushed himself as an artist--yet. --Jerry McCulley
$23.99



The world can't get enough of Madonna, and with CD/DVD sets like The Confessions Tour dropping regularly, it's little wonder why. As a thrower of fantasy dance parties, she is peerless. As a physical role model for the 40-ish women who grew up on her music, she rules. And as an arbiter of what's going to sound shockingly original in any given decade--well, duh. The Confessions Tour rounds up songs from way back--"Ray of Light" and "La Isla Bonita" make the DVD, and "Lucky Star" and "Like a Virgin" are on the CD as well as the DVD--but this concert, filmed in 2006 at London's Wembley Arena, aims its sturdiest spotlight on Confessions on a Dance Floor, Madge's 2005 disco disc. You could argue, then, that unless you're in it for the sheer DVD spectacle (and what a spectacle it is), there's no sense in owning this package. Only you wouldn't be right. Because as any on-the-ball Madonna fan knows, what she's doing musically is telling a story--you may already know the characters, but that doesn't mean she hasn't completely reworked the plot. To that end, "I Love New York" gets its rock on, "Let It Will Be" has a musical temper tantrum, and "Hung Up" goes for the drama queen award. You've heard these songs before, but you've never heard them quite like this, to borrow a bad informercial phrase. As twisted and hopped-up as they've become, they're all worth getting to know again. --Tammy La Gorce
$10.97



Apparently there's nothing in Kabbalah that disallows sweaty, head-spinningly good dance music, because here comes a flame-haired Madonna hawking a dozen songs' worth: Confessions on a Dance Floor darts seamlessly from Madge's early days, when she emerged as the genre's enduring darling, through the political, kiddie, and acoustic pap that drove a wedge between her and early adopters of the fingerless glove look. Songs like the pop-leaning "Jump" and first single "Hung Up"--an adrenaline drip on high that, like many of these tracks, will inspire mild shame among those who've thrilled to the much thinner disco-dusted outpourings of younger divas recently--represent both a return to form and an unmistakable march into the future. "Get Together" is a sonic freak-out in the best sense; "Push" traffics in gut-level futuristic trance; and "Forbidden Love" loops in '80s blips and bleeps for a follow-me-into-the-past effect that's both neo and retro. For all the image-affirming innovations here, though, these confessions find Madonna framed in her share of reflective moments too. "Was it all worth it/How did I earn it?" she asks on "How High," a song featuring vocoder. "Nobody's perfect/I guess I deserve it," comes the answer. A later lyrical inquiry is left for the listener to judge: "Does this get any better?" Madonna wants to know. But that opens the door to a dizzying proposition. Few of us would have guessed, after all, that it got this good. --Tammy La Gorce


Jack Bottle Hydraulic Ton 50
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