Photo : Flip Video Ultra Series Camcorder, 60-Minutes (Black)

Photo : Flip Video Ultra Series Camcorder, 60-Minutes (Black)

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Flip Video Ultra Series Camcorder, 60-Minutes (Black)

from: Pure Digital Technologies, Inc.



Flip Video Ultra Series Camcorder, 60-Minutes (Black)
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Piece Availability: Usually ships in 24 hours

Street Price: $149.99
Gaunz Org Price: $129.99
Savings!: $20.00 (13%)
Prices subject to change.

Average Buyer Rating:  out of 5 stars
Sales Rank: 15





Batteries Included: 1
Binding: Electronics
Product Brand: Flip Video
Color: Black
Display Size: 1.5 inches
EAN: 0092684000438
Floppy Disk Drive Description: None
Label: Pure Digital Technologies, Inc.
Product Manufacturer: Pure Digital Technologies, Inc.
Model: F260B
Publisher: Pure Digital Technologies, Inc.
Ranking: 15
Special Features: nv:Size^1/4-inch|Movie Resolution^640 x 480|Memory Included^2GB Internal|Movie File Format^AVI (MPEG-4)|Digital Zoom^2X|Focus Mode^Fixed|LCD Monitor^1.5-inch|LCD Coverage^100%|Maximum Aperture^f 2.4|Movie Mode^30 fps|Movie Image Resolution^640 x 480|Movie Audio^Yes|Computer Interface^USB 2.0 high-speed|Video Out^NTSC Standard|Battery Form Factor^AA|Batteries Included^No|Battery Charger Included^No|Height^4.17 inches|Width^2.25 inches
Studio: Pure Digital Technologies, Inc.


Piece facts:
  • Simple to use, pocket-sized camcorder with one-touch recording and digital zoom
  • Holds 60 minutes of full VGA-quality video on 2GB of built-in memory; no tapes or additional memory cards required
  • Convenient USB arm plugs directly into your computer for easy viewing and sharing
  • Built-in software lets you easily e-mail videos, upload to YouTube and AOL, and capture still photos from video
  • Watch videos instantly on TV with included cable




(Black) 60-Minutes Camcorder, Series Ultra Video Flip






0ur opinion:

:
Pure Digital Flip Video Ultra Series is the next-generation line of highly compact digital camcorders to make it easier than ever for on-the-go consumers to shoot and share high-quality video. Slim-sized to fit neatly into any pocket, the Flip Video Ultra Series provides unmatched portability and simplicity for capturing, editing and sharing video - anytime, anywhere.The Flip Video Ultra Series is the newest member in Pure Digital's popular Flip Video family of digital camcorders, the world's first camcorders with on-board software to enable editing, organizing, and seamless video uploading to A0L, YouTube and other video sharing sites. Flip Video Ultra showcases Pure Digital's next-generation video processing technology, which delivers stunning video and sound quality, even when played on large-screen TVs. The Ultra Series continues Pure Digital's pioneering of a new category of camcorder that puts the power to instantly capture, edit and share video in the pocket of everyday consumers.The Flip Video Ultra Series incorporates a wide range of advanced new features, including a 1.5 inch transflective, no-glare display screen for clear viewing in even the brightest sunlight, next-generation video processing, and increased on-board memory.


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Piece Availability: Usually ships in 24 hours


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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 4 out of 5 stars - * best kept secret? ...
I love the quality of the product, the simplicity of using it and the user friendly interface between the product and uploading the videos to the internet. Though there is room for improvement in making uploading a bit easier, the simplicity of using the camcorder as well as the quality of the output is more than adequate for recording videos for internet usage.

I'm more than thrilled I chose this camcorder. Every time I use it I get asked what it is, and people comment on what an awesome product. Then when they see how good the videos are and how easily and quickly you can upload your video to the internet, they're usually compelled to buy one for themselves.

I recommend it to anyone... and if you need the HD quality video, well I see they've just released an HD Flip Video Camcorder so looks like you're in luck. No excuses... get one!



Buyer's feedback: 4 out of 5 stars - compact memory maker
I have been enjoying how easy the Flip Video Camcorder is to use. It has been able to catch cute moments with my daughter and son. The picture and sound quality are better than I expected! I was able to record my son's soccer game and it played back clearly. The videos are extremely easy to share on email, and can be copied to a flash drive. Overall, I am happy I made the investment in this camcorder! I just wish the silver arrow button area was more substantial in size.



Buyer's feedback: 5 out of 5 stars - * great item.. ...
Love this camcorder! Great video and so easy to use that I bought more as gifts for my family.



Buyer's feedback: 3 out of 5 stars - I love the concept of this camcorder
I bought this camera and absolutely loved it. The only thing I didn't like was that it didn't record for a very long period of time. Then I found the RCA small wonder, and saw that the RCA took an SD card, and it was also less expensive. So off I went to purchase the RCA Small Wonder. I found that both of these cameras are very similar, the video quality with the Flip Video Camera was a little better, but not by much. I found that I was mostly using the RCA Small Wonder when I needed to use one. I eventually gave this one to my sister, because it ended up just sitting around. I never had any problem with either one of the cameras as far as loading them onto my computer or editing the videos that were recorded on either one of them. I just liked the fact that the RCA Small Wonder recorded for a much longer time, and the video quality on that one is very good as well. So if I had to choose between the two of them, I would have to go with the RCA Small Wonder.

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Buyer's feedback: 4 out of 5 stars - * Best option for kids ...
Although I work with kids and video all the time, I was always reluctant to hand over my video camera to my 8 year old. Now that I've bought him this Flip video, he is so into it and edits lots of movies using Windows Movie Maker.

One draw back is the software. I was hoping that the videos would easily transfer to my computer with the USB but you really must install the software. Also, the software doesn't allow you to choose the location of the transfer so you are stuck with the videos alwasy going into the Flip Video folder. Otherwise, very cool and surprisingly good quality camera.

read more customer reviews on Flip Video Ultra Series Camcorder, 60-Minutes (Black)


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It actually underscores the power and distinctiveness of Gary Cooper's movie stardom that this isn't so much a true collection as gleanings from the odds-and-ends table. That's not a knock; three of the four films are solid entertainments and would be well worth recommending on their own. But the only thing unifying them is the beauty and enigma Cooper brought to them, and the professionalism with which he addressed these wide-ranging assignments.

Three of them date from the '20s and '30s and were produced by Samuel Goldwyn. The 1926 silent The Winning of Barbara Worth gave Western stunt man and bit player Cooper his first featured role (by accident--the actor originally cast didn't report for work!). A cowboy whose visionary surveyor father aims to "redeem the desert and make it one fine garden," Cooper's character is the third corner of a romantic triangle, ordained by the Hollywood caste system to lose lifelong sweetheart Vilma Banky to engineer Ronald Colman. Colman has lots more screen time than Cooper and bears the moral-ethical brunt of the eco-conscious drama; he's also surprisingly persuasive wearing a sweat-stained Stetson and trading gunshots with the bad guys (if this were a sound film, Colman could never have gotten away with it). But the camera and the audience are locked onto Cooper whenever he's on screen. In longshot or vulnerable closeup, he's already one of the gods of the cinema. As for the movie, the quality of the print is excellent, its clarity intensified by bronze, yellow, and moonlit-blue tinting that often seems on the verge of resolving into full color. Director Henry King shows a good eye for action and bold vistas, and a visual adventurousness mostly absent from his later work.

Next up chronologically is The Cowboy and the Lady (1938), and the best thing about this misbegotten movie is Garson Kanin's description, in one of his Hollywood memoirs, of how Leo McCarey sold the idea for it to Sam Goldwyn. McCarey was, of course, a comedic master (recently Oscared for directing The Awful Truth), and his exuberant pitch convinced Goldwyn and his staffers that audiences would "piss" themselves laughing at this romantic comedy about a daughter of privilege (Merle Oberon) who falls for a rodeo rider (Cooper) and learns homespun values. Goldwyn paid McCarey off, assigned some writers to the script, then realized there was no real story--"no there there," as Gertrude Stein might have put it. The resultant unfunny and unromantic endeavor oozes bad faith from every pore, with neck-snapping life changes foisted on the hapless Cooper and Oberon from reel to reel, and excruciating scenes (jitterbugging in a drawing room, playing house back on Cooper's ranch) that strain charmlessly for McCarey's patented brand of fey. H.C. Potter directed, understandably without conviction.

We and Cooper are back on track with The Real Glory (1939). The reliable Henry Hathaway helmed this second cousin to his and Cooper's The Lives of a Bengal Lancer, with Cooper as an Army doctor assigned to the Philippine Constabulary on Mindanao in 1906. The movie was well-received when it came out; encountered in the shadow of the Iraq War, its tale of U.S. occupiers trying to help the local populace "stand up" against a fanatical and murderous insurgency takes on new fascination. There are some amazing passages--two horrendous murders by bolo knife--and the final battle sequence puts the CGI-riddled action films of the present day to shame. But the most impressive element is Cooper, and we can't improve on the verdict of that astute film critic Graham Greene: "Mr. Cooper ... has never acted better.... Watch him inoculate [Andrea King] against cholera--the casual jab of the needle, and the dressing slapped on while he talks, as though a thousand arms had taught him where to stab and he doesn't have to think any more."

For the final film in the set we jump into the '50s--the century's and Cooper's. Vera Cruz (1954) casts him as a former Confederate officer who's ridden into Emperor Maximilian's Mexico, hoping to make a fortune in the new civil war south of the border so that he can rebuild his own devastated homeland. Costar Burt Lancaster (whose company Hecht-Lancaster was producing) plays another mercenary, a real sociopath, and it's fascinating to watch these two stellar icons of very different Hollywood eras make common cause--Lancaster at the height of his grinning-predator mode, Cooper an aging knight whose aim is still true. Director Robert Aldrich keeps finding dynamic uses for the SuperScope format and flavorfully fills it with sublime uglies like Ernest Borgnine, Jack Elam, Charles Horvath, Jack Lambert, and Charles Buchinsky-about-to-become-Bronson. Pieces of this movie found their way into the dreams of Sam Peckinpah and Sergio Leone. --Richard T. Jameson


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(Black) 60-Minutes Camcorder, Series Ultra Video Flip
Shopping at www.gaunz.org  Created at Tue Dec 2 13:29:21 2008