Electronics : Garmin Suction Cup Mount for Nuvi (010-10723-03)

Electronics : Garmin Suction Cup Mount for Nuvi (010-10723-03)
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Garmin Suction Cup Mount for Nuvi (010-10723-03)

from: Garmin



Garmin Suction Cup Mount for Nuvi (010-10723-03)
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Piece Availability: Usually ships in 24 hours

Street Price: $25.08
Gaunz Org Price: $19.92
Savings!: $5.16 (21%)
Prices subject to change.

Average Buyer Rating: out of 5 stars
Sales Rank:







Binding: Electronics
Product Brand: Garmin
EAN: 0753759052997
Label: Garmin
Legal Disclaimer: Warranty does not cover misuse of product.
Product Manufacturer: Garmin
Model: 010-10723-03
Publisher: Garmin
Studio: Garmin


Piece facts:
  • Product Type - GPS Accessories
  • Garmin Part 010-10723-03
  • Vehicle Suction Cup Mount for Nuvi 350
  • Warranty - 1 Year
  • Unit is Easily Removed





0ur opinion:

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Every Garmin product is designed to meet the most demanding standard: customers' satisfaction. That's why Garmin equipment is manufactured to give you reliable service for years to come, with intuitive features you can grow into over time - all at a price you can afford.

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The Garmin 010-10723-03 Suction Cup Mount for the Nuvi 300/350/310/360 is a replacement suction cup mount for your Garmin Nuvi 300, 350, 310, or 360 GPS system. lncludes both temporary and permanent adhesive disks for mounting to the dash.









Piece Availability: Usually ships in 24 hours






Testimonials
Average Buyer Rating: out of 5 stars

Buyer's feedback: 1 out of 5 stars - * just like the others say... ...
don't bother with this. As mentioned before, the rubber from the cup melted onto the windshield. It took forever for me to get the darn thing off the windshield. After getting it off, I still had to used a razor blade to get the rest of the black rubber off the glass. And there is still a slight black circle there. This happened in April in Michigan.
I will admit, before it melted, the location and flexibilty of the mount was great.


Buyer's feedback: 1 out of 5 stars - Not well suited for moving from vehicle to vehicle
Once this mount gets hot in the sunlight, the rubber adhers to the glass. To get it off you will probably rip part of the rubber off and the whole thing will lose it's ability to create good suction for the next install. My recommendation is mount it once and don't move it again or you will make a $30 mistake just as I did.

An alternative for moving mounts from vehicle to vehicle I use is the automotive mount (dash style) adding my own velcro for use with rental cars. Replacing velcro is much cheaper than replacing the window mount.Garmin Automotive Mount for Nuvi (010-10723-04)


Buyer's feedback: 1 out of 5 stars - * Riiiiiiiiiiiip..... ...
Mine worked great. Right up to the time I had to rip it off a rental car windshield (leaving the rubber behind) because it'd glued itself on.

NUVI itself is great. But great enough to have to keep buying mounts @$35 a pop?


Buyer's feedback: 4 out of 5 stars - Doesn't like cold windshields
I have found that this suction cup tends to fall of when the windshield gets cold. A little saliva on the suction cup prior to putting it up tends to help. You can also mount the suction cup on the dashboard using the disk provided. A good idea if you have a deep dashboard.




Buyer's feedback: 5 out of 5 stars - * Sticks Like Glue ...
This is an exact replacement for the high quality, precision made suction cup mount that comes packaged with the Nuvi unit. Unlike many such suction cup products, this one sticks. I bought an extra for ease in "cross-decking" my one Nuvi unit between my two cars. I just leave the mounts in place on the windshields of both cars and move the Nuvi and power cord to whichever car I am using at the moment. A good convenience. Note that I attach this mount to the windshield. I have not tried the red-disc mounting plate that allows the mount to be attached to a pebbly-textured dashboard... I was scared off by the warning that once you attach the red disk it is extremely hard to remove.


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Quick! Who Else Has A VoIP Patent That Vonage Can Settle Over?

We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Pirates of the Caribbean - At World's End (Two-Disc Collector's Edition)
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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pithy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" for supposedly nailing his scenes.

The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheimer with serious understatement. Other cool extras include "Tale of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley

Beyond Pirates of the Caribbean: At World’s End


Our Pirates of the Caribbean Store
Pirates of the Caribbean: Curse of the Black Pearl
Pirates of the Caribbean: Dead Man’s Chest

Pirates of the Caribbean: At World’s End Soundtrack
Why We Love… Bill Nighy
Johnny Depp Essential DVDs
Stills from Pirates of the Caribbean: At World’s End (click for larger image)





Pirates of the Caribbean - At World's End (Widescreen Edition)
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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

Pirates of the Caribbean - At World's End [Blu-ray]
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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

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Thanks to a fortuitous intersection of talent and fate, 22-year-old Josh Groban hasn't finished his senior year in performing arts school but has already released his sophomore effort on a major major label. Fans of the young vocal phenom's debut will find much to enthrall them here, even if it nudges the singer closer to the center of producer/mentor David Foster's MOR pop sensibilities. Eschewing much of its predecessor's more overt classic-lite pretensions and pop-rock covers for a slate of dramatic, Eurocentric ballads that serve as a showcase for the singer's inviting baritone, Groban shrewdly positions himself as the American alternative to the Bocelli-Watson crossover axis. "Caruso" may find the singer falling short of its operatic inspiration, but "Oceano" and "My Confession" quickly showcase his true dramatic range (which seems to all but yearn for a bona fide Broadway musical challenge), while a vocal take of Bacalov's graceful "Il Postino" theme uses classical virtuoso Joshua Bell's violin flourishes to good effect. To his credit, Groban displays some promising efforts at songwriting collaboration on the bittersweet "Per Te" and "Remember When It Rains," while the ambient/ethnic soundscape of Deep Forest's "Never Let Go" offers a teasing alternative to the record's otherwise melodramatic production formula. Groban has found commercial triumph via Foster's mentoring, but there remains a nagging sense here that he hasn't truly pushed himself as an artist--yet. --Jerry McCulley
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Apparently there's nothing in Kabbalah that disallows sweaty, head-spinningly good dance music, because here comes a flame-haired Madonna hawking a dozen songs' worth: Confessions on a Dance Floor darts seamlessly from Madge's early days, when she emerged as the genre's enduring darling, through the political, kiddie, and acoustic pap that drove a wedge between her and early adopters of the fingerless glove look. Songs like the pop-leaning "Jump" and first single "Hung Up"--an adrenaline drip on high that, like many of these tracks, will inspire mild shame among those who've thrilled to the much thinner disco-dusted outpourings of younger divas recently--represent both a return to form and an unmistakable march into the future. "Get Together" is a sonic freak-out in the best sense; "Push" traffics in gut-level futuristic trance; and "Forbidden Love" loops in '80s blips and bleeps for a follow-me-into-the-past effect that's both neo and retro. For all the image-affirming innovations here, though, these confessions find Madonna framed in her share of reflective moments too. "Was it all worth it/How did I earn it?" she asks on "How High," a song featuring vocoder. "Nobody's perfect/I guess I deserve it," comes the answer. A later lyrical inquiry is left for the listener to judge: "Does this get any better?" Madonna wants to know. But that opens the door to a dizzying proposition. Few of us would have guessed, after all, that it got this good. --Tammy La Gorce

(010-10723-03) Nuvi for Mount Cup Suction Garmin
Shopping at www.gaunz.org  Created at Thu Dec 4 07:35:31 2008