: GE 21710 15 Watt (65W equivalent) Energy Smart Floodlight Dimmable R30 Light Bulb 3 Count

: GE 21710 15 Watt (65W equivalent) Energy Smart Floodlight Dimmable R30 Light Bulb 3 Count

could not open XML input

GE 21710 15 Watt (65W equivalent) Energy Smart Floodlight Dimmable R30 Light Bulb 3 Count

from: General Electric



GE 21710 15 Watt (65W equivalent) Energy Smart Floodlight Dimmable R30 Light Bulb 3 Count
Click Larger Image

More Info
Piece Availability: Usually ships in 24 hours

Gaunz Org Price: $38.14
Prices subject to change.

Average Buyer Rating:  out of 5 stars
Sales Rank: 6226





Binding: Tools & Hardware
Product Brand: GE
Color: Soft white
Label: General Electric
Product Manufacturer: General Electric
Model: 21710
Publisher: General Electric
Ranking: 6226
Studio: General Electric
Variation Description: Soft white


Piece facts:
  • A smart way to save energy
  • Application: Indoor spot/ floodlight 375 inch wide fixtures
  • Base: medium screw (E26); Bulb type: R30; Watts: 15
  • Initial Lumens: 700
  • Guaranteed to last 4 years based on 4 hours use per day at 120V.




Count 3 Bulb Light R30 Dimmable Floodlight Smart Energy equivalent) (65W Watt 15 21710 GE













Piece Availability: Usually ships in 24 hours


We found more related products for you:
GE 21716 26 Watt (90 Watt equivalent) Energy Smart Floodlight Dimmable R40 Light Bulb 6 Count GE 47478 15 Watt (65 Watt equivalent) Energy Smart Floodlight 6 Year Life R30 Light Bulb 3 Count GE 47484 11 Watt (40 Watt equivalent) Energy Smart G25 Globe CFL 6 Year Life Light Bulb 3 Count Sylvania CF9EL/CANDELABRA/2BL 9W Compact Fluorescent Lamp with Candelabra Base with Medium Base Adapter, Warm White, 2-Pack Sylvania 29573 16-Watt 120-Volt Compact Fluorescent R30 Reflector Lamp with Medium Base, Warm White, 4-Pack # CF16BR304PKCVP click 4 more

We found more related products for you:




Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 4 out of 5 stars - * These bulbs work great and will save you money ...
I used some of these bulbs in an overhead fixture that originally used incandescent bulbs. I've used dimmable fluorescent bulbs before so I know that you can't dim them quite as low as a regular bulb. They probably dim to about 20% which suits our application just fine. I've been using the bulbs daily for about 2 years and they're working just fine. I've found that if you turn them on and let wait a few minutes you are able to dim them down further than if you just turn them on and dim them right away.

I'm very happy with the bulbs and even more happy with the money I'm saving on electricity, not to mention that they don't give off a lot of heat like incandescent bulbs do. That can help in the summer when you're trying to keep the house cool and maybe even save a little on the air conditioning.



Buyer's feedback: 3 out of 5 stars - Dimmable track lighting
I recently purchased dimmable track lighting CFL bulbs. They're only about 50% dimmable but still, the money we're saving on electric bill makes up for it!



Buyer's feedback: 4 out of 5 stars - * Work well, a few cons ...
These work well, for the most part. They are brighter then the 65W incandescent bulbs they replaced, but they take 5 mins or so to get that bright. They dim, but only about 50% or so, and in our case we can't turn the dimmer more then 70% off or they flicker. All in all, they do the job we wanted, run cooler then what they replaced, and since they stay on 24 hours a day in a business setting the warm-up period doesn't matter much to us.



Buyer's feedback: 1 out of 5 stars - Not up to current standards; unacceptable delay; needs 2-3 min warmup.
We use CFLs in non-dimmable fixtures and have done so for years. So we expect our bulbs to light instantaneously. For instance we use CFLs for step lightiing, not an application where you want to surprise people with a delay after they flip a switch.

This bulb has a delay reminiscent of the old CFLs we began buying ten years ago. Furthermore, it begins dim and requires 2-3 minutes to reach full brightness. That might have been OK then, but people have heard how great CFLs are now (and I think they ARE great), and how all the previous shortcomings have been fixed. I am concerned about what impact this bulb might have on new users. I have extensive experience with CFLs and strong faith in their utility and value as energy savers. If this were my first bulb, I might wonder if that was all hype.

If you have never used CFLs before, they ARE great, they don't have a delay (except this one), and they do equal the quality of incandescents. You should use them where you use regular non-dimmable bulbs. OTOH I would recommend trying dimmables one brand at a time to see if they are compatible with your dimmers and to catch performance issues like the ones I have had with GE's dimmable flood. I am going to try other brands of dimmables, but i would discourage others from buying this one.



Buyer's feedback: 4 out of 5 stars - * Advantages of CFLs over incandescent and dimmable CFLs. ...
Advantages are less energy usage and less heat production over incandescent bulbs but they do cost more. I would buy this one rather than the dimmable CFLs which only dim about 20% (Sylvania 10%, Philips 20%, GE20%) and cost about 3-4x as much. Don't buy expecting them to dim like incandescent bulbs, because the way they dim is by producing harmonic distortion (changing the waveform to one where less light is produced) which can cause flickering and even without noticeable flickering possibly even headaches or eye strain in some people. So go with the nondimmable CFLs instead.



We have more similar products, listed by their category for you:


 




This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.

Eclipse3.1M3 comes out later today..

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.

$22.99



Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pithy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" for supposedly nailing his scenes.

The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheimer with serious understatement. Other cool extras include "Tale of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley

Beyond Pirates of the Caribbean: At World’s End


Our Pirates of the Caribbean Store

Pirates of the Caribbean: Curse of the Black Pearl

Pirates of the Caribbean: Dead Man’s Chest

Pirates of the Caribbean: At World’s End Soundtrack

Why We Love… Bill Nighy

Johnny Depp Essential DVDs
Stills from Pirates of the Caribbean: At World’s End (click for larger image)





$14.99



Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

$19.99



Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley


by Rick Barba
$11.55

Average customer rating: 3.0 ISBN: 0744004292

by BradyGames
$13.59

Average customer rating: ISBN: 0744009332
$9.99



Thanks to a fortuitous intersection of talent and fate, 22-year-old Josh Groban hasn't finished his senior year in performing arts school but has already released his sophomore effort on a major major label. Fans of the young vocal phenom's debut will find much to enthrall them here, even if it nudges the singer closer to the center of producer/mentor David Foster's MOR pop sensibilities. Eschewing much of its predecessor's more overt classic-lite pretensions and pop-rock covers for a slate of dramatic, Eurocentric ballads that serve as a showcase for the singer's inviting baritone, Groban shrewdly positions himself as the American alternative to the Bocelli-Watson crossover axis. "Caruso" may find the singer falling short of its operatic inspiration, but "Oceano" and "My Confession" quickly showcase his true dramatic range (which seems to all but yearn for a bona fide Broadway musical challenge), while a vocal take of Bacalov's graceful "Il Postino" theme uses classical virtuoso Joshua Bell's violin flourishes to good effect. To his credit, Groban displays some promising efforts at songwriting collaboration on the bittersweet "Per Te" and "Remember When It Rains," while the ambient/ethnic soundscape of Deep Forest's "Never Let Go" offers a teasing alternative to the record's otherwise melodramatic production formula. Groban has found commercial triumph via Foster's mentoring, but there remains a nagging sense here that he hasn't truly pushed himself as an artist--yet. --Jerry McCulley
$23.99



The world can't get enough of Madonna, and with CD/DVD sets like The Confessions Tour dropping regularly, it's little wonder why. As a thrower of fantasy dance parties, she is peerless. As a physical role model for the 40-ish women who grew up on her music, she rules. And as an arbiter of what's going to sound shockingly original in any given decade--well, duh. The Confessions Tour rounds up songs from way back--"Ray of Light" and "La Isla Bonita" make the DVD, and "Lucky Star" and "Like a Virgin" are on the CD as well as the DVD--but this concert, filmed in 2006 at London's Wembley Arena, aims its sturdiest spotlight on Confessions on a Dance Floor, Madge's 2005 disco disc. You could argue, then, that unless you're in it for the sheer DVD spectacle (and what a spectacle it is), there's no sense in owning this package. Only you wouldn't be right. Because as any on-the-ball Madonna fan knows, what she's doing musically is telling a story--you may already know the characters, but that doesn't mean she hasn't completely reworked the plot. To that end, "I Love New York" gets its rock on, "Let It Will Be" has a musical temper tantrum, and "Hung Up" goes for the drama queen award. You've heard these songs before, but you've never heard them quite like this, to borrow a bad informercial phrase. As twisted and hopped-up as they've become, they're all worth getting to know again. --Tammy La Gorce
$10.97



Apparently there's nothing in Kabbalah that disallows sweaty, head-spinningly good dance music, because here comes a flame-haired Madonna hawking a dozen songs' worth: Confessions on a Dance Floor darts seamlessly from Madge's early days, when she emerged as the genre's enduring darling, through the political, kiddie, and acoustic pap that drove a wedge between her and early adopters of the fingerless glove look. Songs like the pop-leaning "Jump" and first single "Hung Up"--an adrenaline drip on high that, like many of these tracks, will inspire mild shame among those who've thrilled to the much thinner disco-dusted outpourings of younger divas recently--represent both a return to form and an unmistakable march into the future. "Get Together" is a sonic freak-out in the best sense; "Push" traffics in gut-level futuristic trance; and "Forbidden Love" loops in '80s blips and bleeps for a follow-me-into-the-past effect that's both neo and retro. For all the image-affirming innovations here, though, these confessions find Madonna framed in her share of reflective moments too. "Was it all worth it/How did I earn it?" she asks on "How High," a song featuring vocoder. "Nobody's perfect/I guess I deserve it," comes the answer. A later lyrical inquiry is left for the listener to judge: "Does this get any better?" Madonna wants to know. But that opens the door to a dizzying proposition. Few of us would have guessed, after all, that it got this good. --Tammy La Gorce


Count 3 Bulb Light R30 Dimmable Floodlight Smart Energy equivalent) (65W Watt 15 21710 GE
Shopping at www.gaunz.org  Created at Thu Dec 4 08:28:03 2008