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Riverdance - The Show

Riverdance - The Show

»rank: 87

starring: Michael Flatley, Jean Butler, Brendán de Gallaí, Eileen Martin, Areleen Ni Bhaoill
directed by: John McColgan


0ur opinion: :Riverdance--The Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance lrish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance 0rchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya ...


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Riverdance - Live From New York City

Riverdance - Live From New York City

»rank: 10776

starring: Jean Butler, Colin Dunne, María Pagés, Katie McMahon, Morgan Crowley
directed by: John McColgan


0ur opinion: :Riverdance--The Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance lrish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance 0rchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya ...


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Riverdance: The Show (standard carton edition)

Riverdance: The Show (standard carton edition)

»rank: 19860

starring: Riverdance Dance Troupe, Anuna & James Bignon Group Distant Thunder
directed by: Choreographer Michael Flatley, John McColgan


0ur opinion: :RlVERDANCE: THE SH0W. Breathtaking, thrilling and visually stunning. RlVERDANCE: THE SH0W is the ultimate celebration of the very best of lrish culture. This unique video presentation captures the exhilarating show performed by the original cast, live from the Point Theatre, Dublin, lreland. RlVERDANCE: THE SH0W composed by Bill Whelan, features a cast of eighty with a host of international performers, including the unique talents of Michael Flatley and Jean Butler with the haunting sound of the ...


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Riverdance: The Show

Riverdance: The Show

»rank: 45114

starring: Michael Flatley, Jean Butler, Brendán de Gallaí, Areleen Ni Bhaoill, María Pagés
directed by: John McColgan


0ur opinion: :Riverdance--The Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance lrish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance 0rchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya ...


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Riverdance: The Show

Riverdance: The Show

»rank: 31028

starring: Michael Flatley, Jean Butler, Brendán de Gallaí, Eileen Martin, Areleen Ni Bhaoill
directed by: John McColgan


0ur opinion: :Riverdance--The Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance lrish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance 0rchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya ...


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Riverdance: Live from Geneva

Riverdance: Live from Geneva

»rank: 54410

starring: Brendán de Gallaí, Joanne Doyle, Yolanda González Sobrado, Anthony Ferguson, Katie Maguire
directed by: John McColgan


0ur opinion: :Riverdance--The Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance lrish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance 0rchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya ...


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Alienware's flagship gaming laptop, the Area-51 m9750, has plenty of appeal for high-end gamers, but the alien head aesthetic seems dated, and newer components are right around the corner.

The rise and fall of muni-Fi (and rise again): Clearly, the largest story involving Wi-Fi in 2007 was the at-first continued growth in cities awarding contracts with no money involved on their part to have service providers build Wi-Fi networks--and the subsequent failure of these networks to be built. Starting quietly in late 2006, the market shifted for metro-scale Wi-Fi. During 2007, providers decided that bearing the full cost of a city-wide network without city contracts wasn't financially sensible.

The full scope of the low uptake rates in cities that had large portions of the network built out also became clear: rather than 15 to 35 percent of residents subscribing, just a few percentage points would put a network in the top tier. Revenue is apparently also pretty minimal even in cities like Taipei, Taiwan, the network provider for which was predicting 250,000 subscribers by the end of 2006, and had just 30,000 regular users each month at last public report in early 2007.

MetroFi started to tell cities that without an advance service commitment at a minimum level -- an anchor tenancy -- the company couldn't proceed on networks. In 2007, MetroFi lost half a dozen bids or saw contracts canceled due to this change. Its work in Portland, Ore., the biggest network it was building, won't be extended beyond current limited dimensions until additional capital or a city commitment is obtained; the city has said it won't commit to service fees, however.

Meanwhile, EarthLink lost its CEO Garry Betty in January due to cancer. A strong backer of new initiatives to change EarthLink's core business, his death was certainly one of the causes in a quick re-evaluation of the municipal wireless division. New CEO Rolla Huff pulled EarthLink out of new deals, suspended existing ones, laid off hundreds of employees while gutting the metro Wi-Fi division, and appears poised to leave currently built or underway networks, including their flagship Philadelphia effort. They may sell the division, but it's hard to see much worth in it given the current state.

In a smaller bit of news, Kite Networks, formerly known by various names, was sold by parent MobilePro to Gobility with conditions that according to SEC filings by MobilePro weren't met. Kite was once high flying, in the company of EarthLink and MetroFi as one of the major U.S. Wi-Fi network builders. Now it's still in that company, with work on its Arizona networks apparently halted. A suitor has emerged in the form of a regional telecom that specializes in the Hispanophone market (double entendre intended), and which thinks it could boost Tempe subscriptions from the current several hundred to about 300 times that number. Hope springs eternal.

And while AT&T was able to launch a Riverside, Calif., network with MetroFi handling the installation and operation, it backed out of St. Louis, Mo., due to a utility pole problem, and the bidding in Chicago, too. The Metro Connect consortiums in Sacramento and Silcion Valley were unable to raise financing despite the apparent blue-chip participation by Cisco, IBM, and Intel.

County-wide Wi-Fi was also hit again and again by providers who pulled out--CenturyTel in Pierce County, Wash., for instance--or problems with technology or utility poles. In a few scattered areas, Wi-Fi across counties has been built out, but it's not an idea whose time has yet come.

Muni-Fi isn't down for the count. While these high-profile networks in large cities and county-wide networks have mostly hit the skids, more modest networks with well-defined goals continue to be built with a focus on public safety and municipal uses in hundreds of small and medium-sized towns. Brookline, Mass., may be a good example, in which a public safety/public access network was built relatively quickly and with no reported problems.

And there's one big city success story: Minneapolis, Minn. While local provider US Internet wound up spending more than they'd intended, reports from the ground indicate that service works quite well, and subscriptions and interest are quite high. The company was able to respond almost instantly to the bridge collapse a few months ago by deploying additional mesh infrastructure to add network capacity in the area. And it says that it could reach positive cash flow in early 2008. One of their advantages? They secured a substantial commitment from the city for the services they built.

Other trends of the year gone by: Music and Wi-Fi are clearly more aligned, with the new Zune models and firmware from Microsoft allowing wireless sync (but not yet Wi-Fi purchases), and the introduction of both the Apple iPhone and iTunes touch, which allow music purchases over Wi-Fi but not synchronization. (While the MusicGremlin preceded both the Zune and iPhone/iPod options, it didn't seem to gain any market traction in 2007.)

Security continues to be a concern in 2007, although less of one as home users have clearly accepted WPA Personal, at long last, and networks are increasingly encrypted through better software from major hardware manufacturers. Wizards make encryption a no-brainer, when they work. Corporations stung by reports and by requirements from credit card issuers are also clearly protecting their networks better, although I'm sure we'll still see breaches at those firms that didn't cross every "t."

The 802.11n standard's emergence into an interim certified Wi-Fi state was also a significant milestone for faster wireless networking. Shipments of Draft 802.11n products in 2007 increased significantly, while prices dropped so much that it makes perfect sense to purchase a $50 to $80 Draft N router than a comparable G unit. Manufacturers made it clear as the year progressed that hardware sold today should generally be firmware upgradable to whatever the final, not much changed 802.11n standard is when approved in 2008.

Gadget-Fi continued on the rise, as an increasing array of devices included Wi-Fi as a connectivity option. Most notably, T-Mobile launched its HotSpot@Home service, the largest scale offering of converged cell/Wi-Fi calling. By year's end, they had four handsets for sale--two plain, a BlackBerry, and a clamshell--but subscriber numbers are unknown.

What's coming in 2008?

In-flight Internet (over Wi-Fi): 2008 is finally the year. It was supposed to be 2005. Or maybe 2002. But we should see a number of planes, mostly flying over the U.S., equipped with either in-flight Internet access or in-flight text messaging and text email. Connexion by Boeing's failure fortunately didn't discourage a half a dozen competitors who were in the R&D phase when Boeing wrote off its satellite-based Internet access venture.

AirCell, Row 44, OnAir, Aeromobile, Panasonic Avionics, and a T-Mobile consortium are among the announced or nearly announced firms with commitments or trials underway. AirCell and Row 44, focused on the U.S. market, plan to deliver Internet not voice to fuselages; OnAir and Aeromobile are working on mobile-based services, including voice, via existing cell phones and devices.

In 2008, American, Alaska, and Virgin America will launch trials over the U.S., and potentially move into production. OnAir should be expanding in Europe beyond the single French aircraft that's equipped in a trial now to RyanAir's fleet. And Aeromobile's Qantas trial could turn into real usage. There's likely action that will happen in Asia and the Middle East, too, that's not yet disclosed.

Other trends to watch

Wi-Fi in every smartphone with better integration. The iPhone was the leading edge, pun intended, offering 2.5G EDGE cell networking as part of the subscription price, along with seamless roaming to Wi-Fi networks. With RIM finally offering BlackBerry models with Wi-Fi, it's unlikely that any future smartphone model intended for serious users would lack the option.

Wi-Fi everywhere. Despite the setbacks in municipal Wi-Fi, wireless networks continue to expand, with better and better coverage found across larger areas and more locations. 2008 might be the year of hotspot saturation.

WiMax arrives. In 2008, we'll finally see production mobile WiMax in action in the U.S., and the questions about whether it works well enough and fast enough at the right price to beat current generation cell data networks, and make money for the disorganized Sprint Nextel will be answered. More certainly, Clearwire, with WiMax as its only option, will push aggressively to steal customers away from fixed, wired broadband, especially in markets with little competition.

Gadget-Fi a go-go. Wi-Fi will become an expected part of gaming consoles (already found in a few), cameras (found in crippled form in just a handful), regular cell phones (in dozens and dozens now), and music players (with more full functionality).



$14.49



Lucario and the Mystery of Mew, the eighth Pokémon movie, ranks as one of the best features in this popular franchise. Director Kunihiko Yuyama and writer Hideki Sonoda sensibly keep the adventures and threats to a scale that's appropriate for the characters. (The first movies put the world at risk, and while Ash Ketchum is a good kid, he's not someone who can credibly save the planet.) Ash, Brock, Max, and May journey to Cameron Palace for a tournament that celebrates the valor of Prince Aaron, who saved the realm from destruction 1,000 years ago. Ash and Pikachu win, but the mischievous Mew kidnaps Pikachu, whom he's befriended. Prince Aaron's Pokémon companion Lucario awakens from the victor's staff to lead Ash and the gang to the Tree of Beginning, a mountain that is also a living entity. Ash risks his life to rescue Pikachu, proving the depth of their friendship to Lucario. The film includes lots of CG effects, most of which work well with the drawn animation: the earlier Pokémon films tended to look like two different movies spliced together.

The two-disc set also includes The Mastermind of Mirage Pokémon: A 10th Anniversary Special. In this 40-minute adventure, Dr. Yung invites Misty and Ash to take part in a special tournament on his new battle system. Yung creates formidable Mirage Pokémon from raw data, culminating in a super-version of Mewtwo, the powerful psychic Pokémon from the first features. Once again, friendship and kindness triumph over greed and arrogance, although the special ends with the words, "To be continued..." (Unrated, suitable for ages 8 and older: cartoon violence) --Charles Solomon


by Veronik Avery, Sara Cameron
$18.15

Average customer rating: 4.5 ISBN: 158479576X

by Norah Gaughan, Thayer Allyson Gowdy
$19.77

Average customer rating: 4.0 ISBN: 1584794844

by Deborah Newton
$16.47

Average customer rating: 4.5 ISBN: 1561582654
$9.97



A CD is always more compelling when you know it's lifted from the artist's autobiography, and that's certainly the case with Confession, Usher's first record since 2001's 8701. The Atlanta singer's string of hits over the past decade have been decidedly PG-13 rated, almost veering towards teen pop, but he's changed all that on this co-produced offering, which he claims is "the real him." It would be too simplistic to just brand this record a break-up record, chronicling his public split with TLC's Rozonda "Chili" Thomas; it is that, but so much more. It would be more accurate to call this Usher's coming of age record, bridging the gap from boy to man, as he navigates the emotional fallout from the disintegration of his relationship, and the events that led up to it--real or imagined. But other than a guilty conscience, it seems unclear why Usher feels compelled to disgorge his secret life, as he documents his infidelities, transgressions, and emotional perfidy in the album's prodigious twenty one songs, that range from insinuating sultry R&B grooves to the decidedly crunky "Yeah," which pairs an insistent keyboard romp with Lil' Jon's assertive beats, and Ludacris' rather humid rhymes. --Jaan Uhelszki
$11.99



Fade to Black is a document of Jay-Z’s self-proclaimed final concert; a grand affair that took place before a sold-out crowd at New York’s Madison Square Garden in November 2003. (But anyone who follows celebrity news knows that Jay-Z was out of retirement and back performing at the Garden just a year later.) Fade to Black is a legitimately powerful record of a truly historic event in the annals of rap. Muttering offhand narration with typical bored, streetwise affect, Jay hails the concert as a momentous occasion for being the first time a hip-hop show was allowed to headline at the Garden.

It’s unlikely that the full impact of the live performances will hit home to viewers unfamiliar with Jay-Z and his Roc-A-Fella Records stable of artists. Another frustration is trying to identify the array of visitors who trade raps on Jay’s stage. Included in the star-studded lineup are Missy Elliott, Foxy Brown, Pharell, Ghostface Killah, Beanie Sigel, Memphis Bleek, and R. Kelly. One unmistakable figure--and we do mean figure--is Jay’s squeeze Beyonce, who raises the temperature and the roof with her skimpy outfit, flowing hair, soulful yowl, and sexed-up dance routine that leaves her boyfriend and the whole of Madison Square Garden slack-jawed with animal desire.

Twenty cameras captured the event, and some of the most powerful sequences are sweeping moves across the swirling, blissed-out masses as they lip sync along in perfect unison with Jay-Z’s complex, profane, quick-witted raps. Less effective are intermittent cutaway segments that show the artist in various studio settings working up beats and rhymes. These amateurish home video breaks may give some insight to Jay’s perfectionism and dedication to his craft, but they detract from the visceral power of the beautifully executed performance footage. --Ted Fry

$9.97



On his third studio effort (and fourth overall), 22-year-old R&B/pop star Usher Raymond makes the not-so-simple transition from post-teen heartthrob to love man. He does it with solid songs and a generous helping of charisma and vocal acumen, making this much-delayed collection a hot summer treat. Usher is aided in his musical efforts by renowned hit-makers like the Neptunes, Jimmy Jam and Terry Lewis (who deliver soaring ballads like "Can U Help Me"), Jermaine Dupri, and new jack Edmund Clement who penned the irresistible single "U Remind Me." With catchy tracks and emotive vocals, Usher revs up his sex quotient and unleashes a winning blend of street-honed jams and passionate love songs. --Amy Linden


Geneva from Live Riverdance:
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