Photo : JVC Everio GZMG130 30GB Hard Disk Drive Camcorder with 34x Optical Zoom

Photo : JVC Everio GZMG130 30GB Hard Disk Drive Camcorder with 34x Optical Zoom

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JVC Everio GZMG130 30GB Hard Disk Drive Camcorder with 34x Optical Zoom

from: JVC



JVC Everio GZMG130 30GB Hard Disk Drive Camcorder with 34x Optical Zoom
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Average Buyer Rating:  out of 5 stars
Sales Rank: 1604





Batteries Included: 1
Battery Description: 1 Lithium
Binding: Electronics
Product Brand: JVC
Display Size: 2.7 inches
EAN: 0046838028625
Floppy Disk Drive Description: None
Label: JVC
Product Manufacturer: JVC
Maximum Focal Length: 78.2 millimeters
Minimum Focal Length: 2.3 millimeters
Model: GZ-MG130
Optical Zoom: 34 unknown-units
Publisher: JVC
Release Date: February 15, 2007
Ranking: 1604
Studio: JVC


Piece facts:
  • Built-in 30GB hard drive
  • 34x optical zoom; 800x digital zoom
  • 2.7-inch Clear Widescreen LCD
  • Digital still capture (640 x 480)
  • SD card slot; USB 2.0 compatible




Zoom Optical 34x with Camcorder Drive Disk Hard 30GB GZMG130 Everio JVC






0ur opinion:

:
JVC is one of the world's leading developers and manufacturers of sophisticated audio, video and related software products. Building upon a wealth of technologies the company is moving decisively to offer appropriate solutions for the multimedia age. To remain at the forefront of the audiovisual industry in the 21st century, JVC is marshalling its resources to create the ultimate in appealing, cost-competitive products.PR0DUCT FEATURES:Multi-Language 0n-Screen Menu;Hard Disk Protection with Drop Detection and Floating Suspension;Auto and manual focus;Digital lmage Stabilizer;Backlight/Spotlight compensation;White Balance (Auto, MWB, Fine, Cloud, Halogen);Self-Timer;Play-list Video Clip Playback and Slide Show Still Playback;ln-Camera File Editing;Playback Scene Transitions.


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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 1 out of 5 stars - * HORRIBLE!!!! ...
This is the worst waste of money ever! We've had it for a year, and are still unable to burn a dvd that wont skip, or freeze up! You can not edit you video with out purchasing the software, and the software is a joke!!! Your forced to only use this software, and you can't even delete parts out from your segments you have to split the segment where you want to delete, and then trim the beginning of the next segment to remove unwanted video! I spent six hours trying to edit a dvd because the software runs so slow, and at the end it told me I had to purchase the software if I wanted to burn the dvd! I WILL NEVER PURCHASE JVC AGAIN!!!!



Buyer's feedback: 1 out of 5 stars - Inefficient customer service
I ordered this product with the understanding that it was new (as advertised). The next day, I received an apology stating that the item was refurbished and Ritz Camera offered a $20 voucher for future purchases, or the option to cancel the order. I opted to cancel the order. The next day, I was informed the item had already shipped, and that I would have to deny the package so it would be returned for reimbursement. When I called customer service to discuss their error, I got someone who seemed to be reading from a script and unable to answer simple questions. Then I was told that I would have to wait 7-10 days after they received the camera before I saw a refund. The refund process did not start until I called to remind them that they owed me money. Eight days later, I received my refund, but without the shipping costs. I was dumbfounded that I was being charged for their mistake. After multiple contacts, I received an automated message stating that I would also be refunded the shipping costs, which took another 7 days. In total, this error took nearly a month to resolve and would not have been corrected at all had I not hassled customer service and sent multiple emails in hopes that it would reach someone who could give me more information than what I found on their website's package tracking page. I had a horrible experience and should not have had to fight to get refunded for a mistake that was not on my behalf.



Buyer's feedback: 1 out of 5 stars - * DO NOT BUY THIS CAMCORDER ...
DO NOT BUY THIS EVERIO GZ-MG330 camcorder it you are a MAC user. Its a piece of junk when it comes to its software, and really in this day and age thats what really matters. Its files are incompatible with MAC programs, read Quicktime, iMovie. This is something identified for over 2 years in websites such as "Gadget Review"--wish I had seen it before I made the purchase. Do not take anyone's word that this or other models are compatible with MAC programs. Demand a demonstration before purchase. Its absolutely nuts that you need to go through multiple programs (all at a purchase) in order to download your video files. Note that the JVC website provides no information on reconciling the incompatibility.



Buyer's feedback: 5 out of 5 stars - Awesome camera
I purchased this camera last week and must say it's the best camcorder I've ever owned.

I've videotaped family events, church services, and special programs.

The software was easy to upload and easy to navigate. It also works well with Windows Movie Maker for adding titles/credits and editing.

At this point I have found nothing negative about this camera. Even my Dad finds it easy to operate and he's technology challenged.




Buyer's feedback: 1 out of 5 stars - * More troublesome than anything ...
I absolutely am ready to throw this thing against the wall!!!! JVC "Customer Svc" isn't very helpful, for one. It's taken me approximately 12 hours straight trying to create a dvd, today alone. The Everio software sucks to the core! It freezes my computer up, doesn't do what it says it will do, and I'm stuck with memories that I can't store onto dvds. The worst and most frustrating part is how slow it is! It's as though when I choose to do something like simply choose a movie to add to my dvd, the software has to think about it and then decides that it'll let me go on, only to find out that after I've spent a half-hour choosing the maximum 50 movies that it will allow (total waste of my dvd that can hold a lot more than that), it'll go through it's thinking process and stop, completely freeze up everything! Just great!It's literally taken me all day to try to do this. I'm so mad because I could have been spending quality time with my family or doing something more important than to waste days on end on this dumb thing!!!! I'll have to try Nero or something else, but I thought that this thing was supposed to be state-of-the-art, considering how much a lot of the reviews out there claimed it to be. Only good thing is that the 34x optical zoom is nice. As for the other features, I'd have to say that this camcorder needs major improvements. Even the little light on it is terrible. When you watch the movie back, it looks as though someone is shining a pen light on the subject, useless, I might add.

I hope there's something better out there, in the meantime, I'm stuck with a user-unfriendly camcorder.

read more customer reviews on JVC Everio GZMG130 30GB Hard Disk Drive Camcorder with 34x Optical Zoom


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Diesel vehicles have nearly a 50-percent market share in Europe, thanks to tax incentives and diesel-friendly legislation across the EU. Diesels are so passé there that you can buy a BMW 730d and no one will think it odd that your luxury car burns oil. Pull up in a diesel 7-Series in America and people would leer at you like you've alighted from an amphibious vehicle reeking of saltwater and dead trout.

But now, thanks to the oft-reported combo of newly-raised CAFE standards, not-so-newly-raised gas prices, and the 50-state diesel engine, GM, Ford, and Chrysler are about to dip more than a hesitant toe into the diesel game. Chrysler offers a diesel in the Grand Cherokee, but soon all three automakers will offer diesels in their best-selling lineups of light trucks -- the Dodge Ram 1500 is expected to offer a 50-state diesel after 2009. Light trucks are being used to lead the charge since those buyers stand to gain the most with the least amount of (perceived) sacrifice.

Diesels currently have 3.2-percent of the American market. Some estimates put them at 15-percent by 2015. That's a huge leap, and diesel still has plenty of hurdles. Diesels will come with a cost premium over gasoline-engined cars. That should be easy enough to conquer -- incentives and some quick cost and longevity calculations should convince people of the benefit. The real hurdle is the nagging issue of perception. The plan will probably be to attack that with a price that makes the proposition unbeatable. Said Chrysler's director of environmental affairs, "If it's priced right, we can sell diesel here. Diesel can give you an immediate poke in fuel economy -- 20 to 40 percent. Not many technologies can deliver that today."

[Source: Detroit News]

 

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A cheerfully over-the-top action film, Bad Boys is notable chiefly for the rapport between its two stars, Will Smith and Martin Lawrence, as two Miami cops on the trail of a drug kingpin as they try to protect a witness (Tea Leoni). Smith is the swinging bachelor and Lawrence the family man, and both must juggle their personal lives as they baby-sit the one chance they have to recover a stolen drug shipment, save their jobs, and take down the drug dealer. While the film is almost always implausible and its story is something seen many times before, director Michael Bay (The Rock) keeps things moving stylishly and at a feverish pace, as Smith and Lawrence prove themselves a terrific comic pairing. Their odd couple banter flies at a faster clip than the bullets and explosions, and becomes the best reason to see this hyperbolic but entertaining action flick. --Robert Lane
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It actually underscores the power and distinctiveness of Gary Cooper's movie stardom that this isn't so much a true collection as gleanings from the odds-and-ends table. That's not a knock; three of the four films are solid entertainments and would be well worth recommending on their own. But the only thing unifying them is the beauty and enigma Cooper brought to them, and the professionalism with which he addressed these wide-ranging assignments.

Three of them date from the '20s and '30s and were produced by Samuel Goldwyn. The 1926 silent The Winning of Barbara Worth gave Western stunt man and bit player Cooper his first featured role (by accident--the actor originally cast didn't report for work!). A cowboy whose visionary surveyor father aims to "redeem the desert and make it one fine garden," Cooper's character is the third corner of a romantic triangle, ordained by the Hollywood caste system to lose lifelong sweetheart Vilma Banky to engineer Ronald Colman. Colman has lots more screen time than Cooper and bears the moral-ethical brunt of the eco-conscious drama; he's also surprisingly persuasive wearing a sweat-stained Stetson and trading gunshots with the bad guys (if this were a sound film, Colman could never have gotten away with it). But the camera and the audience are locked onto Cooper whenever he's on screen. In longshot or vulnerable closeup, he's already one of the gods of the cinema. As for the movie, the quality of the print is excellent, its clarity intensified by bronze, yellow, and moonlit-blue tinting that often seems on the verge of resolving into full color. Director Henry King shows a good eye for action and bold vistas, and a visual adventurousness mostly absent from his later work.

Next up chronologically is The Cowboy and the Lady (1938), and the best thing about this misbegotten movie is Garson Kanin's description, in one of his Hollywood memoirs, of how Leo McCarey sold the idea for it to Sam Goldwyn. McCarey was, of course, a comedic master (recently Oscared for directing The Awful Truth), and his exuberant pitch convinced Goldwyn and his staffers that audiences would "piss" themselves laughing at this romantic comedy about a daughter of privilege (Merle Oberon) who falls for a rodeo rider (Cooper) and learns homespun values. Goldwyn paid McCarey off, assigned some writers to the script, then realized there was no real story--"no there there," as Gertrude Stein might have put it. The resultant unfunny and unromantic endeavor oozes bad faith from every pore, with neck-snapping life changes foisted on the hapless Cooper and Oberon from reel to reel, and excruciating scenes (jitterbugging in a drawing room, playing house back on Cooper's ranch) that strain charmlessly for McCarey's patented brand of fey. H.C. Potter directed, understandably without conviction.

We and Cooper are back on track with The Real Glory (1939). The reliable Henry Hathaway helmed this second cousin to his and Cooper's The Lives of a Bengal Lancer, with Cooper as an Army doctor assigned to the Philippine Constabulary on Mindanao in 1906. The movie was well-received when it came out; encountered in the shadow of the Iraq War, its tale of U.S. occupiers trying to help the local populace "stand up" against a fanatical and murderous insurgency takes on new fascination. There are some amazing passages--two horrendous murders by bolo knife--and the final battle sequence puts the CGI-riddled action films of the present day to shame. But the most impressive element is Cooper, and we can't improve on the verdict of that astute film critic Graham Greene: "Mr. Cooper ... has never acted better.... Watch him inoculate [Andrea King] against cholera--the casual jab of the needle, and the dressing slapped on while he talks, as though a thousand arms had taught him where to stab and he doesn't have to think any more."

For the final film in the set we jump into the '50s--the century's and Cooper's. Vera Cruz (1954) casts him as a former Confederate officer who's ridden into Emperor Maximilian's Mexico, hoping to make a fortune in the new civil war south of the border so that he can rebuild his own devastated homeland. Costar Burt Lancaster (whose company Hecht-Lancaster was producing) plays another mercenary, a real sociopath, and it's fascinating to watch these two stellar icons of very different Hollywood eras make common cause--Lancaster at the height of his grinning-predator mode, Cooper an aging knight whose aim is still true. Director Robert Aldrich keeps finding dynamic uses for the SuperScope format and flavorfully fills it with sublime uglies like Ernest Borgnine, Jack Elam, Charles Horvath, Jack Lambert, and Charles Buchinsky-about-to-become-Bronson. Pieces of this movie found their way into the dreams of Sam Peckinpah and Sergio Leone. --Richard T. Jameson


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With the soundtrack to Divine Secrets of the Ya-Ya Sisterhood, O Brother, Where Art Thou? producer T Bone Burnett has compiled another gently nostalgic gem. Filled with covers of jazz standards, sparse blues picking, and traditional Cajun pieces, Sisterhood matches Brother in ambiance and impeccable musicianship. The highlights are numerous: Bob Dylan's lively song waltzes with a raspy narrative, Lauryn Hill uses acoustic plucking to complement her soulful croon, and Bob Schneider contributes an understated love-ballad rumbling with piano. Even the cover songs are first-rate; Macy Gray jive-jumps through a faithful Billie Holiday cover, and Tony Bennett slows things down with a dapper and distinguished Nat "King" Cole homage. Despite the diffuse genres covered, the superior quality of Sisterhood's songs renders these differences negligible, and the album's pacing ensures a pleasing alternation of styles that never lags. In fact, there's nary a bad song on the entire album. The divine secret's out--Sisterhood is an essential listen. --Annie Zaleski


Zoom Optical 34x with Camcorder Drive Disk Hard 30GB GZMG130 Everio JVC
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