Electronics : Kenwood CA-C2AX - Audio cable - 6.6 ft

Electronics : Kenwood CA-C2AX - Audio cable - 6.6 ft

could not open XML input

Kenwood CA-C2AX - Audio cable - 6.6 ft

from: KENWOOD



Kenwood CA-C2AX - Audio cable - 6.6 ft
Click Larger Image

More Info


Average Buyer Rating:  out of 5 stars
Sales Rank: 19549





Product Brand: Kenwood
EAN: 0019048164315
Label: KENWOOD
Product Manufacturer: KENWOOD
Model: CA-C2AX
Publisher: KENWOOD
Ranking: 19549
Studio: KENWOOD


Piece facts:
  • Adds an auxiliary input to compatible Kenwood changer-controlling receivers
  • plugs into changer input jack
  • 13-pin male DIN connector




ft 6.6 - cable Audio - CA-C2AX Kenwood






0ur opinion:

:
Kenwood is a leading developer and manufacturer of audio and video products for home, car, and personal use. lt is recognized by consumers and the consumer electronics industry for providing superior quality, reliability and value.
















Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 5 out of 5 stars - * so practical ...
so i was able to hook up my car stereo to this cable with no problem, and i'm not even a techy. It saved me hundreds of dollars and now I can listen to my iPod.



Buyer's feedback: 5 out of 5 stars - Easy to install, way better than FM transmitter
This Aux cable was really easy to install, just had to pull out the stereo harness and plug it into the back. The sound quality is awesome, hundreds times better than fm transmitters. If you've got a Kenwood stereo and an MP3 player, you've got to have this too.



Buyer's feedback: 5 out of 5 stars - * Kenwood CA-C2AX cable ...
Fantastic product, fantastic price...the local's wanted @ $60.00 for the cable. It arrived very quickly and has made listening to my iPod Shuffle (3rd Gen.) a snap on my HD Electraglide. Very easy to install and would use this seller again anytime.



Buyer's feedback: 4 out of 5 stars - Inexpensive, relatively easy to install, and works, but has a "feature."
I bought this adapter for my Kenwood KDC-MP228, so that I could place large amounts of music on an MP3 player for travel, rather than carry around multiple compact discs.

It took me about an hour to install the adapter in my Toyota Echo--not bad for someone mechanically challenged who chose to move slowly.

You cannot beat the price, especially considering that certain electronics stores try to sell you a $100 ipod-specific adapter for the MP228, which is incompatible with my MP3 player.

The adapter gives a decent signal to the car stereo.

Now for the "feature." When I have connected the player to the adapter with all power off and turn on the ignition, the player has required a reset (READ: pop the battery lid, close the battery lid, restart player). Let me say again, "you cannot beat the price." You may need to work on a "ignition/connect player/stereo ON" sequence, to avoid the possibility of frying an MP3 player.

All in all, though, a good product.



Buyer's feedback: 5 out of 5 stars - * Excellent CHEAP alternative to expensive ipod decks ...
If you are looking at this, you probably have an older kenwood deck. While mine (KDC-MP8017) pumps out just as much power and quality as the new alpine and pioneer ipod decks ($200+++), it lacks any ipod support.

This auxiliary cable was an easy install, if you are at all car comfortable. If you know how to pull out your deck and drop a wire down the dash and out the bottom, you are golden.

Installed it in my Jeep in about 10 minutes with a screwdriver and a pen to thread the cable through the back.


Perfect in every way. Your kenwood deck, as you switch from cd to tuner etc, will automatically add another option called "DISC-AUX" when it detects you have plugged the cable in. Simply plug the headphone jack on the end of the cable (the auxiliary input) into your ipod or audio source, control it from the source, and PAT YOURSELF ON THE BACK FOR SAVING 300 BUCKS.

perfect product, perfectly compatible with my deck, crutchfield delivered item 2 days early

could not be more pleased!



We have more similar products, listed by their category for you:


 




Canon's XH A1 and XH G1 are excellent camcorders for entry-level professionals and independent filmmakers, with hard-to-beat prices for what they offer.

Though it has a few design and performance glitches, the Sony Ericsson W300i is a quality, basic MP3 cell phone.

Thanks to a rich set of features and some great new additions, Evite maintains its stature as the top service for issuing e-invitations —but competitors are catching up.


$21.99



Filmmaker Robert Zemeckis topped his breakaway hit Romancing the Stone with Back to the Future, a joyous comedy with a dazzling hook: what would it be like to meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV success) is catapulted back to the '50s where he sees his parents in their teens, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. --Doug Thomas

Critics and audiences didn't seem too happy with Back to the Future, Part II, the inventive, perhaps too clever sequel. Director Zemeckis and cast bent over backwards to add layers of time-travel complication, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Marty watching his own actions from the first film. --Tom Keogh

Shot back-to-back with the second chapter in the trilogy, Back to the Future, Part III is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Marty ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of gunman Buford "Mad Dog" Tannen (Thomas F. Wilson, who had a recurring role as the bully Biff). Director Zemeckis successfully blends exciting special effects with the traditions of a Western and comes up with something original and fun. --Tom Keogh

$9.99



Set in a frontier world of bonnets and one-room schoolhouses, Love's Enduring Promise follows a headstrong young teacher named Missie (January Jones, Bandits), the daughter of Clark and Marty Davis (Dale Midkiff and Katherine Heigl) from previous prairie romance Love Comes Softly. After Clark injures himself in a woodcutting accident, the family farm is in danger of failing--until a handsome young stranger (Logan Bartholomew) helps out. Missie finds herself drawn to this man, but the intelligence and graciousness of young railroad magnate (Mackenzie Austin, How to Deal) appeals to a side of her that yearns to go beyond the hills and valleys of her childhood. What could be romantic froth becomes a quiet, well-paced, and thoughtful love story, thanks to a solid script, capable performances, and clean direction. Jones is particularly engaging; Missie could have been blandly virtuous, but Jones draws a rich and subtle range of emotions out of her scenes. Religious viewers will appreciate the movie's commitment to wholesome storytelling and clear moral perspective. Love's Enduring Promise, like Love Comes Softly, is based on a novel by Christian writer Janet Oke, though Love's Enduring Promise departs more from its source. --Bret Fetzer
$8.99



What sounds like the high-concept romantic comedy pitch from hell--widower president falls for smart lobbyist while the world watches--is actually intelligent, charming, touching, and quite funny. Granted, it's wish fulfillment all the way (when was the last time you saw a president who was truly presidential?), but in the capable hands of writer Aaron Sorkin (TV's Sports Night) and director Rob Reiner, The American President is incredibly enjoyable entertainment with quite a few ideas about both romance and the government. Michael Douglas stars as the president, who after three years in office starts thinking about the possibility of dating. When he auspiciously encounters cutthroat environmental lobbyist Sydney Ellen Wade (Annette Bening), sparks begin to crackle and the two begin a tentative but heartfelt romance. Of course, his job gets in the way--their first kiss is interrupted by a Libyan bombing--but darn it if these two kids aren't going to try and make it work! However, they hadn't counted on the president's Republican antagonist (Richard Dreyfuss), who starts carping about family values. The predictable plot--Douglas finally goes to bat for his lady and his country--is leavened by Sorkin's wonderful, snappy dialogue and a light touch from the usually subtle-as-a-sledgehammer Reiner. Both manage to create a believable White House-office atmosphere (with a crack staff including Martin Sheen, Michael J. Fox, Anna Deavere Smith, and Samantha Mathis) as well as a plausible and funny dating scenario. The true success of the movie, though, rides squarely on Douglas and Bening; this is unequivocally Douglas's best comedic performance (ergo his best performance, period) and Bening, usually such a good bad girl, takes a standard career-woman role and fleshes it out magnificently. You can see in an instant why Douglas would fall for her. One of the best unsung romantic comedies of the '90s. --Mark Englehart

by Marc Shapiro

Average customer rating: ISBN: 1550224670

by Amy; Parker, Sarah Jessica Sohn

Average customer rating: ISBN: 0752265059

by vogue

Average customer rating: ISBN: B000V81CGW
$10.99



The tagline emblazoned across the top of this latest WWF album's cover reads, "All New WWF Superstar Themes That Rock!" And on any compilation where songs by Limp Bizkit and Marilyn Manson are unremarkable for their fast pace and fury, it can be safely said that all of the songs do "rock!" Careful work has gone into matching songs to the performers, and the opportunity to listen to this album outside the context of WWF shows means that a fan can live the fantasy any time he chooses, all day long. Even Vince McMahon's theme strengthens the role he plays in the WWF's plot: Dope's "No Chance" talks in the first person about a stupidly angry boss, and connecting McMahon with this song is smart because everybody hates their boss on some level, and this song only reminds the listener of McMahon's part in the drama. Along with "No Chance," some of the other numbers on Forceable Entry are new covers or remixes of wrestlers' theme songs. Here, this generally means a new version with dirtier guitar work throughout it. This will only bother the listener if he was really attached to the original version of one of the themes, such as Chris Jericho's "Break the Walls Down" (Sevendust), or Undertaker's "Rollin'" (Limp Bizkit). Regardless, if you know the songs played upon the entrance of these wrestlers, then you know which themes you like and which ones you don't--and you know whether or not you need this album. --Mark Huntsman


ft 6.6 - cable Audio - CA-C2AX Kenwood
Shopping at www.gaunz.org  Created at Sat Aug 30 09:39:14 2008