0ur opinion: :A family film for an era when 'family film' means scatological jokes, gratuitous violence, and shapeless storytelling, See Spot Run is about par for the course. Punctuated by many a lowbrow moment (scenes of combustible zebra flatulence, for instance), Spot has trouble staying true to its major story line despite the latter's redeeming qualities. That story concerns an FBl-trained bull mastiff who flees the wrath of a mobster (Paul Sorvino) and ends up in the care of ...
0ur opinion: :A family film for an era when 'family film' means scatological jokes, gratuitous violence, and shapeless storytelling, See Spot Run is about par for the course. Punctuated by many a lowbrow moment (scenes of combustible zebra flatulence, for instance), Spot has trouble staying true to its major story line despite the latter's redeeming qualities. That story concerns an FBl-trained bull mastiff who flees the wrath of a mobster (Paul Sorvino) and ends up in the care of ...
0ur opinion: :A family film for an era when 'family film' means scatological jokes, gratuitous violence, and shapeless storytelling, See Spot Run is about par for the course. Punctuated by many a lowbrow moment (scenes of combustible zebra flatulence, for instance), Spot has trouble staying true to its major story line despite the latter's redeeming qualities. That story concerns an FBl-trained bull mastiff who flees the wrath of a mobster (Paul Sorvino) and ends up in the care of ...
0ur opinion: :A family film for an era when 'family film' means scatological jokes, gratuitous violence, and shapeless storytelling, See Spot Run is about par for the course. Punctuated by many a lowbrow moment (scenes of combustible zebra flatulence, for instance), Spot has trouble staying true to its major story line despite the latter's redeeming qualities. That story concerns an FBl-trained bull mastiff who flees the wrath of a mobster (Paul Sorvino) and ends up in the care of ...
0ur opinion: :A family film for an era when 'family film' means scatological jokes, gratuitous violence, and shapeless storytelling, See Spot Run is about par for the course. Punctuated by many a lowbrow moment (scenes of combustible zebra flatulence, for instance), Spot has trouble staying true to its major story line despite the latter's redeeming qualities. That story concerns an FBl-trained bull mastiff who flees the wrath of a mobster (Paul Sorvino) and ends up in the care of ...
0ur opinion: :A family film for an era when 'family film' means scatological jokes, gratuitous violence, and shapeless storytelling, See Spot Run is about par for the course. Punctuated by many a lowbrow moment (scenes of combustible zebra flatulence, for instance), Spot has trouble staying true to its major story line despite the latter's redeeming qualities. That story concerns an FBl-trained bull mastiff who flees the wrath of a mobster (Paul Sorvino) and ends up in the care of ...
0ur opinion: :A family film for an era when 'family film' means scatological jokes, gratuitous violence, and shapeless storytelling, See Spot Run is about par for the course. Punctuated by many a lowbrow moment (scenes of combustible zebra flatulence, for instance), Spot has trouble staying true to its major story line despite the latter's redeeming qualities. That story concerns an FBl-trained bull mastiff who flees the wrath of a mobster (Paul Sorvino) and ends up in the care of ...
0ur opinion: :A family film for an era when 'family film' means scatological jokes, gratuitous violence, and shapeless storytelling, See Spot Run is about par for the course. Punctuated by many a lowbrow moment (scenes of combustible zebra flatulence, for instance), Spot has trouble staying true to its major story line despite the latter's redeeming qualities. That story concerns an FBl-trained bull mastiff who flees the wrath of a mobster (Paul Sorvino) and ends up in the care of ...
0ur opinion: :A family film for an era when 'family film' means scatological jokes, gratuitous violence, and shapeless storytelling, See Spot Run is about par for the course. Punctuated by many a lowbrow moment (scenes of combustible zebra flatulence, for instance), Spot has trouble staying true to its major story line despite the latter's redeeming qualities. That story concerns an FBl-trained bull mastiff who flees the wrath of a mobster (Paul Sorvino) and ends up in the care of ...
On paper, the Mio DigiWalker P550 looks to be an attractive gadget for the mobile professional, combining the capabilities of a PDA and GPS into one device. However, its poor battery life and subpar navigation skills tell a different story.
Though it won't appeal to the masses quite yet, the Nokia N800 Internet Tablet is a nice, portable device for on-the-go Web browsing, and it has some worthy upgrades.
Though it's expensive, the Sony VAIO VGN-TX670P delivers a great combination of business and entertainment features, long battery life, and unparalleled connectivity in an incredibly ultraportable package.
You can say this about D.E.B.S.: director Angela Robinsons 2005 feature isnt very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlies Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isnt a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam Graham
The teaming of Johnny Knoxville (Jackass: The Movie) and Seann William Scott (Dude, Where's My Car?) as well as the presence of the '70s-flavored car chases that were a specialty of the TV series guarantees that The Dukes of Hazzard will be even more lowbrow than the CBS TV series (1979-85) that inspired it. However, this brain-damaging comedy is more "rehash" than "remake," as good ol' Georgiaboys Luke Duke (Knoxville) and his cousin Bo (Scott) are frequently upstaged bythe General Lee, the Confederate-flagged '69 Charger that they drive, jump, race, and fly in as they smuggle moonshine for their Uncle Jesse (Willie Nelson). Meanwhile, cousin Daisy Duke (Jessica Simpson) is reliably available to model her short-shorts (aka "Daisy Dukes") and awesome figure (and let's face it, Simpson's talents pretty much begin and end right there), while corrupt honcho Boss Hogg (Burt Reynolds, who should know better) recruits a local NASCAR star to advance his wily scheme of converting Hazzard County into a strip mine. Director Jay Chandrasekhar (Super Troopers) manages to mine some good-natured humor from the movie's oval-track detour and a few colorful supporting players (notably Kevin Hefferman as the Duke's pal Sheev). Otherwise, consider yourself warned: The Dukes of Hazzard is shameless Hollywood product at its most forgettable, trafficking in shameless white, rural Southern stereotypes. If you can make itto the end, there's a blooper reel to reward your endurance. --Jeff Shannon
DVD features Yes, the unrated edition of The Dukes of Hazzard has nudity... but no, it's not of Jessica Simpson, but topless sorority girls. There are also two sets--"PG-13" and "unrated"--of deleted scenes and bloopers. The four minutes of unrated deleted scenes (supplementing the 25 minutes of "PG-13" deleted scenes) include more sorority girls and a menage à trois for Johnny Knoxville . The five minutes of unrated bloopers (the same amount as the "PG-13" bloopers) feature a few more girls but mostly bad language. Featurettes discuss the Daisy Duke short shorts (and show how you can make your own), car stunts, and the making of the movie (narrated by a cast member of the original TV series). --David Horiuchi