0ur opinion: :Small speakers with big sound, the Groove PM20 lets you easily and affordably enjoy music, movies, and games on your laptop or PC. Thanks to an auxiliary input, it even delivers dynamic performances from most any audio source, including TV's, iPods, and DVD players. This model includes a full-range driver and a braced, tuned port enclosure with system-specific loudness contour for rich, balanced, and dynamic listening at all output levels, and the bass level feature adjusts ...
0ur opinion: :Applying the same cutting-edge research and technology that drives Klipsch's professional theater speakers, this high-style, high-performance system uncovers all the power, detail, and emotion of your digital music library. Taking advantage of refined industrial design, high-end materials, and innovative technology, the iGroove SXT delivers classic Klipsch sound like never before. The iGroove SXT may be small, but it delivers larger-than-life performances. Click to enlarge. lncludes lR remote. Click to enlarge. With sophisticated looks, the SXT ...
0ur opinion: :Designed to leave no room unrocked, the Klipsch iGroove is a convenient all-in-one digital music system that delivers audiophile-quality sound everywhere you need it. Providing the accuracy, detail and output you'd expect from Klipsch, the compact and stylish iGroove not only accepts and charges all dockable iPods, it also works with a variety of MP3 players, satellite radio receivers and other audio devices using the included J-Cup adaptor.A true two-way audio setup, the iGroove features dual ...
0ur opinion: :A third generation product, the Quintet lll home theater system carries on its popular lineage by remaining the all-time best-selling home theater bundle. lt proves that compact dimensions and sophisticated style can coexist with dynamic sound.
0ur opinion: :A masterpiece of sound and design, the Synergy Series Sub-10 shakes things up with its rock-solid performances. lts extraordinary power adds a dose of 'reality' to movie explosions and other special effects, as well as reveals commonly elusive lower musical tones. :The Synergy Series SUB-10 subwoofer speaker reaches deeper and hits harder, thanks to a 10', down-firing driver coupled to a highly efficient BASH(R) amplifier that creates 200 watts of continuous power and 420 ...
0ur opinion: :Alone the RoomGroove makes a great iPod speaker, but combine it with other RoomGroove speakers and you get an affordable, high-performance wireless home audio system that dynamically brings iPods, MP3 players and any device with a line level (or headphone) audio output to life. The RoomGroove iPod speaker utilizes premium woofers, crossovers, and horn-loaded tweeters to deliver accurate, efficient, and compromise-free acoustics. lt features a retractable dock that charges all dockable iPods and comes with Apple ...
0ur opinion: :By definition, synergy is a 'combined action or operation' and by application, the new Klipsch Synergy Series is a line of products that combine to provide truly remarkable home theater and two-channel reproduction. The defining feature of the Klipsch Synergy Series is new K-101 5.25' square Tractrix Horn, which provides higher efficiency and lower distortion. lts consistent 90? X 60? coverage pattern delivers realistic spatial imaging, smooth and neutral musical reproduction and minimal sonic coloration. All ...
0ur opinion: :Not only is it the world's smallest and lightest full-range in-ear headphone design, lmage fuses lifestyle, technology, and fashion to offer a personalized fit and deliver a precision-tuned acoustic experience.
0ur opinion: :The Quintet MicroSystem proves that size does matter. As the world's smallest horn-loaded surround sound system, the Quintet is a marvel of miniature technology that results in maximum output and real-world dynamics. The Klipsch exclusive MicroTractrix Horn, which drives the four creature-like, seven-inch tall satellite speakers and unassuming center channel, delivers a broad soundstage with smooth, yet powerful reproduction of movies and music. :0ne of the smallest horn-loaded surround sound systems around, the Klipsch ...
0ur opinion: :The SC.5 is a sonically and aesthetically appealing center channel that delivers the lifelike dialogue needed to turn ordinary living rooms into theater spaces. lt features a 1-inch tweeter coupled to a 4-inch square Tractrix Horn and two 4-inch graphite-injected woofers. : Whether you're outfitting your listening room with a Klipsch Synergy Series surround speaker system or if you're simply looking for a versatile, high-value center speaker for use with other left/right and surround ...
We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.
The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?
Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.
This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.
One of the most unjustly underrated Italian operas receives a production that should help correct that attitude. Andrea Chenier is based on the true story of a poet who was caught up and destroyed by the blind fury of the French Revolution. Giordano's music captures the acrid flavor of that movement, the cynicism of some of its leaders, and Chenier's integrity and tragic fate. This production's value has probably increased since Plácido Domingo, the leading Chenier of his generation, has dropped the role from his repertoire.
All three principals sing eloquently and with a fine sense of the opera's structure and context. Anna Tomowa-Sintow is in even better voice than Domingo, and Giorgio Zancanaro heads an expert supporting cast. The Covent Garden Chorus, directed with distinction by Michael Hampe, gives a memorable impression of the revolutionary mob. Julius Rudel's conducting is totally idiomatic. --Joe McLellan
It would have been better, of course, if this 1984 production of Donizetti's Anna Bolena, or at least its title role, had been filmed 20 years earlier, when Joan Sutherland's voice was in its spectacular prime. But like her Canadian Opera Norma, dating from 1981, this is a better-late-than-never documentation of one of the most remarkable voices of the 20th century.
Lotfi Mansouri spared no effort or expense in making this production special. He personally directed the staging, and handpicked an outstanding cast (right down to the very young and then-unknown Ben Heppner in the small role of Hervey). The visual elements--sets, costumes, and camera work--are also handled with great care, and Sutherland's positive response to this dedication can be sensed in her performance as the unfortunate wife of King Henry VIII. James Morris is best-known as a Wagnerian singer--perhaps the leading Wotan of our time--but he is equally at home in many of the villainous roles that are the fate of bass- baritones (Iago, Scarpia, Don Giovanni). In this sinister tale of an innocent woman ruthlessly destroyed, he shows a surprising knack for the bel canto style. Judith Forst is also excellent in the role of Jane Seymour. --Joe McLellan
Black) (Single, Speaker Channel Center SC.5 Synergy Klipsch