Electronics : Memorex 700MB/80-Minute 52x CD-R Media (100-Pack Spindle)

Electronics : Memorex 700MB/80-Minute 52x CD-R Media (100-Pack Spindle)

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Memorex 700MB/80-Minute 52x CD-R Media (100-Pack Spindle)

from: Memorex



Memorex 700MB/80-Minute 52x CD-R Media (100-Pack Spindle)
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Piece Availability: Usually ships in 24 hours

Street Price: $39.99
Gaunz Org Price: $14.99
Savings!: $25.00 (63%)
Prices subject to change.

Average Buyer Rating:  out of 5 stars
Sales Rank:







Binding: Electronics
Product Brand: Memorex
Clothing Size: 80min
EAN: 0034707045811
Label: Memorex
Legal Disclaimer: Warranty does not cover misuse of product.
Product Manufacturer: Memorex
Model: CDR80-100A
Publisher: Memorex
Size: 80min
Studio: Memorex
Warranty: 1 year warranty


Piece facts:
  • Make your own music CDs or back up data
  • Records up to 80 minutes of audio
  • Offers 700 MB of data storage
  • Compatible with writing speeds of 1x to 52x
  • Spindle includes 100 CD-Rs







0ur opinion:

:
A 100-pack of blank, 80 minute- 700MB, CD-R discs / Up to 52x Recording Speed / Shipped on a convenient spindle dispenser - no jewel cases included









Piece Availability: Usually ships in 24 hours








Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 5 out of 5 stars - * Best value (and unsurpassed quality) ...
I've tried Memorex, TDK, Maxell, Sony, Imation and Verbatim discs, primarily for musical-radio use, and they've proven close to equally effective in my experience. Moreover, the more expensive versions designated as "For Music" have no better audio quality than the same manufacturers' "non-designated" discs. So if you favor the least expensive of otherwise equal alternatives, Memorex is almost always the best bet. Since the current price of a 50-disc pack is almost triple the cost of the same Memorex spindle I purchased from Amazon last December, I'm seeking to reduce the damage by going with the 100-pack this time.

[Later: A day after ordering these, I discovered that Walgreen's was selling TDK 50-pack spindles for seven bucks. Lesson: especially with the declining demand for CDs, it pays to stay alert and, when the moment is propitious, to stock up.]



Buyer's feedback: 4 out of 5 stars - 9 out of 10 Do The Job... The Rest Have Issues
First off, great value, great price, and great that it comes with the 100 CD's I really need for all my computing and media needs, especially since it takes me 10 of these to backup my computer fully. And like I said, 9 out of 10 work great, especially when I'm burning a music CD. However, when play back that 10th CD, I've come to find that at least one of the tracks has a defect in them. It's not the music, or the burning method, or the user, it's the CD. But for the price, it's still a great buy. And I highly recommend it, just watch out for that 10th CD.



Buyer's feedback: 5 out of 5 stars - * Memorex CD-R CD's ...
Good value for the price. I prefer Memorex to other available products and the 100 CD's is a good deal.



Buyer's feedback: 4 out of 5 stars - Works fine!
These CD-Rs have been fine. I haven't had any issues on my PC with them. They get the job done!

The only issue I had was taking a burned cd with pics to a local drug store to get prints made right away....I used the kodak kiosk and it said there was no media on the disc! BUT the pics were there when I checked on the pc. SO I don't know if it was an issue with the machine at the store (which they said was just fixed) or the discs.

Edited to add: I took a cd to walmart kodak kiosk yesterday burned with pics just as before and it worked just fine and perfectly, obviously the other places machine was messed up.



Buyer's feedback: 5 out of 5 stars - * Item was exactly as described ...
Item was exactly as described, quick ship, smooth transaction. Would love to business with again! Thanks



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Set in Saudi Arabia, The Kingdom is a political action thriller with good acting and wonderful visuals. Its so-so script, though, at times meanders aimlessly until a good explosion jolts the viewer's attention back to the screen. Jamie Foxx stars as FBI special agent Ronald Fleury, who leads an elite team into Saudi Arabia to find the terrorists who attacked American employees working in the Middle East. He has been given the unlikely deadline of five days to infiltrate the compound, with just his wit and his crew, which includes forensics expert Janet Mayes (Jennifer Garner), explosives guru Grant Sykes (Chris Cooper), and intelligence analyst Adam Leavitt (Jason Bateman). It's unclear how helpful smarmy U.S. diplomat Damon Schmidt (Jeremy Piven) will be, but Fleury knows enough to surmise that the media-hungry Schmidt might not be completely trustworthy. Foxx and Garner have wonderful screen presence, but it's Bateman and Piven who get the best lines. Director Peter Berg peppers The Kingdom with actors he has worked with in the past. Berg, who guest-starred on Alias opposite Garner, casts Tim McGraw in a small role here. (The country singer also had a co-starring role in Berg's 2004 film Friday Night Lights.) And Kyle Chandler and Minka Kelly--two of Berg's lead actors from the Friday Night Lights television series, , make appearances in The Kingdom. The action sequences he creates are impressive and generate a sense of panic that The Kingdom producer Michael Mann (Miami Vice) undoubtedly applauds. While a tauter script would've rounded out the action nicely, the action in many cases does speak for itself. --Jae-Ha Kim
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A staggering portrait of arrogance and incompetence, the documentary No End in Sight avoids the question of why the U.S. invaded Iraq in 2003, choosing instead to focus on the war's aftermath--and meticulously examine the chain of decisions that led Iraq into a grotesque state of lawlessness and civil war. Drawing from interviews with top generals, administration officials, journalists, and soldiers who were in the thick of the war itself, No End in Sight lays out a gripping story, as suspenseful as any Hollywood movie, accompanied by terrifying footage of firefights and explosions more vivid than any special effects. Unfortunately, there is no happy ending. If the documentary has a weakness, it's the shortage of voices trying to defend the administration policies (perhaps unsurprisingly, policymakers like Dick Cheney, Donald Rumsfeld, and Paul Wolfowitz declined to be interviewed). But the testimony (presented by administration insiders and officials in Iraq, both military and civilian) argues that, despite contrary analysis and experienced advice against its actions, the top brass of the Bush administration made decisions (that aggravated already existing problems and created devastating new ones. No End in Sight builds its case one voice at a time and avoids the grandstanding that undercuts Michael Moore's work; instead, the gradual accumulation of simple facts--presented with weary resignation, earnest outrage, and restrained anger--results in a compelling condemnation of one of the worst blunders the U.S. has ever made. --Bret Fetzer
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Fans of Oliver Stone's J.F.K. will recognize the opening moments of writer-director Eugene Jarecki's Why We Fight, in which outgoing President Dwight Eisenhower warns of the pernicious and growing influence of what he called the "military-industrial complex." But Stone's movie, which uses the same footage, was a work of fiction. While those who disagree with the decidedly leftist point of view in this documentary will probably consider it the product of paranoid liberal fantasy as well, there's enough credible material, much of it supplied by the targets of Jarecki's criticisms, to make Eisenhower look like a prophet and everyone else uneasy about the dark confluence of politics, money, and war that controls the country's fortunes. The message here is that while there may be some who sincerely believe that America's various military engagements (in Iraq, Vietnam, Grenada, Panama, and elsewhere) since World War II are the product of our God-given duty to spread freedom and halt the influence of evil ideologies around the world, the real reason we fight is that war is good business. This is hardly a bulletin; anyone who is surprised by allegations that politicians pander to defense contractors, or that Vice President Dick Cheney helped secure huge deals for Halliburton, the company he formerly headed, simply hasn't been paying attention (Politicians lie? How shocking!). In fact, the principal drawback to Jarecki's film is simply that there's nothing particularly revelatory or compelling about it. Only when he takes a personal approach does he go beyond the obvious; the story of a retired New York policeman and former Vietnam veteran whose son died in the World Trade Center, who wanted revenge, but who became seriously disillusioned when Bush admitted that the war in Iraq had nothing to do with 9/11, adds some much needed human interest. Still, Why We Fight, which includes a director's audio commentary track and a few other bonus features, serves as a grim reminder that the world's most powerful nation has strayed far from the principles of our founding fathers, a development that does not bode well for America's future. --Sam Graham

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In her snowy home state of Utah, Marie Osmond serves up a warm cup of holiday cheer with Marie Osmond's Merry Christmas, her very first Christmas special. Mixing traditional songs and carols with modern melodies, Marie presents a sentimental hourlong program (originally aired on television in 1989), blending music with short sketches. The show features Kirk Cameron, then-teen heartthrob on Growing Pains; Candace Cameron, his sister and star of Full House; country singer Lee Greenwood; Sally Struthers and daughter Samantha, ice dancers Judy Blumberg and Michael Siebert, and the Osmond Boys.

Marie opens the show with an outdoor rendition of "We Need a Little Christmas" and then moves into the studio where Kirk Cameron arrives on a snowmobile (fresh from rescuing a trio of blonde snow bunnies) to read "The First Christmas Story." Lee Greenwood performs "Christmas to Christmas" and later a duet with Marie. "It's Beginning to Look a Lot Like Christmas" is sung by Sally Struthers and daughter with help from the Osmond Boys--six stepping stones ages 4 to 12 who have the senior Osmonds' moves down pat. The adorable award, though, goes to Marie's 5-year-old son, Steven, who performs a rockin' version of "Santa Claus Is Comin' to Town" (clapping on the off-beat nearly the whole song).

Marie has a good, strong voice, but many of the songs are overproduced and melodramatic. This, most likely, is a product of the big, pouffy '80s (her hair and outfits are also bigger-than-life) rather than a reflection of her talents. The closing number, "O Holy Night," sung by Marie alone, is quite lovely. --Dana Van Nest

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Spindle) (100-Pack Media CD-R 52x 700MB/80-Minute Memorex
Shopping at www.gaunz.org  Created at Fri Dec 5 16:48:49 2008