: Mobile Action USB Data Cable and Software for LG AX5000 VX5200 VX8100

: Mobile Action USB Data Cable and Software for LG AX5000 VX5200 VX8100

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Mobile Action USB Data Cable and Software for LG AX5000 VX5200 VX8100



Mobile Action USB Data Cable and Software for LG AX5000 VX5200 VX8100
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Average Buyer Rating:  out of 5 stars
Sales Rank:





Binding: Wireless Phone Accessory
EAN: 0070120142188
Model: MA-8032P






VX8100 VX5200 AX5000 LG for Software and Cable Data USB Action Mobile





















Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 1 out of 5 stars - * Software CD ...
The CD was cracked and has not been replaced. I have been waiting over 1 month for the replacement.



Buyer's feedback: 4 out of 5 stars - Satisfied customer.
Very pleased with the timely shipping and the packaging. So far the V Cast software, USB phone cable, and headphones have met my expectations. Price was reasonable as well. I will strongly consider ordering cell phone accessories from this supplier in the future.



Buyer's feedback: 4 out of 5 stars - * Most features work on the LG AX-5000 ...
I'm using this file manager with the LG AX-5000 and it works pretty well. For creating ringtones, it's good. You can add MIDI and MP3 tones easily. The program comes with a lot of sample tones to get you started, but you can probably make ringtones you like better from your MP3 collection. I use an MP3 editor, Total Recorder, to snip out little musical licks to use as ringtones. You can also find a wealth of sound effects on the web to convert to ringtones.

For creating backgrounds, the editing software is very good. With a little practice, you can make backgrounds that look very good. Find a picture you like (preferably taken with something other than your camera phone) and the program lets you crop a section from a photo to fit exactly on your phone's screen. Here's a hint, grab a corner of your source photo and resize the picture so that the cropping frame can get just the part of the picture you want. You can resize the cropping frame, but the results seem better by resizing the photo first.

The file manager works well too. I used it to edit my contacts list and then upload the results back into the phone. It sure beats trying to make entries with your phone's keypad.

One shortcoming, and I don't think it's the fault of the Mobile Action software, is that you can't use it to download video files from you AX-5000 phone. A video file may exist on your phone, but the software can't see it to download it. The program is also supposed to be able to let you use your cell phone as a wireless modem for your phone, but I haven't been able to get the feature to work. I haven't tried syncing my Outlook contacts to the cell phone either since I don't use Outlook.

For me, just the ringtone and background creation functions are worthwhile, and the contacts editor and file manager are nice extras.



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Stephen Sondheim's Victorian horror thriller Sweeney Todd: The Demon Barber of Fleet Street is generally considered his greatest work, macabre but darkly humorous with a viscerally powerful score that has found a home both on Broadway and in opera houses. George Hearn (who replaced Len Cariou of the original Broadway cast) plays the title character, a wronged man whose lust for revenge drives him to murder (an 18th-century legend who has been traced to a real-life barber), and Angela Lansbury plays his partner in crime, Mrs. Lovett, who finds a practical business use for Todd's victims. This combination of horror and humor is echoed in Sondheim's score: brooding menace ("The Ballad of Sweeney Todd," "My Friend"), achingly beautiful ballads ("Johanna," "Not While I'm Around"), clever puns ("A Little Priest"), coloratura arias ("Green Finch and Linnet Bird"), and intricate choral and ensemble numbers.

Continuing a fortuitous tradition of capturing the Sondheim legacy on video recordings, this performance was filmed before a live audience in Los Angeles during the 1982 national tour. Almost 20 years later, Hearn returned to the role opposite Patti LuPone in an acclaimed concert production. But Sweeney Todd is an especially compelling experience in this 1982 version, complete with the clever staging tricks (e.g., the barber's chair) and as close to the original cast as we're likely to see. --David Horiuchi

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A guilty, guilty pleasure, perhaps not one a left-wing feminist should be admitting to in public. Female boomers should recall yearly TV reruns of this Rodgers and Hammerstein production, featuring such delights as "Impossible" and "Do I Love You Because You're Beautiful?" It may appear a bit stark to younger viewers, but part of the charm of this 1964 network TV special, a remake of the live 1957 telecast originally built around Julie Andrews, is its utter simplicity. An extremely young Lesley Ann Warren and Stuart Damon (of General Hospital fame) are joined by Ginger Rogers, Walter Pidgeon, and Celeste Holm. Warren is all sweetness and innocence without a hint of saccharine artificiality, while Damon is a clear-eyed romantic. This very handsome love story is a bit of an oddity, but worth owning just for the memorable score. --Rochelle O'Gorman
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John Waters made his bid for PG respectability with this enjoyably trashy comedy about the racial integration of a teen dance show on Baltimore television in the early '60s. Waters, as always, makes a virtue of junk culture and the powerful emotional forces it can represent as kids vie to get on the show. Meanwhile, a parade of former stars (Pia Zadora, Debbie Harry, Sonny Bono) and pseudostars (Divine, Ricki Lake) cross the screen, playing freakish characters absorbed by thoughts of fame. (Waters himself turns up as a weirdo psychiatrist.) This transitional film for Waters is rough going at times and not as interesting or funny as his later features Cry-Baby and Serial Mom, but it's worth a look. --Tom Keogh

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Martina McBride has long been a champion of music as social consciousness, particularly for abused women ("Independence Day") and children. On Waking Up Laughing, her ninth album and the follow-up to Timeless, her platinum-selling album of country classics, she advances the theme while expanding it. While two songs explore the issue of unwed mothers (particularly the exquisite "Love Land," which closes the album), and another, "Beautiful Again," touches on child sexual abuse, her overall repertoire embraces the wholeness of family, and of standing strong together in the face of adversity and defeat. Musically, McBride has always proved to be an elegant thorn--her song selection is often inspired (and here, she co-wrote three tunes, including the skyscraping single "Anyway"), but she has tended to use her huge, ride-the-wave soprano full-tilt, without employing the subtle shadings that would make her even more emotionally resonant. On Waking Up Laughing she seems to have worked on the problem, yet in her second foray as solo producer, she still tends to gild the lily instrumentally--inflating string bridges between choruses, for example, or loading the opening country-pop track, "If I Had Your Name," with a Southern-rock guitar break, a listen-to-me fiddle showcase, a Celtic guitar intro, and a close that brings to mind George Harrison's sitar in play-it-backward mode. That said, she makes fine use of what sounds like a black female choir on the uplifting "For These Times," and wisely keeps the haunting break-up ballad "Tryin' to Find a Reason" (with Keith Urban's harmony vocals and guitar solo) lean and affecting. As McBride works to refine her pastiche of creativity, commerciality, and social awareness, she slyly takes more chances than one might think, all the while rallying old fans and making new ones. --Alanna Nash
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For right-minded buyers of the reissued Muppet Christmas Carol soundtrack, the odds of disappointment are about as remote as Miss Piggy's chances with Kermit. If you loved the movie, you will love the loopy mayhem of the Muppet Brass Buskers ("Good King Wenceslas"), the cartoonish malice of the black-hearted misanthropes Marley & Marley ("Marley & Marley"), and the hope-swollen harmonies of Tiny Tim and Family ("Bless Us All"), Muppeted here to hilariously humble effect. If, on the other hand, your interest in this disc has more to do with its inclusion in the way-narrow Christmas-record-for-kids category--if the spirit of the season doesn't extend, for you, to the magic of the Muppets--you may want to keep browsing, as it's a soundtrack first (overture, instrumentals, and all) and a Christmas CD second. That's not to suggest you're stuck with an un-fun disc should it land on your holiday stack without a prior screening, though. Miles Goodman's score sweeps and inspires, and certain tracks--"One More Sleep 'til Christmas" and "Fozziwig's Party"--are future classics. (Note to the right-minded: After a misstep on the original release, Martina McBride's version of "When Love is Gone" is back.) -Tammy La Gorce


VX8100 VX5200 AX5000 LG for Software and Cable Data USB Action Mobile
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