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Gaunz Org Shopper > Photo > Point and Shoot Digital Cameras

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Panasonic Lumix DMC-FS3S 8MP Digital Camera with 3x MEGA Optical Image Stabilized Zoom (Silver)

Panasonic Lumix DMC-FS3S 8MP Digital Camera with 3x MEGA Optical Image Stabilized Zoom (Silver)

»rank: 1515

from: Panasonic


0ur opinion: :Simply set the 8.1-megapixel DMC-FS3 to iA mode and let the four lntelligent Auto functions team up to help prevent shooting errors. lntelligent Scene Selector chooses the mode that best fits the situation; MEGA 0ptical lmage Stabilization (0.l.S.) helps prevent blurring from hand-shake; lntelligent lS0 Control helps prevent motion blur; and Face Detection helps produce clear portraits by optimizing the focus and exposure settings. The 33mm Leica DC Vario-Elmarit lens with 3x optical zoom takes wider ...


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Sony Cybershot DSC-T77 10MP Digital Camera with 4x Optical Zoom with Super Steady Shot Image Stabilization (Pink)

Sony Cybershot DSC-T77 10MP Digital Camera with 4x Optical Zoom with Super Steady Shot Image Stabilization (Pink)

»rank: 872

from: Sony


0ur opinion: :10.1-megapixel effective recording * 0ptical SteadyShot® image stabilization * 3' touchscreen LCD * 35mm equivalent lens focal length: 35-140mm * top JPEG resolution: 3648 x 2736 * high sensitivity mode (lS0 3200) for low-light shooting without flash *


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Nikon Coolpix P60 8.1MP Digital Camera with 5x Optical Zoom with Vibration Reduction (Black)

Nikon Coolpix P60 8.1MP Digital Camera with 5x Optical Zoom with Vibration Reduction (Black)

»rank: 1269

from: Nikon


0ur opinion: :Nikon Coolpix P60 is a simple to use point-&-shoot digital-camera that offers some creative options to extend your talents. lt has optical image stabilization to reduce blur from normal hand movement. AA batteries power the P60 and that's nifty when you're touring around the world. The AA is a common battery found everywhere. You can shoot movies and stills and store them on an optional SD memory card. A USB port is built-in to transfer your ...


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Panasonic Lumix DMC-LZ8S 8.1MP Digital Camera with 5x Wide Angle MEGA Optical Image Stabilized Zoom (Silver)

Panasonic Lumix DMC-LZ8S 8.1MP Digital Camera with 5x Wide Angle MEGA Optical Image Stabilized Zoom (Silver)

»rank: 1619

from: Panasonic


0ur opinion: :With both a 32mm wide-angle Leica DC Vario-Elmar lens and a 5x zoom, this is one camera that does it all. You can fit more in the photo than you can with a 35mm lens, so you can get more of a sweeping landscape in a single shot. The 5x zoom is great for capturing dramatic shots of small or distant subjects. There's also an Extra 0ptical Zoom function that boosts zoom power to 8.9x in ...


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Olympus Stylus 1050SW 10.1MP Digital Camera with 3x Optical Zoom (Black)

Olympus Stylus 1050SW 10.1MP Digital Camera with 3x Optical Zoom (Black)

»rank: 910

from: Olympus


0ur opinion: :


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Casio EX-Z80 8.1MP Digital Camera - Vivid Pink

Casio EX-Z80 8.1MP Digital Camera - Vivid Pink

»rank: 169

from: CASIO


0ur opinion: :EX-Z80 digital camera features a very compact, tightly formed design which offers the functionality needed to easily take photos and shoot movies, yet also offers a design feel conducive to carrying it around almost like a fashion accessory. With this model, Casio has sought to create both functionality and design that are 'easier' and 'more fun.'


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Kodak EasyShare C913 9.2MP Digital Camera with 3x Optical Zoom (Pink)

Kodak EasyShare C913 9.2MP Digital Camera with 3x Optical Zoom (Pink)

»rank: 112

from: Kodak


0ur opinion: :The Kodak EasyShare C913 digital camera takes such brilliant HD pictures, you'll want to keep them all. Make your pictures as vivid as the moment you took them. Print better, brighter pictures using Kodak Perfect Touch Technology. Get great shots time after time with multiple scene modes. With blur reduction technology, you get crisp, beautiful shots time after time. 9.2-Megapixel means you can crop and still get a great picture for stunning prints up to 30x40' ...


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Casio Exilim EX-S10RD 10.1MP 3x Zoom 2.7-Inch LCD Screen Digital Camera (Red)

Casio Exilim EX-S10RD 10.1MP 3x Zoom 2.7-Inch LCD Screen Digital Camera (Red)

»rank: 985

from: CASIO


0ur opinion: :Spontaneous dance parties. Exquisite sunsets. Junior High graduations. Each and every timeless moment is easily captured with the EX-S10. The world's smallest and thinnest 10 megapixel camera fits perfectly into accessible pockets for spontaneous snapshots and personal YouTube-friendly videos. Life seems 10 times more vivid once this Exilim starts shooting. The Exilim's 10 million pixels of extremely high resolution maximize clarity so detailed moments are captured the way you envisioned. Super-high resolution is maintained when printing ...


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Panasonic Lumix DMC-LZ10K 10MP Digital Camera with 5x Wide Angle MEGA Optical Image Stabilized Zoom (Black)

Panasonic Lumix DMC-LZ10K 10MP Digital Camera with 5x Wide Angle MEGA Optical Image Stabilized Zoom (Black)

»rank: 123

from: Panasonic


0ur opinion: :With both a 30mm wide-angle Leica DC Vario-Elmar lens and a 5x zoom, this is one camera that does it all. You can fit more in the photo than you can with a 35mm lens, so you can get more of a sweeping landscape in a single shot. The 5x zoom is great for capturing dramatic shots of small or distant subjects. There's also an Extra 0ptical Zoom function that boosts zoom power to 8.9x in ...


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GE-A835 8MP Digital Camera with 3X Optical Zoom (Black)

GE-A835 8MP Digital Camera with 3X Optical Zoom (Black)

»rank: 147

from: General Electric


0ur opinion: :A835 is not only sleek and powerful, but a great value for an eight-megapixel camera. Sporting a 25mm body, it provides amateur photographers with a 3x optical zoom, 4.5x digital zoom and a 2.5' LCD screen.


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Alienware's flagship gaming laptop, the Area-51 m9750, has plenty of appeal for high-end gamers, but the alien head aesthetic seems dated, and newer components are right around the corner.

The rise and fall of muni-Fi (and rise again): Clearly, the largest story involving Wi-Fi in 2007 was the at-first continued growth in cities awarding contracts with no money involved on their part to have service providers build Wi-Fi networks--and the subsequent failure of these networks to be built. Starting quietly in late 2006, the market shifted for metro-scale Wi-Fi. During 2007, providers decided that bearing the full cost of a city-wide network without city contracts wasn't financially sensible.

The full scope of the low uptake rates in cities that had large portions of the network built out also became clear: rather than 15 to 35 percent of residents subscribing, just a few percentage points would put a network in the top tier. Revenue is apparently also pretty minimal even in cities like Taipei, Taiwan, the network provider for which was predicting 250,000 subscribers by the end of 2006, and had just 30,000 regular users each month at last public report in early 2007.

MetroFi started to tell cities that without an advance service commitment at a minimum level -- an anchor tenancy -- the company couldn't proceed on networks. In 2007, MetroFi lost half a dozen bids or saw contracts canceled due to this change. Its work in Portland, Ore., the biggest network it was building, won't be extended beyond current limited dimensions until additional capital or a city commitment is obtained; the city has said it won't commit to service fees, however.

Meanwhile, EarthLink lost its CEO Garry Betty in January due to cancer. A strong backer of new initiatives to change EarthLink's core business, his death was certainly one of the causes in a quick re-evaluation of the municipal wireless division. New CEO Rolla Huff pulled EarthLink out of new deals, suspended existing ones, laid off hundreds of employees while gutting the metro Wi-Fi division, and appears poised to leave currently built or underway networks, including their flagship Philadelphia effort. They may sell the division, but it's hard to see much worth in it given the current state.

In a smaller bit of news, Kite Networks, formerly known by various names, was sold by parent MobilePro to Gobility with conditions that according to SEC filings by MobilePro weren't met. Kite was once high flying, in the company of EarthLink and MetroFi as one of the major U.S. Wi-Fi network builders. Now it's still in that company, with work on its Arizona networks apparently halted. A suitor has emerged in the form of a regional telecom that specializes in the Hispanophone market (double entendre intended), and which thinks it could boost Tempe subscriptions from the current several hundred to about 300 times that number. Hope springs eternal.

And while AT&T was able to launch a Riverside, Calif., network with MetroFi handling the installation and operation, it backed out of St. Louis, Mo., due to a utility pole problem, and the bidding in Chicago, too. The Metro Connect consortiums in Sacramento and Silcion Valley were unable to raise financing despite the apparent blue-chip participation by Cisco, IBM, and Intel.

County-wide Wi-Fi was also hit again and again by providers who pulled out--CenturyTel in Pierce County, Wash., for instance--or problems with technology or utility poles. In a few scattered areas, Wi-Fi across counties has been built out, but it's not an idea whose time has yet come.

Muni-Fi isn't down for the count. While these high-profile networks in large cities and county-wide networks have mostly hit the skids, more modest networks with well-defined goals continue to be built with a focus on public safety and municipal uses in hundreds of small and medium-sized towns. Brookline, Mass., may be a good example, in which a public safety/public access network was built relatively quickly and with no reported problems.

And there's one big city success story: Minneapolis, Minn. While local provider US Internet wound up spending more than they'd intended, reports from the ground indicate that service works quite well, and subscriptions and interest are quite high. The company was able to respond almost instantly to the bridge collapse a few months ago by deploying additional mesh infrastructure to add network capacity in the area. And it says that it could reach positive cash flow in early 2008. One of their advantages? They secured a substantial commitment from the city for the services they built.

Other trends of the year gone by: Music and Wi-Fi are clearly more aligned, with the new Zune models and firmware from Microsoft allowing wireless sync (but not yet Wi-Fi purchases), and the introduction of both the Apple iPhone and iTunes touch, which allow music purchases over Wi-Fi but not synchronization. (While the MusicGremlin preceded both the Zune and iPhone/iPod options, it didn't seem to gain any market traction in 2007.)

Security continues to be a concern in 2007, although less of one as home users have clearly accepted WPA Personal, at long last, and networks are increasingly encrypted through better software from major hardware manufacturers. Wizards make encryption a no-brainer, when they work. Corporations stung by reports and by requirements from credit card issuers are also clearly protecting their networks better, although I'm sure we'll still see breaches at those firms that didn't cross every "t."

The 802.11n standard's emergence into an interim certified Wi-Fi state was also a significant milestone for faster wireless networking. Shipments of Draft 802.11n products in 2007 increased significantly, while prices dropped so much that it makes perfect sense to purchase a $50 to $80 Draft N router than a comparable G unit. Manufacturers made it clear as the year progressed that hardware sold today should generally be firmware upgradable to whatever the final, not much changed 802.11n standard is when approved in 2008.

Gadget-Fi continued on the rise, as an increasing array of devices included Wi-Fi as a connectivity option. Most notably, T-Mobile launched its HotSpot@Home service, the largest scale offering of converged cell/Wi-Fi calling. By year's end, they had four handsets for sale--two plain, a BlackBerry, and a clamshell--but subscriber numbers are unknown.

What's coming in 2008?

In-flight Internet (over Wi-Fi): 2008 is finally the year. It was supposed to be 2005. Or maybe 2002. But we should see a number of planes, mostly flying over the U.S., equipped with either in-flight Internet access or in-flight text messaging and text email. Connexion by Boeing's failure fortunately didn't discourage a half a dozen competitors who were in the R&D phase when Boeing wrote off its satellite-based Internet access venture.

AirCell, Row 44, OnAir, Aeromobile, Panasonic Avionics, and a T-Mobile consortium are among the announced or nearly announced firms with commitments or trials underway. AirCell and Row 44, focused on the U.S. market, plan to deliver Internet not voice to fuselages; OnAir and Aeromobile are working on mobile-based services, including voice, via existing cell phones and devices.

In 2008, American, Alaska, and Virgin America will launch trials over the U.S., and potentially move into production. OnAir should be expanding in Europe beyond the single French aircraft that's equipped in a trial now to RyanAir's fleet. And Aeromobile's Qantas trial could turn into real usage. There's likely action that will happen in Asia and the Middle East, too, that's not yet disclosed.

Other trends to watch

Wi-Fi in every smartphone with better integration. The iPhone was the leading edge, pun intended, offering 2.5G EDGE cell networking as part of the subscription price, along with seamless roaming to Wi-Fi networks. With RIM finally offering BlackBerry models with Wi-Fi, it's unlikely that any future smartphone model intended for serious users would lack the option.

Wi-Fi everywhere. Despite the setbacks in municipal Wi-Fi, wireless networks continue to expand, with better and better coverage found across larger areas and more locations. 2008 might be the year of hotspot saturation.

WiMax arrives. In 2008, we'll finally see production mobile WiMax in action in the U.S., and the questions about whether it works well enough and fast enough at the right price to beat current generation cell data networks, and make money for the disorganized Sprint Nextel will be answered. More certainly, Clearwire, with WiMax as its only option, will push aggressively to steal customers away from fixed, wired broadband, especially in markets with little competition.

Gadget-Fi a go-go. Wi-Fi will become an expected part of gaming consoles (already found in a few), cameras (found in crippled form in just a handful), regular cell phones (in dozens and dozens now), and music players (with more full functionality).



$18.99



Set in Saudi Arabia, The Kingdom is a political action thriller with good acting and wonderful visuals. Its so-so script, though, at times meanders aimlessly until a good explosion jolts the viewer's attention back to the screen. Jamie Foxx stars as FBI special agent Ronald Fleury, who leads an elite team into Saudi Arabia to find the terrorists who attacked American employees working in the Middle East. He has been given the unlikely deadline of five days to infiltrate the compound, with just his wit and his crew, which includes forensics expert Janet Mayes (Jennifer Garner), explosives guru Grant Sykes (Chris Cooper), and intelligence analyst Adam Leavitt (Jason Bateman). It's unclear how helpful smarmy U.S. diplomat Damon Schmidt (Jeremy Piven) will be, but Fleury knows enough to surmise that the media-hungry Schmidt might not be completely trustworthy. Foxx and Garner have wonderful screen presence, but it's Bateman and Piven who get the best lines. Director Peter Berg peppers The Kingdom with actors he has worked with in the past. Berg, who guest-starred on Alias opposite Garner, casts Tim McGraw in a small role here. (The country singer also had a co-starring role in Berg's 2004 film Friday Night Lights.) And Kyle Chandler and Minka Kelly--two of Berg's lead actors from the Friday Night Lights television series, , make appearances in The Kingdom. The action sequences he creates are impressive and generate a sense of panic that The Kingdom producer Michael Mann (Miami Vice) undoubtedly applauds. While a tauter script would've rounded out the action nicely, the action in many cases does speak for itself. --Jae-Ha Kim
$19.99



A staggering portrait of arrogance and incompetence, the documentary No End in Sight avoids the question of why the U.S. invaded Iraq in 2003, choosing instead to focus on the war's aftermath--and meticulously examine the chain of decisions that led Iraq into a grotesque state of lawlessness and civil war. Drawing from interviews with top generals, administration officials, journalists, and soldiers who were in the thick of the war itself, No End in Sight lays out a gripping story, as suspenseful as any Hollywood movie, accompanied by terrifying footage of firefights and explosions more vivid than any special effects. Unfortunately, there is no happy ending. If the documentary has a weakness, it's the shortage of voices trying to defend the administration policies (perhaps unsurprisingly, policymakers like Dick Cheney, Donald Rumsfeld, and Paul Wolfowitz declined to be interviewed). But the testimony (presented by administration insiders and officials in Iraq, both military and civilian) argues that, despite contrary analysis and experienced advice against its actions, the top brass of the Bush administration made decisions (that aggravated already existing problems and created devastating new ones. No End in Sight builds its case one voice at a time and avoids the grandstanding that undercuts Michael Moore's work; instead, the gradual accumulation of simple facts--presented with weary resignation, earnest outrage, and restrained anger--results in a compelling condemnation of one of the worst blunders the U.S. has ever made. --Bret Fetzer
$14.99



Fans of Oliver Stone's J.F.K. will recognize the opening moments of writer-director Eugene Jarecki's Why We Fight, in which outgoing President Dwight Eisenhower warns of the pernicious and growing influence of what he called the "military-industrial complex." But Stone's movie, which uses the same footage, was a work of fiction. While those who disagree with the decidedly leftist point of view in this documentary will probably consider it the product of paranoid liberal fantasy as well, there's enough credible material, much of it supplied by the targets of Jarecki's criticisms, to make Eisenhower look like a prophet and everyone else uneasy about the dark confluence of politics, money, and war that controls the country's fortunes. The message here is that while there may be some who sincerely believe that America's various military engagements (in Iraq, Vietnam, Grenada, Panama, and elsewhere) since World War II are the product of our God-given duty to spread freedom and halt the influence of evil ideologies around the world, the real reason we fight is that war is good business. This is hardly a bulletin; anyone who is surprised by allegations that politicians pander to defense contractors, or that Vice President Dick Cheney helped secure huge deals for Halliburton, the company he formerly headed, simply hasn't been paying attention (Politicians lie? How shocking!). In fact, the principal drawback to Jarecki's film is simply that there's nothing particularly revelatory or compelling about it. Only when he takes a personal approach does he go beyond the obvious; the story of a retired New York policeman and former Vietnam veteran whose son died in the World Trade Center, who wanted revenge, but who became seriously disillusioned when Bush admitted that the war in Iraq had nothing to do with 9/11, adds some much needed human interest. Still, Why We Fight, which includes a director's audio commentary track and a few other bonus features, serves as a grim reminder that the world's most powerful nation has strayed far from the principles of our founding fathers, a development that does not bode well for America's future. --Sam Graham

by Dixie Chicks
$21.95

Average customer rating: ISBN: 0739043439

by Dixie Chicks, Mark Seliger
$16.95

Average customer rating: ISBN: 0739043447
$4.95



In her snowy home state of Utah, Marie Osmond serves up a warm cup of holiday cheer with Marie Osmond's Merry Christmas, her very first Christmas special. Mixing traditional songs and carols with modern melodies, Marie presents a sentimental hourlong program (originally aired on television in 1989), blending music with short sketches. The show features Kirk Cameron, then-teen heartthrob on Growing Pains; Candace Cameron, his sister and star of Full House; country singer Lee Greenwood; Sally Struthers and daughter Samantha, ice dancers Judy Blumberg and Michael Siebert, and the Osmond Boys.

Marie opens the show with an outdoor rendition of "We Need a Little Christmas" and then moves into the studio where Kirk Cameron arrives on a snowmobile (fresh from rescuing a trio of blonde snow bunnies) to read "The First Christmas Story." Lee Greenwood performs "Christmas to Christmas" and later a duet with Marie. "It's Beginning to Look a Lot Like Christmas" is sung by Sally Struthers and daughter with help from the Osmond Boys--six stepping stones ages 4 to 12 who have the senior Osmonds' moves down pat. The adorable award, though, goes to Marie's 5-year-old son, Steven, who performs a rockin' version of "Santa Claus Is Comin' to Town" (clapping on the off-beat nearly the whole song).

Marie has a good, strong voice, but many of the songs are overproduced and melodramatic. This, most likely, is a product of the big, pouffy '80s (her hair and outfits are also bigger-than-life) rather than a reflection of her talents. The closing number, "O Holy Night," sung by Marie alone, is quite lovely. --Dana Van Nest

$11.98





(Black) Zoom Optical 3X with Camera Digital 8MP GE-A835
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