Books : Presentation Zen: Simple Ideas on Presentation Design and Delivery (Voices That Matter)

Books : Presentation Zen: Simple Ideas on Presentation Design and Delivery (Voices That Matter)

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Presentation Zen: Simple Ideas on Presentation Design and Delivery (Voices That Matter)

by: Garr Reynolds



Presentation Zen: Simple Ideas on Presentation Design and Delivery (Voices That Matter)
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Street Price: $29.99
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Average Buyer Rating:  out of 5 stars
Sales Rank: 325





Binding: Paperback
Dewey Decimal Number: 005.58
EAN: 9780321525659
ISBN: 0321525655
Label: New Riders Press
Product Manufacturer: New Riders Press
Number Of Items: 1
Number Of Pages: 240
Publication Date: January 04, 2008
Publisher: New Riders Press
Ranking: 325
Studio: New Riders Press






Matter) That (Voices Delivery and Design Presentation on Ideas Simple Zen: Presentation






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Presentation designer and internationally acclaimed communications expert Garr Reynolds, creator of the most popular Web site on presentation design and delivery on the net -- presentationzen.com -- shares his experience in a provocative mix of illumination, inspiration, education, and guidance that will change the way you think about making presentations with PowerPoint or Keynote. Presentation Zen challenges the conventional wisdom of making 'slide presentations' in today's world and encourages you to think differently and more creatively about the preparation, design, and delivery of your presentations. Garr shares lessons and perspectives that draw upon practical advice from the fields of communication and business. Combining solid principles of design with the tenets of Zen simplicity, this book will help you along the path to simpler, more effective presentations.


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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 4 out of 5 stars - * Simplicity is the ultimate sophistication ...
Since presentations have become a larger (and more important) part of my professional life and given that they are now targeted at the highest level of my organization, I decided to re-evaluate my skills as well as my approach.

This book has proven to be exactly had I hoped for: a fresh change of perspective.
While it does not contain any new found wisdom, it certainly provides something equally important: simple ideas that make you better, more confident AND that stick to your mind. (Well for some presenters, it might even prove to be a new found wisdom, judging by the dozens of lousy presentations that I have attended in my career).

I should stress though that while simplicity is the core idea in this book, this does not mean that it is targeted to those looking for "quick & dirty" productivity tips.

On the contrary, I have found that I now devote more time in the preparation of a presentation. Because it is now clear to me that editing is the most demanding part of the process.
The book has helped me understand what is important to communicate and what is not.
How to extract the essence of complex ideas and present them in a simple, informative manner that engage the audience, not bore them to death.
If I had to write just a one line comment, this would be that it has made me regard each presentation as an enjoyable creative challenge and not as a mundane task.

It was certainly a joy to read and I really feel that I benefited, not only as a professional but also as a person, since most of us are also expected to convince, to educate and to inspire others, outside the realm of our professional lives.

One final note apart from the content but regarding the book itself: while I have always found Amazon's service to be uber professional and top notch, I was quite disappointed that this particular book arrived at less than perfect condition. Given that the packaging was almost bulletproof (and it contained two other books), this leads me to assume that the cosmetic damages were there prior to its dispatch.



Buyer's feedback: 5 out of 5 stars - Transforming my Presentations!
I can't quite remember why I ordered this book--but I have been entranced by it! To match the simple beauty of this book, I should be posting an intriguing photo with a poignant quote. Hmm--perhaps it would be that line that goes something like: People will remember not what you made them think but how you made them feel. The picture might be a peaceful beach scene with someone sitting cross-legged with a slight buddha smile, feeling the warmth of the sun on her face. Well, all these words underline the message that getting your audience's attention with a sharp image and putting up as few words as possible is the way to transform presentations. I'm hard at work simplifying, eliminating as many bullet poings as possible, and transforming my presentations for maximum emotional content.



Buyer's feedback: 5 out of 5 stars - * JUST BUY IT NOW !!! ...
This is a must. It is everything you're looking for in a book. It has beautiful insights, explanations, pictures...

For someone who wants to make a difference in his company, this is a MUST.

Above satisfaction guarantee ...



Buyer's feedback: 5 out of 5 stars - A stress-reliever
A great compilation of basic and simple ideas about public presentation, yet fundamental ones. You may have read about these concepts already (e.g. Made to Stick, slide:ology), but Garr connects them nicely and the zen concept is not only refreshing, it helps alleviating the stress often assotiated with public speaking.



Buyer's feedback: 4 out of 5 stars - * Excellent advice ...
The book is its own best review. It is engaging, persuasive and memorable practicing what it preaches and giving a good presentation. The advice is a bit esoteric if you are looking for liniar, rational, step-by-step methodology and is obviously based much more on intuitive thought and art, but this is exactly what the author promised. The book does have sufficient building blocks and practical instructions to get started in the presentation process, but goes far beyond that in scope. The author does seem to capture the true intent of a presentation as being an opportunity to influence and persuade an audience rather than death by power point with data saturated slides. This is not a hold your hand, step-by-step guide to great presentaions. You can not be led to that level of performance. This book however does clearly point the way and encourage you to walk the path to giving great presentaions, but the reader still needs to do the walking.

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It actually underscores the power and distinctiveness of Gary Cooper's movie stardom that this isn't so much a true collection as gleanings from the odds-and-ends table. That's not a knock; three of the four films are solid entertainments and would be well worth recommending on their own. But the only thing unifying them is the beauty and enigma Cooper brought to them, and the professionalism with which he addressed these wide-ranging assignments.

Three of them date from the '20s and '30s and were produced by Samuel Goldwyn. The 1926 silent The Winning of Barbara Worth gave Western stunt man and bit player Cooper his first featured role (by accident--the actor originally cast didn't report for work!). A cowboy whose visionary surveyor father aims to "redeem the desert and make it one fine garden," Cooper's character is the third corner of a romantic triangle, ordained by the Hollywood caste system to lose lifelong sweetheart Vilma Banky to engineer Ronald Colman. Colman has lots more screen time than Cooper and bears the moral-ethical brunt of the eco-conscious drama; he's also surprisingly persuasive wearing a sweat-stained Stetson and trading gunshots with the bad guys (if this were a sound film, Colman could never have gotten away with it). But the camera and the audience are locked onto Cooper whenever he's on screen. In longshot or vulnerable closeup, he's already one of the gods of the cinema. As for the movie, the quality of the print is excellent, its clarity intensified by bronze, yellow, and moonlit-blue tinting that often seems on the verge of resolving into full color. Director Henry King shows a good eye for action and bold vistas, and a visual adventurousness mostly absent from his later work.

Next up chronologically is The Cowboy and the Lady (1938), and the best thing about this misbegotten movie is Garson Kanin's description, in one of his Hollywood memoirs, of how Leo McCarey sold the idea for it to Sam Goldwyn. McCarey was, of course, a comedic master (recently Oscared for directing The Awful Truth), and his exuberant pitch convinced Goldwyn and his staffers that audiences would "piss" themselves laughing at this romantic comedy about a daughter of privilege (Merle Oberon) who falls for a rodeo rider (Cooper) and learns homespun values. Goldwyn paid McCarey off, assigned some writers to the script, then realized there was no real story--"no there there," as Gertrude Stein might have put it. The resultant unfunny and unromantic endeavor oozes bad faith from every pore, with neck-snapping life changes foisted on the hapless Cooper and Oberon from reel to reel, and excruciating scenes (jitterbugging in a drawing room, playing house back on Cooper's ranch) that strain charmlessly for McCarey's patented brand of fey. H.C. Potter directed, understandably without conviction.

We and Cooper are back on track with The Real Glory (1939). The reliable Henry Hathaway helmed this second cousin to his and Cooper's The Lives of a Bengal Lancer, with Cooper as an Army doctor assigned to the Philippine Constabulary on Mindanao in 1906. The movie was well-received when it came out; encountered in the shadow of the Iraq War, its tale of U.S. occupiers trying to help the local populace "stand up" against a fanatical and murderous insurgency takes on new fascination. There are some amazing passages--two horrendous murders by bolo knife--and the final battle sequence puts the CGI-riddled action films of the present day to shame. But the most impressive element is Cooper, and we can't improve on the verdict of that astute film critic Graham Greene: "Mr. Cooper ... has never acted better.... Watch him inoculate [Andrea King] against cholera--the casual jab of the needle, and the dressing slapped on while he talks, as though a thousand arms had taught him where to stab and he doesn't have to think any more."

For the final film in the set we jump into the '50s--the century's and Cooper's. Vera Cruz (1954) casts him as a former Confederate officer who's ridden into Emperor Maximilian's Mexico, hoping to make a fortune in the new civil war south of the border so that he can rebuild his own devastated homeland. Costar Burt Lancaster (whose company Hecht-Lancaster was producing) plays another mercenary, a real sociopath, and it's fascinating to watch these two stellar icons of very different Hollywood eras make common cause--Lancaster at the height of his grinning-predator mode, Cooper an aging knight whose aim is still true. Director Robert Aldrich keeps finding dynamic uses for the SuperScope format and flavorfully fills it with sublime uglies like Ernest Borgnine, Jack Elam, Charles Horvath, Jack Lambert, and Charles Buchinsky-about-to-become-Bronson. Pieces of this movie found their way into the dreams of Sam Peckinpah and Sergio Leone. --Richard T. Jameson


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She was famous as both artist and model, infamous as political revolutionary and social libertine, and Frida Kahlo's controversial life couldn't help but seem the stuff of great musical theater. Her story is brought to the screen by director Julie Taymor, whose musical compatriot here is also her husband; Elliot Goldenthal, student of both Copland and Corigliani, shrewdly sublimates his modernism in service of the rich, evocative music and songs of Mexico and Central America. Utilizing performers that range from the contemporary (Lila Downs) to the folk-classic (Costa Rican legend Chavela Vargas; Brazilian star Caetano Veloso) and traditional (Los Cojolites, El Poder Del Norte, Trio Huasteca, Caimanes de Tanquin, and others), Goldenthal generously displays the true breadth of Mexican folk music, while seamlessly infusing it with the minimalist corners of his own underscore and some winning songwriting of his own. The result is one of 2002's most compelling soundtracks. The enhanced CD features include musical film excerpts, as well as a video conversation between Goldenthal and star Salma Hayek and text interviews with the composer and director Taymor. --Jerry McCulley
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