Electronics : Print File 357B100 35mm Negative Pages 100 Sheets

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Print File 357B100 35mm Negative Pages 100 Sheets

from: Print File



Print File 357B100 35mm Negative Pages 100 Sheets
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Average Buyer Rating: out of 5 stars
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Product Brand: Print File
EAN: 0029368100900
Label: Print File
Product Manufacturer: Print File
Publisher: Print File
Studio: Print File


Piece facts:
  • Holds seven 5 frame 35mm strips, 35 frames total.
  • Contact prints on 8" x 10" Photographic Paper.
  • Dimensions: 8 9/16" Wide x 11 3/16" High.
  • Fits: standard binders Only.



Sheets 100 Pages Negative 35mm 357B100 File Print





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Until recent years, archival film storage had been associated, at least in the public mind, with museums, government agencies, libraries, or other institutions concerned with the preservation of photographic records; however, other users of photographic film, such as commercial photographers, printing houses, publishers, and schools, have long been concerned with how best to ensure permanence of their irreplaceable photography. A sophisticated generation of amateur photographers who observed how time, humidity and casual storage damaged valuable slides and prints, nowadays, have converted to using archival storage techniques. They, too, appreciate that a picture good enough to keep is good enough to keep forever. Exclusive thin backing coupled with high clarity provides excellent resolution when proofing without removing negatives from the preserver. No other manufactured preserver has this feature. Also, continuous seams eliminate the problem of negatives hanging up in the sleeve itself. You can literally load and unload Print File preservers easier and faster. The Exclusive Hanging File System is designed specifically for hanging photographic records in standard file drawers or file boxes. Simply slide the hanger into the preserver's l.D. strip, and it's ready for hanging. And you don't need to be a professional photographer to keep your negatives, prints, slides, and transparencies permanently protected. While you might not be able to maintain an o


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Testimonials
Average Buyer Rating: out of 5 stars

Buyer's feedback: 5 out of 5 stars - * Acid Free, Thick, Good Negative Storage and Protection ...
This products does exactly as intended and will extend the life of your negatives for sure. I have used them many times over the decades and they have improved them in quality and protection since I started buying these items back in the early 80's. If you have old negatives lying around get them out, wipe them off and place them in these sleeves to help save them and store them.


Buyer's feedback: 5 out of 5 stars - I've been using these for 20+ years
How do you rate something that sells for less than two cents? I bought a 100 pack of these for under $20 shipping included. If you are like me and have tens of thousand of negatives and want to be able to ever find one of them this is about the best filing option. Put then negs in the pages then put the pages in those plastic three ring binder boxes then place the boxes in a four drawe file cabinet. The fire proof cabinets are the best. About the only way to make these beter would be if there was a way to store an entire 36 exposure roll in one page but that is not going to happen on a standard sice page.


Buyer's feedback: 5 out of 5 stars - * Just what I needed ...
What can I say but Phenomenal service and excelent product quality. I will definitely go to this seller to search for something I need before going elsewhere...I recommend you do too! :0)


Buyer's feedback: 5 out of 5 stars - Love this
I needed this for work to get all of my negatives in one place and protect them and these are great. They are very easy to slide in and they do not get caught so I love them.


Buyer's feedback: 5 out of 5 stars - * Great Product ...
Excellent product; exactly what I was looking for. Getting hard to find in local photo shops.

read more customer reviews on Print File 357B100 35mm Negative Pages 100 Sheets

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Strike by Sri Lankan food importers may affect India

Indian exporters of essential foods to Sri Lanka may be hit hard if importers and distributors in the island carry out a threat to go on strike against the Sri Lankan government's bid to enter the trade on unequal terms.
via Food-Cons. Products-News By Industry-News-The Economic Times

RBI ropes in HCL Comnet for IT overhaul

The exercise will cost RBI around Rs 100 cr. Under the terms of the contract, HCL will set up the two centres and maintain them for the RBI for 7 years. Build your biz online

via Software-Infotech-The Economic Times

Pirates of the Caribbean - At World's End (Two-Disc Collector's Edition)
$22.99



Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pithy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" for supposedly nailing his scenes.

The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheimer with serious understatement. Other cool extras include "Tale of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley

Beyond Pirates of the Caribbean: At World’s End


Our Pirates of the Caribbean Store
Pirates of the Caribbean: Curse of the Black Pearl
Pirates of the Caribbean: Dead Man’s Chest

Pirates of the Caribbean: At World’s End Soundtrack
Why We Love… Bill Nighy
Johnny Depp Essential DVDs
Stills from Pirates of the Caribbean: At World’s End (click for larger image)





Pirates of the Caribbean - At World's End (Widescreen Edition)
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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

Pirates of the Caribbean - At World's End [Blu-ray]
$19.99



Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

Grand Theft Auto: San Andreas(tm) Official Strategy Guide (Signature)

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Thanks to a fortuitous intersection of talent and fate, 22-year-old Josh Groban hasn't finished his senior year in performing arts school but has already released his sophomore effort on a major major label. Fans of the young vocal phenom's debut will find much to enthrall them here, even if it nudges the singer closer to the center of producer/mentor David Foster's MOR pop sensibilities. Eschewing much of its predecessor's more overt classic-lite pretensions and pop-rock covers for a slate of dramatic, Eurocentric ballads that serve as a showcase for the singer's inviting baritone, Groban shrewdly positions himself as the American alternative to the Bocelli-Watson crossover axis. "Caruso" may find the singer falling short of its operatic inspiration, but "Oceano" and "My Confession" quickly showcase his true dramatic range (which seems to all but yearn for a bona fide Broadway musical challenge), while a vocal take of Bacalov's graceful "Il Postino" theme uses classical virtuoso Joshua Bell's violin flourishes to good effect. To his credit, Groban displays some promising efforts at songwriting collaboration on the bittersweet "Per Te" and "Remember When It Rains," while the ambient/ethnic soundscape of Deep Forest's "Never Let Go" offers a teasing alternative to the record's otherwise melodramatic production formula. Groban has found commercial triumph via Foster's mentoring, but there remains a nagging sense here that he hasn't truly pushed himself as an artist--yet. --Jerry McCulley
The Confessions Tour - Live from London (CD+DVD)
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The world can't get enough of Madonna, and with CD/DVD sets like The Confessions Tour dropping regularly, it's little wonder why. As a thrower of fantasy dance parties, she is peerless. As a physical role model for the 40-ish women who grew up on her music, she rules. And as an arbiter of what's going to sound shockingly original in any given decade--well, duh. The Confessions Tour rounds up songs from way back--"Ray of Light" and "La Isla Bonita" make the DVD, and "Lucky Star" and "Like a Virgin" are on the CD as well as the DVD--but this concert, filmed in 2006 at London's Wembley Arena, aims its sturdiest spotlight on Confessions on a Dance Floor, Madge's 2005 disco disc. You could argue, then, that unless you're in it for the sheer DVD spectacle (and what a spectacle it is), there's no sense in owning this package. Only you wouldn't be right. Because as any on-the-ball Madonna fan knows, what she's doing musically is telling a story--you may already know the characters, but that doesn't mean she hasn't completely reworked the plot. To that end, "I Love New York" gets its rock on, "Let It Will Be" has a musical temper tantrum, and "Hung Up" goes for the drama queen award. You've heard these songs before, but you've never heard them quite like this, to borrow a bad informercial phrase. As twisted and hopped-up as they've become, they're all worth getting to know again. --Tammy La Gorce
Confessions on a Dance Floor
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Apparently there's nothing in Kabbalah that disallows sweaty, head-spinningly good dance music, because here comes a flame-haired Madonna hawking a dozen songs' worth: Confessions on a Dance Floor darts seamlessly from Madge's early days, when she emerged as the genre's enduring darling, through the political, kiddie, and acoustic pap that drove a wedge between her and early adopters of the fingerless glove look. Songs like the pop-leaning "Jump" and first single "Hung Up"--an adrenaline drip on high that, like many of these tracks, will inspire mild shame among those who've thrilled to the much thinner disco-dusted outpourings of younger divas recently--represent both a return to form and an unmistakable march into the future. "Get Together" is a sonic freak-out in the best sense; "Push" traffics in gut-level futuristic trance; and "Forbidden Love" loops in '80s blips and bleeps for a follow-me-into-the-past effect that's both neo and retro. For all the image-affirming innovations here, though, these confessions find Madonna framed in her share of reflective moments too. "Was it all worth it/How did I earn it?" she asks on "How High," a song featuring vocoder. "Nobody's perfect/I guess I deserve it," comes the answer. A later lyrical inquiry is left for the listener to judge: "Does this get any better?" Madonna wants to know. But that opens the door to a dizzying proposition. Few of us would have guessed, after all, that it got this good. --Tammy La Gorce

Sheets 100 Pages Negative 35mm 357B100 File Print
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