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Alexander Calder: The Paris Years, 1926-1933 (Whitney Museum of American Art)

Alexander Calder: The Paris Years, 1926-1933 (Whitney Museum of American Art)

»rank: 6625

by: Joan Simon, Brigitte Leal


0ur opinion: :ln 1926, Alexander Calder (1898–1976) moved from New York to Paris and began to use time and motion as 'materials' for animating line and space. Calder’s years in Paris––an understudied part of the artist’s career––is the focus of this marvelous publication.  A team of international scholars discusses Calder’s many innovations of this period, chief among them his abstract, motorized, and mobile works. They analyze the extended cast of Calder’s animated Circus, made in Paris between 1926 ...


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Magnum Photos: Euro Visions

Magnum Photos: Euro Visions

»rank: 728886

by: Quentin Bajac, Diane Dufour


0ur opinion: :When Magnum conceived an assignment on the theme of the ìnew Europeans,î meaning the 10 countries that had all entered the European Union at once on May 1, 2004, 10 Magnum photographers volunteered, each for very personal reasons and with a very personal approach. The rules were simple: rather than the misleadingly vain ìportraitî of a country that this kind of short-term assignment often yields, each photographer was to give an account of his or her ...


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Lartigue: Album of a Century

Lartigue: Album of a Century

»rank: 5675600

by: Martine d'Astier, Quentin) Delete (Bajac


0ur opinion: :Jacques Henri Lartigue (1894-1986) took his first photograph using his father's camera when he was six years old, and with this began the creation of an enduring record of twentieth-century French life. Lartigue arranged the several thousands of photographs he took into large albums, which he donated to the French State some years before he died, creating the Donation Jacques Henri Lartigue. The gift included 130 albums (beginning with the 1880 family album and ending with ...


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Artifices - Didier Massard

Artifices - Didier Massard

»rank: 381892

by: Quentin Bajac


0ur opinion: :Didier Massard photographs - virtuoso exercises in illusion and artifice - invite the viewer into a world of enigmatic dreams and sham paradises, of fairytales and follies, where hyper-realism combines with sleight of hand to challenge and undermine out perceptions.


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Collection Photographs

Collection Photographs

»rank: 863110

by: Alain Sayag, Herbert Molderings, Michel Poivert, Christian Caujolle


0ur opinion: :The Centre Pompidou in Paris houses the largest collection of Modern art in Europe, and one of the greatest collections of twentieth-century photography in the world. This comprehensive catalogue of the photo collection features 350 images, reproduced in tritone and duotone, by nearly 300 of the most famous artists and photographers to engage with the medium--from Franti ek Drtikol, Paul Strand, Walker Evans, Constantin Brancusi, Alexander Rodchenko and Berenice Abbott, via Manuel Alvarez Bravo, Man Ray ...


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The Abrams Encyclopedia of Photography

The Abrams Encyclopedia of Photography

»rank: 842644

by: Quentin Bajac, Christian Caujolle


0ur opinion: :Photography is a revolutionary art medium that has changed the way in which the world is presented. lt has become an indispensable mode of communication and a vital means of revealing and explaining the world. This comprehensive encyclopedia traces the amazing journey of photography, from the invention of the daguerreotype in 1829 to the digital photograph of today. ln outlining nearly two centuries of this innovative art form, the book touches on some of the medium's ...


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Discoveries: The Invention of Photography (Discoveries (Abrams))

Discoveries: The Invention of Photography (Discoveries (Abrams))

»rank: 212478

by: Quentin Bajac


0ur opinion: :The advent of photography-the making of images on light-sensitive materials-was heralded in 1839 with the debut of the daguerreotype. 0ver the next 50 years, the medium underwent radical changes, with the successive introduction of the calotype, the collodion print, and the tintype, and the increasing use of photography for portraiture and travel views. This fascinating study of the first half-century of photography covers not only its scientific developments but also its establishment as a documentary tool ...


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The Dawn of Photography: French Daguerreotypes, 1839-1855

The Dawn of Photography: French Daguerreotypes, 1839-1855

»rank: 1351532

from: Metropolitan Museum of Art


0ur opinion: :Louis Jacques Mand Daguerre grabbed the attention of the world in 1839 with a new invention: the daguerreotype. These magically detailed, one-of-a-kind images on silver-plated sheets of copper were the first photographs shown to the public. They boldly announced a revolution that would forever change the history of visual representation. This comprehensive catalogue on CD-R0M discusses various aspects of the daguerreotype in France during its heyday from 1839 to 1855. lt traces the opposed attitudes of ...


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L'Image révélée : L'Invention de la photographie

L'Image révélée : L'Invention de la photographie

»rank: 1351532

by: Quentin Bajac


0ur opinion: :Louis Jacques Mand Daguerre grabbed the attention of the world in 1839 with a new invention: the daguerreotype. These magically detailed, one-of-a-kind images on silver-plated sheets of copper were the first photographs shown to the public. They boldly announced a revolution that would forever change the history of visual representation. This comprehensive catalogue on CD-R0M discusses various aspects of the daguerreotype in France during its heyday from 1839 to 1855. lt traces the opposed attitudes of ...


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Tableaux vivants. Fantaisies photographiques victoriennes, 1840-1880

Tableaux vivants. Fantaisies photographiques victoriennes, 1840-1880

»rank: 1351532

by: Quentin Bajac


0ur opinion: :Louis Jacques Mand Daguerre grabbed the attention of the world in 1839 with a new invention: the daguerreotype. These magically detailed, one-of-a-kind images on silver-plated sheets of copper were the first photographs shown to the public. They boldly announced a revolution that would forever change the history of visual representation. This comprehensive catalogue on CD-R0M discusses various aspects of the daguerreotype in France during its heyday from 1839 to 1855. lt traces the opposed attitudes of ...


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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.

$17.99



This 44-minute musical Christmas movie finds Pooh, Tigger, Darby, and the rest of everyone's favorite characters from the Hundred Acre Wood enjoying a busy Christmas Eve filled with Christmas preparations and dreams about what they hope to receive from Santa. When Roo and Lumpy discover a fancy red bag in the snow and then stumble upon a young reindeer named Holly caught in a thicket, they find out that the bag they've found is Santa's magical toy sack and that without it, Santa may have to cancel Christmas. When Holly is unable to remember which direction leads home, Roo and Lumpy sound the super sleuth siren and the whole gang sets off for the North Pole to return Santa's bag. Using their knowledge of the North Star to guide them, the hopeful group makes their way toward the North Pole, but finds the road difficult and full of danger. Can the group make it to Santa in time to save Christmas by working together? Will their individual Christmas wishes ever come true? Bonus features include two episodes about friendship and teamwork ("Symphony for Rabbit" and "Tigger Goes Snowflakey") and the "Hundred Acre Wood Downhill Game" in which players pretend to ski down a hill and then interactively match presents with their intended recipients. (Ages 2 and older) --Tami Horiuchi
$13.49



Pooh Bear and his pals in the Hundred Acre Wood celebrate Christmas and New Year's Eve in a pair of adventures folded into this 65-minute made-for-video feature. In the first, the silly old bear plays Saint Nick to his buddies ("I always thought he'd be taller") after failing to get an errant wish list off to Santa, while identity crisis strikes the gang in the second half. Piglet inherits Tigger's hop and jumps like a pogo stick, and Eeyore (dressed in Pooh's shirt) becomes a happy-go-lucky honey lover. Welcome to The Twilight Zone according to Winnie the Pooh. There's not much A.A. Milne in this TV-style holiday special, but it's a bouncy little production that should entertain the wee ones with its warm fuzzies, good company, slapstick energy, and life lessons. --Sean Axmaker

by Curtis Faith
$18.45

Average customer rating: 4.0 ISBN: 007148664X

by Gloria K. Fiero
$27.19

Average customer rating: 4.5 ISBN: 0072910100

by Susan Warren
$6.99

Average customer rating: 4.0 ISBN: 0373785852
$13.57

Steve McCurry

$48.49





1840-1880 victoriennes, photographiques Fantaisies vivants. Tableaux
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