: Record 52-1/2ED Quick Release Woodworker's Vise (with 'Dog'), 9' Jaw Width

: Record 52-1/2ED Quick Release Woodworker's Vise (with 'Dog'), 9' Jaw Width

could not open XML input

Record 52-1/2ED Quick Release Woodworker's Vise (with 'Dog'), 9' Jaw Width

from: Record



Record 52-1/2ED  Quick Release Woodworker's Vise (with 'Dog'), 9' Jaw Width
Click Larger Image

More Info


Average Buyer Rating:  out of 5 stars
Sales Rank: 66284





Binding: Tools & Hardware
Product Brand: Record
EAN: 0734442030362
Label: Record
Product Manufacturer: Record
Model: 52-1/2ED
Publisher: Record
Ranking: 66284
Studio: Record


Piece facts:
  • 9-inch jaw width
  • 13-inch jaw opening
  • Quick-release mechanism
  • Front jaw is trigger-controlled
  • Lifetime warranty




Width Jaw 9' 'Dog'), (with Vise Woodworker's Release Quick 52-1/2ED Record





















Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 1 out of 5 stars - * Just awful ...
I own one of the big ones. The 53. The Cadillac.

It has never worked right. There is something wrong
with the design of the 53. The quick-action feature
is forever jamming and popping and a source of
suffering.

Just Junk. The problems with the quick-action mechanism
totally nullify the good qualities of the vise. When
it works it works well. It has great capacity and
it clamps work solidly.

Maybe the smaller Record Vises are better



Buyer's feedback: 4 out of 5 stars - Stands up to use OR abuse
Buy this one, quickly, while you still can get a gen-yoo-wine, made-by-Brits-in-Sheffield vise for a Taiwanese price. The Record 52-1/2 is a far better device than expected for a little over a hundred bucks. It has tremendous capacity, is heckforstrong, and is fast-acting without mystical half-turn gymnastics. It has a nice, long-lasting blue paint finish, and decent metal finishes as well. You can tighten it up with a whomping mallet mash if you care to, and it will take it and smile back at you. The quick-release lever is a pure gem in operation.

This champion of a vise deserves a big, heavy bench to support it in the fashion in which it would like to become accustomed. Be aware that mounting procedures will affect your long-term enjoyment greatly. If your bench is edged, mounting Big Blue behind the edging gives you a seamless inside face; this is superior to recessing it into the bench side. You also should fabricate an outside jaw pad of hardwood. Magnetic pads are available for this vise, but they look crummy on a nice bench, can't be made from scraps and won't last as long as maple ones. A useful, plain-English installation guide is included.

Waxing the screw and guides is recommended. Don't use oil, grease or WD40, all of which will accumulate crud rapidly.

Drawbacks are few: you won't get the full jaw width after facing the jaws (you don't need it anyway); it weighs about an Imperial ton (only a disadvantage if your bench is lightish); and it will torque its works a bit if you rachet down hard with a piece of stock held vertically in one side. This last peccadillo is curable by the expedient of shimming the opposite side with a board of equal thickness. Final drawback is the dog, which is good hard steel -- just the thing to punch divots in your workpieces. Make a new one out of hardwood (takes 15 minutes or so if you're slow like me), and your troubles are over. Alternatively, you can use cauls between the dog and your workpieces.

The ONLY reason I'll never buy another Record 52-1/2 is that a guy really only needs one -- and I'll never wear this one out. Nice to see well-made gear out there.



Buyer's feedback: 5 out of 5 stars - * Great Woodworker�s Vice ...
As with the majority of equipment manufactured by Record, you will find attention to detail and excellent quality. The 52-1/2 does not disappoint. The thread design on the clamp is very beefy and will withstand as much pressure as you can muster without the possibility of striping out. This is something you want find on the Taiwanese copycats. The ratio of handle turn to clamp movement is excellent allowing for incremental adjustment of clamping pressure without the fear of "over doing it". The adjustable top "dog" is great when used in conjunction with bench "dogs" resulting in even great clamping width capacities. The quick release feature is very helpful in quickly adjusting the jaw width without having to crank your arm off.

As mentioned in an earlier review, careful attention should be paid to adequately mount the vice. I anchored the vise in a 2" x 4" laminated workbench by rabbiting the rear vice clamp into the bottom of the workbench and then secured it with ¼" x 2 ½" lag bolts. I also attached a 12" long 2" x 4" to the front vice clamp. This gives me a wood-on-wood clamping surface to protect the surface of my projects.

This should be the first (and it will probably be the last) vise you consider or purchase.



Buyer's feedback: 5 out of 5 stars - Excellent for Woodworking
This is a good, strong vise that is easy to tighten and loosen. The lever swivels very smoothly and is large enough to give you a good grip. The overall design is excellent. The way the mounting holes are positioned, you can mount the vise on the edge of your workbench so it has a fairly low profile. This means that the vise is very unobtrusive, staying out of the way, yet providing access when you need it. The inside of the mouth is smooth. However, I taped some padding on it to make sure it doesn't damage wood. If you're a woodworker, this is the best kind of vise to get.



Buyer's feedback: 5 out of 5 stars - * Record 52-1/2 woodworking vise ...
The Record 52-1/2 ED woodworking vise is a massive and very sturdy piece of equipment and requires an equally sturdy work bench in order to be used to its fullest potential. If the vise is mounted with the jaws about a half inch below the work surface (as is recommended) then the space 7 1/2 inches below the work surface must be open to allow for free movement of the guide bars and the torsion bar. The metal jaws need to have hardwood face plates add to protect your work. I used 3/4 inch hardwood for the face plates and held them in place with 1 inch wood screws. The Tool Crib catalog description says that the jaws are tapped to receive 8 mm countersink screws. This was not true with my vise. It had two 6.5 mm holes drilled in each jaw but the holes were not tapped nor were they countersunk. This being the case it is necessary to add the face plates before mounting the vise. I mounted the vise, positioned the face plates, clamped them in position, unmounted the vise, inserted the 4 one inch wood screws and remounted the vise. The vise is well made, works great and I'm quite happy with it.

read more customer reviews on Record 52-1/2ED Quick Release Woodworker's Vise (with 'Dog'), 9' Jaw Width


We have more similar products, listed by their category for you:


 




The HP Compaq tc4400 convertible tablet offers decent performance and battery life, though we recommend adding more RAM.


Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

$22.99



Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pithy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" for supposedly nailing his scenes.

The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheimer with serious understatement. Other cool extras include "Tale of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley

Beyond Pirates of the Caribbean: At World’s End


Our Pirates of the Caribbean Store

Pirates of the Caribbean: Curse of the Black Pearl

Pirates of the Caribbean: Dead Man’s Chest

Pirates of the Caribbean: At World’s End Soundtrack

Why We Love… Bill Nighy

Johnny Depp Essential DVDs
Stills from Pirates of the Caribbean: At World’s End (click for larger image)





$14.99



Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

$19.99



Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley


by Rick Barba
$11.55

Average customer rating: 3.0 ISBN: 0744004292

by BradyGames
$13.59

Average customer rating: ISBN: 0744009332
$9.99



Thanks to a fortuitous intersection of talent and fate, 22-year-old Josh Groban hasn't finished his senior year in performing arts school but has already released his sophomore effort on a major major label. Fans of the young vocal phenom's debut will find much to enthrall them here, even if it nudges the singer closer to the center of producer/mentor David Foster's MOR pop sensibilities. Eschewing much of its predecessor's more overt classic-lite pretensions and pop-rock covers for a slate of dramatic, Eurocentric ballads that serve as a showcase for the singer's inviting baritone, Groban shrewdly positions himself as the American alternative to the Bocelli-Watson crossover axis. "Caruso" may find the singer falling short of its operatic inspiration, but "Oceano" and "My Confession" quickly showcase his true dramatic range (which seems to all but yearn for a bona fide Broadway musical challenge), while a vocal take of Bacalov's graceful "Il Postino" theme uses classical virtuoso Joshua Bell's violin flourishes to good effect. To his credit, Groban displays some promising efforts at songwriting collaboration on the bittersweet "Per Te" and "Remember When It Rains," while the ambient/ethnic soundscape of Deep Forest's "Never Let Go" offers a teasing alternative to the record's otherwise melodramatic production formula. Groban has found commercial triumph via Foster's mentoring, but there remains a nagging sense here that he hasn't truly pushed himself as an artist--yet. --Jerry McCulley
$23.99



The world can't get enough of Madonna, and with CD/DVD sets like The Confessions Tour dropping regularly, it's little wonder why. As a thrower of fantasy dance parties, she is peerless. As a physical role model for the 40-ish women who grew up on her music, she rules. And as an arbiter of what's going to sound shockingly original in any given decade--well, duh. The Confessions Tour rounds up songs from way back--"Ray of Light" and "La Isla Bonita" make the DVD, and "Lucky Star" and "Like a Virgin" are on the CD as well as the DVD--but this concert, filmed in 2006 at London's Wembley Arena, aims its sturdiest spotlight on Confessions on a Dance Floor, Madge's 2005 disco disc. You could argue, then, that unless you're in it for the sheer DVD spectacle (and what a spectacle it is), there's no sense in owning this package. Only you wouldn't be right. Because as any on-the-ball Madonna fan knows, what she's doing musically is telling a story--you may already know the characters, but that doesn't mean she hasn't completely reworked the plot. To that end, "I Love New York" gets its rock on, "Let It Will Be" has a musical temper tantrum, and "Hung Up" goes for the drama queen award. You've heard these songs before, but you've never heard them quite like this, to borrow a bad informercial phrase. As twisted and hopped-up as they've become, they're all worth getting to know again. --Tammy La Gorce
$10.97



Apparently there's nothing in Kabbalah that disallows sweaty, head-spinningly good dance music, because here comes a flame-haired Madonna hawking a dozen songs' worth: Confessions on a Dance Floor darts seamlessly from Madge's early days, when she emerged as the genre's enduring darling, through the political, kiddie, and acoustic pap that drove a wedge between her and early adopters of the fingerless glove look. Songs like the pop-leaning "Jump" and first single "Hung Up"--an adrenaline drip on high that, like many of these tracks, will inspire mild shame among those who've thrilled to the much thinner disco-dusted outpourings of younger divas recently--represent both a return to form and an unmistakable march into the future. "Get Together" is a sonic freak-out in the best sense; "Push" traffics in gut-level futuristic trance; and "Forbidden Love" loops in '80s blips and bleeps for a follow-me-into-the-past effect that's both neo and retro. For all the image-affirming innovations here, though, these confessions find Madonna framed in her share of reflective moments too. "Was it all worth it/How did I earn it?" she asks on "How High," a song featuring vocoder. "Nobody's perfect/I guess I deserve it," comes the answer. A later lyrical inquiry is left for the listener to judge: "Does this get any better?" Madonna wants to know. But that opens the door to a dizzying proposition. Few of us would have guessed, after all, that it got this good. --Tammy La Gorce


Width Jaw 9' 'Dog'), (with Vise Woodworker's Release Quick 52-1/2ED Record
Shopping at www.gaunz.org  Created at Sun Nov 23 15:05:24 2008