: Yentl

: Yentl

could not open XML input

Yentl

starring: Robbie Barnett, Lynda Baron, Danny Brainin, Renata Buser, Allan Corduner



Yentl
Click Larger Image

More Info


Average Buyer Rating:  out of 5 stars
Sales Rank: 26





Audience Rating: PG (Parental Guidance Suggested)
Binding: VHS Tape
EAN: 9786301978583
Format: Closed-captioned, Color, Dolby, NTSC
ISBN: 6301978587
Label: MGM (Video & DVD)
Product Manufacturer: MGM (Video & DVD)
Number Of Items: 1
Publisher: MGM (Video & DVD)
Release Date: December 31, 1992
Running Time: 132 minutes
Ranking: 26
Studio: MGM (Video & DVD)
Theatrical Release Date: December 09, 1983






Yentl






0ur opinion:

essential video:
Barbra Streisand made her directorial debut with this 1983 adaptation of the lsaac Bashevis Singer story about a young Eastern European woman (Streisand) who disguises herself as a male at the turn of the century in order to get an education. Except for an excessive musical score with too many songs and Streisand's tiresome tendency to play characters who suppress their beauty, the film is crisp and engaging, and the gender-bending love story complications are fun, if gimmicky. Streisand gives a smart, vulnerable performance and gets fresh work from costars Mandy Patinkin and Amy lrving. --Tom Keogh










We found more related products for you:
Yentl (1983 Film) Hello, Dolly! Widescreen Edition The Way We Were (Special Edition) On a Clear Day You Can See Forever Fiddler on the Roof (2-Disc Collector's Edition) click 4 more

We found more related products for you:




Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 5 out of 5 stars - * Yentl- No DVD??!! ...
I have all of Barbra Streisand movies on Dvd except for this one. This is one of the biggest mysteries. It probably is Barbra's best film ever and it is still not out on Dvd. What are they waiting for? I wish someone knew the answer to this question.



Buyer's feedback: 5 out of 5 stars - Showing TCM 12/22/2008
This is my favorite movie and would like to get it on DVD as soon as it is released for Region 1. In the meantime, I found out it was on the Turner Classic Movie channel last night and I missed it. It will be rebroadcast 12/22/2008 at 11:30pm Eastern time. Set your DVRs. I will. This may be the only way to get a Region 1 DVD.



Buyer's feedback: 5 out of 5 stars - * Timeless ...
My daughter and I saw Yentl together in 1983 in the theater when she was in the 7th grade. We walked out of the theater, looked at each other, turned on our heals, went back in and watched it again.

The music is glorious and the story is timeless. This is an intelligent movie. There is a unique quality to the way the film was made by which it seems there is more story telling through the music than the dialogue. It's a lovely way to absorb the story, with your gut rather than your cerebellum.

I watched it again about a month ago, and the strains of the "klesmer" music had me in tears. Minors, 7ths, flats -- flat minor 7ths! Heart wrenching, transcendent, other worldly.



Buyer's feedback: 5 out of 5 stars - Please release Yentl on DVD for the US
This is one of my favorite movies. The acting is wonderful -- I love Mandy Patinkin as Avigdor and, of course, Barbra is great!!! The music is beautiful and the photography is great. I have wanted to get this movie on DVD for a long time, but it is only available overseas. I would definitely buy it if it were released in the US.



Buyer's feedback: 4 out of 5 stars - * Where is the DVD? ...
I agree with others in wondering where the DVD is of this movie. I saw this movie in the theater when it came out and loved it then. Lately I have been listening to the music again and realizing it is some of Streisand's best. I wanted to see the movie again but, alas, no DVD after extensive searching!! I think it is long overdue.

read more customer reviews on Yentl


We have more similar products, listed by their category for you:


 




Alienware's flagship gaming laptop, the Area-51 m9750, has plenty of appeal for high-end gamers, but the alien head aesthetic seems dated, and newer components are right around the corner.

"The idea that creativity is vital to success is not widely accepted."

-Mark Dziersk , VP of Design, Herbst LaZar Bell



Thanks to a rich set of features and some great new additions, Evite maintains its stature as the top service for issuing e-invitations —but competitors are catching up.


$18.99



Set in Saudi Arabia, The Kingdom is a political action thriller with good acting and wonderful visuals. Its so-so script, though, at times meanders aimlessly until a good explosion jolts the viewer's attention back to the screen. Jamie Foxx stars as FBI special agent Ronald Fleury, who leads an elite team into Saudi Arabia to find the terrorists who attacked American employees working in the Middle East. He has been given the unlikely deadline of five days to infiltrate the compound, with just his wit and his crew, which includes forensics expert Janet Mayes (Jennifer Garner), explosives guru Grant Sykes (Chris Cooper), and intelligence analyst Adam Leavitt (Jason Bateman). It's unclear how helpful smarmy U.S. diplomat Damon Schmidt (Jeremy Piven) will be, but Fleury knows enough to surmise that the media-hungry Schmidt might not be completely trustworthy. Foxx and Garner have wonderful screen presence, but it's Bateman and Piven who get the best lines. Director Peter Berg peppers The Kingdom with actors he has worked with in the past. Berg, who guest-starred on Alias opposite Garner, casts Tim McGraw in a small role here. (The country singer also had a co-starring role in Berg's 2004 film Friday Night Lights.) And Kyle Chandler and Minka Kelly--two of Berg's lead actors from the Friday Night Lights television series, , make appearances in The Kingdom. The action sequences he creates are impressive and generate a sense of panic that The Kingdom producer Michael Mann (Miami Vice) undoubtedly applauds. While a tauter script would've rounded out the action nicely, the action in many cases does speak for itself. --Jae-Ha Kim
$19.99



A staggering portrait of arrogance and incompetence, the documentary No End in Sight avoids the question of why the U.S. invaded Iraq in 2003, choosing instead to focus on the war's aftermath--and meticulously examine the chain of decisions that led Iraq into a grotesque state of lawlessness and civil war. Drawing from interviews with top generals, administration officials, journalists, and soldiers who were in the thick of the war itself, No End in Sight lays out a gripping story, as suspenseful as any Hollywood movie, accompanied by terrifying footage of firefights and explosions more vivid than any special effects. Unfortunately, there is no happy ending. If the documentary has a weakness, it's the shortage of voices trying to defend the administration policies (perhaps unsurprisingly, policymakers like Dick Cheney, Donald Rumsfeld, and Paul Wolfowitz declined to be interviewed). But the testimony (presented by administration insiders and officials in Iraq, both military and civilian) argues that, despite contrary analysis and experienced advice against its actions, the top brass of the Bush administration made decisions (that aggravated already existing problems and created devastating new ones. No End in Sight builds its case one voice at a time and avoids the grandstanding that undercuts Michael Moore's work; instead, the gradual accumulation of simple facts--presented with weary resignation, earnest outrage, and restrained anger--results in a compelling condemnation of one of the worst blunders the U.S. has ever made. --Bret Fetzer
$14.99



Fans of Oliver Stone's J.F.K. will recognize the opening moments of writer-director Eugene Jarecki's Why We Fight, in which outgoing President Dwight Eisenhower warns of the pernicious and growing influence of what he called the "military-industrial complex." But Stone's movie, which uses the same footage, was a work of fiction. While those who disagree with the decidedly leftist point of view in this documentary will probably consider it the product of paranoid liberal fantasy as well, there's enough credible material, much of it supplied by the targets of Jarecki's criticisms, to make Eisenhower look like a prophet and everyone else uneasy about the dark confluence of politics, money, and war that controls the country's fortunes. The message here is that while there may be some who sincerely believe that America's various military engagements (in Iraq, Vietnam, Grenada, Panama, and elsewhere) since World War II are the product of our God-given duty to spread freedom and halt the influence of evil ideologies around the world, the real reason we fight is that war is good business. This is hardly a bulletin; anyone who is surprised by allegations that politicians pander to defense contractors, or that Vice President Dick Cheney helped secure huge deals for Halliburton, the company he formerly headed, simply hasn't been paying attention (Politicians lie? How shocking!). In fact, the principal drawback to Jarecki's film is simply that there's nothing particularly revelatory or compelling about it. Only when he takes a personal approach does he go beyond the obvious; the story of a retired New York policeman and former Vietnam veteran whose son died in the World Trade Center, who wanted revenge, but who became seriously disillusioned when Bush admitted that the war in Iraq had nothing to do with 9/11, adds some much needed human interest. Still, Why We Fight, which includes a director's audio commentary track and a few other bonus features, serves as a grim reminder that the world's most powerful nation has strayed far from the principles of our founding fathers, a development that does not bode well for America's future. --Sam Graham

by Dixie Chicks
$21.95

Average customer rating: ISBN: 0739043439

by Dixie Chicks, Mark Seliger
$16.95

Average customer rating: ISBN: 0739043447
$4.95



In her snowy home state of Utah, Marie Osmond serves up a warm cup of holiday cheer with Marie Osmond's Merry Christmas, her very first Christmas special. Mixing traditional songs and carols with modern melodies, Marie presents a sentimental hourlong program (originally aired on television in 1989), blending music with short sketches. The show features Kirk Cameron, then-teen heartthrob on Growing Pains; Candace Cameron, his sister and star of Full House; country singer Lee Greenwood; Sally Struthers and daughter Samantha, ice dancers Judy Blumberg and Michael Siebert, and the Osmond Boys.

Marie opens the show with an outdoor rendition of "We Need a Little Christmas" and then moves into the studio where Kirk Cameron arrives on a snowmobile (fresh from rescuing a trio of blonde snow bunnies) to read "The First Christmas Story." Lee Greenwood performs "Christmas to Christmas" and later a duet with Marie. "It's Beginning to Look a Lot Like Christmas" is sung by Sally Struthers and daughter with help from the Osmond Boys--six stepping stones ages 4 to 12 who have the senior Osmonds' moves down pat. The adorable award, though, goes to Marie's 5-year-old son, Steven, who performs a rockin' version of "Santa Claus Is Comin' to Town" (clapping on the off-beat nearly the whole song).

Marie has a good, strong voice, but many of the songs are overproduced and melodramatic. This, most likely, is a product of the big, pouffy '80s (her hair and outfits are also bigger-than-life) rather than a reflection of her talents. The closing number, "O Holy Night," sung by Marie alone, is quite lovely. --Dana Van Nest

$11.98





Yentl
Shopping at www.gaunz.org  Created at Sun Nov 23 14:50:24 2008