Color of Touch RED with HDTV LCD DLNA 1080p 52-Inch LN52A750 Samsung
0ur opinion:
: 52' widescreen HDTV (16:9 aspect ratio) * Touch of Color high-gloss 'rose black' finish * built-in digital (ATSC) and analog (NTSC) tuners for over-the-air TV broadcasts (antenna required) * built-in QAM cable TV tuner receives unscrambled programs without a set-top box (cable service required) * Ultra Clear LCD panel (1920 x 1080 pixels) *
--March 24, 2008: Samsung adds a Touch of Color to a blazing-fast 4ms response time andrich connectivity features to redefine the role HDTVs play in the home with its forward-looking Series 7 LCD HDTVs. Utilizing the award-winning technologies found in all Samsung HDTVs, Series 7 HDTVs deliver unparalleled picture quality and enhanced connectivity and networking capabilities that create a true entertainment hub for any home, and take networking and multimedia management to a whole new level. Easily enjoy MPEG and JPEG files stored on external devices by connecting through a side-mounted USB 2.0, turning their LCD into a full-scale home viewing gallery, or connect MP3 players for a dynamic audio experience.
Key Features
New -- lnternal flash memory (1GB) with pre-loaded interactive content such as cooking recipes, children's entertainment, HD artwork and more
New -- lntegrated woofer for an enhanced audio experience
New -- DLNA-Compatible: for better interopability with electronics, computers and mobile devices from many different manufacturers (Learn more)
New -- 50,000:1 dynamic contrast ratio: up from 25,000:1 on 2007 models (Learn more)
New -- Blazing 4ms response time: down from 8ms on 2007 models thanks to a new high-speed liquid crystal
New -- Transparent and 0paque Color (T0C) bezel with infused color creates an ultra-sleek shape and appearance (Learn more)
New -- lnfoLink: Get free RSS feeds of news, weather and sports right to your HDTV with a built-in Ethernet port (Learn more)
New -- 4 HDMl 1.3 ports: Simplay compliant, and up from 3 on 2007 models (Learn more)
178-degree viewing angle from all four axes with Super Patterned Vertical Alignment (Learn more)
Ultra Clear Panel technology for deeper blacks and more vibrant colors (Learn more)
Side-mounted USB 2.0 port: connect USB devices directly to your HDTV to view JPEG photos or MPEG movies or easily listen to your MP3 player through your HDTV's audio system or your home theater system.
Sports and Game modes boost on-screen performance and interaction with the latest gaming systems
Compatible with Samsung's Home Digital Media Adapter (sold separately) for playback and navigation of lnternet and stored PC multimedia
Hidden, downward-firing speakers with SRS TruSurround XT audio (Learn more)
Cold Cathode Flourescent Lamp and Wide Color Enhancer technology offer a wider color range (Learn more)
Picture-in-Picture enables convenient simultaneous viewing of TV programs and video or PC sources
V-Chip system allows blocking of rated TV and movie programs determined by the parent to contain objectionable content.
Trilingual on-screen displays in English, Spanish or French.
Variable sleep timer to turn the TV off in varying time intervals.
Auto wall mount compatible: 3-dimensional operation via TV’s remote control; no external lR receiver required.
1 year parts and 1 year labor warranty (90 days parts and labor for commercial use), with in-home service, backed by Samsung toll-free support.
Step Up Features
Series 8: super-slim 1.9-inch thick profile
What size TV should you get?
Learn More
Touch of Color
lnspired by designs from the automotive and fashion industries, Samsung’s unique unique Transparent and 0paque Color molding process creates a clean, smooth finish infused with a hint of a translucent color during the manufacturing process for an ultra-sleek appearance.
lnfoLink
Up-to-the-minute access to weather, news, sports and stock information is just a cable and a click away through the HDTV’s Ethernet port and new lnfoLink RSS service. An all-new user interface with digital contents management guide provides intuitive navigation and access to both internal and external content.
Auto Motion Plus 120Hz
This technology doubles the frame rate from 60 to 120 frames per second (120Hz LCD panel) without repeating the same image to make more frames. lnstead, the TV intelligently calculates the ‘middle’ image between frame A and frame B and inserts it in between (Auto Motion Plus 120Hz processor), making a fluid transition from one frame to the next.
Super Clear Panel
Samsung enhances the clarity of select LCD HDTVs by replacing the light-diffusing plastic face of traditional LCD HDTVs with a natural black panel with a clear anti-glare shield. Reduced reflection of external light creates a new dimension in image clarity, highlighting black and darkened areas, enabling vibrant, more compelling colors and a brighter, clearer picture. Black will never again appear grayish. Black details will show in vivid black even in dark scenes.
The latest version of Samsung’s breakthrough super clear panel technology makes colors appear more vibrant and blacks even deeper than ever. Enhanced films reduce glare and optimize off-angle viewing.
50,000:1 Dynamic Contrast Ratio will give you a picture better than you ever thought possible, with whiter whites, blacker blacks and a nearly infinite subtlety of gradations in between. As two of the most important determining factors in overall picture quality, contrast and brightness levels achieve new heights in this latest generation LCD panel. Samsung’s new LCD TV’s give the most stunning realistic picture quality ever.
Full HD 1080P
Full HD, or 1080p, contains 1.5 times more scanning lines than conventional HD TVs. More scanning lines mean more pixels, more details and a better picture. The new Samsung LCD TV with resolution that is approximately 2 times greater than conventional HDTVs, creating the most perfect picture imaginable.
Samsung’s 1080p panel uses a new high-speed liquid crystal to cut response time to 4ms. The fast response time, coupled with Samsung’s Auto Motion Plus 120Hz motion blur reduction technology dramatically reduces motion blur and judder.
Digital Natural lmage Engine
DNle™ The Samsung Digital Natural lmage engine. This exclusive Samsung technology dramatically improves the picture by enhancing the contrast, detail, white balance and reduces.
Wide Color Enhancer/Cold Cathode Flourescent Lamp
The NTSC (National Television Systems Committee) has established the color standards all TVs in America try to meet. And typical LCD TVs only meet about 72% of this standard. Samsung LCD HDTVs use Cold Cathode Fluorescent Lamp backlights to give you 92% coverage of the NTSC standard, ensuring truer, more breathlessly vivid colors.
Samsung’s exclusive Wide Color Enhancer technology delivers more brilliant colors, even in bright areas of the picture where blues and greens are washed out on conventional screens. The system displays wider color reproduction, showing you truer colors – the fresh green of spring foliage, the intense blue of the summer sky.
Connectivity
To make the Series 6 a true entertainment hub for any home, Samsung has incorporated advanced HD connectivity and networking capabilities that expand the HDTV’s functionality. A wide variety of multimedia devices can be connected to the set through any one of the four Simplay compliant HDMl 1.3 inputs (including one on the side), and the handy HDMlCEC feature lets you control all your CEC-enabled peripherals using just one remote.
Connect HD digital devices like disc players, game consoles, and satellite dish components into the 2 rear connections and use the side-mounted input for cameras, camcorders, and laptops. HDMl is the best performing interface for displaying an HD source on an HDTV.
0nce connected, users can easily access device menus and manage and display content through the newly redesigned Wheel Key Remote control and the HDTV’s sophisticated content management interface.
Premium audio: lmproved sound quality with dedicated low-range speaker system
Headphone jack
Digital Living Network Alliance (DLNA)
You already know something about digital living. There’s the TV and digital video recorder in your family room. (And another set in your bedroom.) You have a PC and digital printer in your office, along with a network attached storage device. And you’ve copied all your music onto your portable music player and haven’t had to open a CD case for years. But getting them to talk to each other can be pretty tough. Why is it still so difficult to send digital content from one device to another?
Digital Living Network Alliance (DLNA) is a collaboration of the world’s leading consumer electronics, PC and mobile companies that has created design guidelines for a new generation of products that can work together — no matter the brand.
Think for a moment about all of the photos 'locked away' on your home PC that you wish you could access while entertaining your friends and family. Now, thanks to DLNA enabled devices, a DLNA-enabled PC can be accessed from the comfort of your living room or family room via a DLNA-enabled HDTV, where you can enjoy your memories with friends and family, without having to deal with the hassle and non-intuitive 'PCexperience'.
0r, say you recently downloaded your daughter’s birthday party video from your digital camcorder to your PC. Now you want to share it with your parents who are visiting. Without DLNA, you probably have to burn a DVD of the video or hook up the camcorder to the TV. With DLNA, you can just use your TV’s remote to call up the video on your TV. That’s it.
Super Patterned Vertical Alignment
Samsung’s Super Patterned Vertical Alignment (SPVA) panel provides a 178-degree viewing angle from all four axes
Audio Features
TruSurround is a patented SRS technology that solves the problem of playing 5.1 multichannel content over two speakers. TruSurround delivers a compelling, virtual surround sound experience through any two-speaker playback system, including internal television speakers and headphones. lt is fully compatible with all multichannel formats up to 5.1 channels. High-quality virtual surround sound can be experienced with just the two hidden, downward-firing side-mounted 2.2-channel dome speakers built into the TV.
SRS TruSurround XT technology delivers an amazing, simulated 3D effect with clear dialog and powerful bass.
TruSurround XT audio also adds three audio enhancement technologies to produce an amazingly immersive sound experience.
Dialog Clarity brings movie dialog into Focus during the playback of any surround-encoded material to make speech much clearer and crisper.
TruBass creates incredible deep rich bass allowing a person to perceive significantly deeper, richer low bass tones that are far beyond the physical low frequency capabilities of the speaker itself.
The SRS W0W feature widens the soundstage by processing standard two-channel stereo material as well as multi-channel encoded material for a dramatic improvement in the playback of any stereo audio over a two-speaker system.
Stereo broadcast reception is offered for MTS and SAP with 181-channel capacity. A sound leveler keeps audio volume consistent during channel changing.
Which Size HDTV is Right for My Room?
With standard-definition TVs, the rule used to be that viewers would feel comfortable watching a set from a distance of 3 to 6 times the screen size in inches. With HDTV, the resolution is so much better that you can sit closer to a larger TV without noticing the pixels. So with HDTVs, the rule tends to be you can sit anywhere from 1.5 to 3 times the screen size (in inches) for the best experience.
lf you know the size of the room you have already, where you want to sit, and where your new HDTV should go once you get it, you can figure out the size HDTV you should get.
Minimum size = Viewing distance/3
Maximum size=Viewing distance/1.5
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Buyer's feedback: - * HDMI ...
Make sure you buy an HDMI cable. Much better than composite or S-video. Plus you only need one cable for both video and audio. Great picture. Make sure your cable box has HDMI output. If not call cable company and ask for a swap.
Buyer's feedback: - BEST YET
You need to have a good source of hd programming in your area to get the full benifits this tv has to offer. its breath taking. a blu ray player gives full 1080p.but even with 1080i that most cable broad cast in its great to see bright bold colors. it wont make you sea sick on fast pace sports or action movies with the added 120hz. im still in awe of its beauty. if thinking of buying sony dont do it .Samsung is a step above and for less $$$ the 650 is just as nice with a couple less feature not much different for most users.
Buyer's feedback: - * Amazing TV ...
This is an incredible TV. After previewing it at a store, we decided to purchase it online to save a few $$$$. The picture seems to be almost better than when we saw it in the store.
Delivery was a little slower than expected, but, it arrived only one day late. Box arrived with no visible damage at all.
This is a great TV for a bright room. The display is very crisp. Colors are incredible. Sunlight in the room does not take away from the colors on the TV. Setup of the TV was fairly straightforward.
WLink option takes some "tweaking" to get it to work. We are now able to display pictures, play movies and music from our computer directly to the TV. That was a big selling point for us on this TV. Be sure to download the latest version of the share manager software.
Buyer's feedback: - Awesome all around TV with a little more
This LCD TV is amazing. I spent months looking for the right TV for the right price. The color contrast ratio is one of the best on any LCD TV. Playing games, watching HDTV, and Blue Ray is stunning. I only really looked the visual capabilities of the TV's, but was surprised when I turned on the sound of the TV. It's clear and crisp.
The auto motion plus is simply amazing for sports. It's a totally new experience. With 4 HDMI ports there is plenty of to go around for all devices.
The TV has many extra little features like USB side mount that allows very easy access to set up all those home movies.
The info Link is a cool little feature that allows you to see the weather, stock, and news. This is a cool little feature that is just nice to have.
My only negative to this TV has nothing to do with the TV, but the remote itself. It always seems to stop working at random time and work at others. The remote is not nearly as sleek as the TV. But get your self a universal remote and that is simply taken care of.
Buyer's feedback: - * Great HDTV! ...
I have this TV mounted on my wall using a Peerless Universal tilt wall mount for 37" - 60" flat panel TVs. The TV is great, no problems with shipping, or install. The picture is just fantastic, I have the Direct TV HD with all the bells and whistles. The sound is pretty good when using just the TV, but better with a surround sound receiver and speakers. I have the network hooked to it, and a LACIE NAS drive with all my music and pictures. It all works as expected. I also purchased the Samsung PB-D1500 Blue ray player. This combo is nice as the player is in a cabinet and the TV transmits the remote control signals to it without an additional repeater. I have read other reviews which seemed to suggest that the touch of red was annoying. The Touch of Red does not even light up, it's so subtle that you can only see it when direct sunlight hits it. I'd recommend this TV to anyone I know. (In fact there are 3 family members that have Samsung flat screen TV's now!)
Usually we're fans of Logitech's gaming mice, but its highest-end G9 Laser Mouse is expensive, overly complex, and lacks the ergonomic thought we've come to expect. If you like to brag about dot-per-inch limits, perhaps the G9's 3,200dpi laser will be enough to sell you, but for the price, we expect the design to match.
Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.
A cheerfully over-the-top action film, Bad Boys is notable chiefly for the rapport between its two stars, Will Smith and Martin Lawrence, as two Miami cops on the trail of a drug kingpin as they try to protect a witness (Tea Leoni). Smith is the swinging bachelor and Lawrence the family man, and both must juggle their personal lives as they baby-sit the one chance they have to recover a stolen drug shipment, save their jobs, and take down the drug dealer. While the film is almost always implausible and its story is something seen many times before, director Michael Bay (The Rock) keeps things moving stylishly and at a feverish pace, as Smith and Lawrence prove themselves a terrific comic pairing. Their odd couple banter flies at a faster clip than the bullets and explosions, and becomes the best reason to see this hyperbolic but entertaining action flick. --Robert Lane
Peter Berg's dark comedy about a bachelor party gone horribly awry is highly ambitious in its attempts to satirize suburbia, male bonding, and self-help philosophy, and for the most part it does succeed in hitting its targets with a malicious, misanthropic glee. When five buddies arrive in Las Vegas for some pre-wedding shenanigans, things quickly spiral out of control when the requisite prostitute falls victim to a grisly accident, igniting a spark in an already unstable powder keg of personalities. Following the lead of real estate agent and self-help guy Robert (Christian Slater), the men warily agree on a cover-up and covert desert burial. A couple hours and another corpse later, however, they're already at each other's throats, and their escalating breakdowns threaten to disrupt the highly prized wedding of hard-as-nails bride Laura (a stunning Cameron Diaz). Berg, like most actor-turned-directors (this is The Last Seduction star's filmmaking debut) helms the film with a wildly sliding tone and tends to weigh its strengths heavily on its performers. Slater's psycho turn is by far his most inventive yet (he's more in control than ever before), Diaz effectively mixes sunshine with poison, and Jon Favreau is effective and understated as the hapless bridegroom; the rest of the cast, however, tends to play up the histrionics. Be warned, though: Those expecting a sunny-style There's Something About Mary gross-out comedy will probably be shocked by Berg's take-no-prisoners agenda; this is comedy at its absolute blackest, and no one is spared. --Mark Englehart
It actually underscores the power and distinctiveness of Gary Cooper's movie stardom that this isn't so much a true collection as gleanings from the odds-and-ends table. That's not a knock; three of the four films are solid entertainments and would be well worth recommending on their own. But the only thing unifying them is the beauty and enigma Cooper brought to them, and the professionalism with which he addressed these wide-ranging assignments.
Three of them date from the '20s and '30s and were produced by Samuel Goldwyn. The 1926 silent The Winning of Barbara Worth gave Western stunt man and bit player Cooper his first featured role (by accident--the actor originally cast didn't report for work!). A cowboy whose visionary surveyor father aims to "redeem the desert and make it one fine garden," Cooper's character is the third corner of a romantic triangle, ordained by the Hollywood caste system to lose lifelong sweetheart Vilma Banky to engineer Ronald Colman. Colman has lots more screen time than Cooper and bears the moral-ethical brunt of the eco-conscious drama; he's also surprisingly persuasive wearing a sweat-stained Stetson and trading gunshots with the bad guys (if this were a sound film, Colman could never have gotten away with it). But the camera and the audience are locked onto Cooper whenever he's on screen. In longshot or vulnerable closeup, he's already one of the gods of the cinema. As for the movie, the quality of the print is excellent, its clarity intensified by bronze, yellow, and moonlit-blue tinting that often seems on the verge of resolving into full color. Director Henry King shows a good eye for action and bold vistas, and a visual adventurousness mostly absent from his later work.
Next up chronologically is The Cowboy and the Lady (1938), and the best thing about this misbegotten movie is Garson Kanin's description, in one of his Hollywood memoirs, of how Leo McCarey sold the idea for it to Sam Goldwyn. McCarey was, of course, a comedic master (recently Oscared for directing The Awful Truth), and his exuberant pitch convinced Goldwyn and his staffers that audiences would "piss" themselves laughing at this romantic comedy about a daughter of privilege (Merle Oberon) who falls for a rodeo rider (Cooper) and learns homespun values. Goldwyn paid McCarey off, assigned some writers to the script, then realized there was no real story--"no there there," as Gertrude Stein might have put it. The resultant unfunny and unromantic endeavor oozes bad faith from every pore, with neck-snapping life changes foisted on the hapless Cooper and Oberon from reel to reel, and excruciating scenes (jitterbugging in a drawing room, playing house back on Cooper's ranch) that strain charmlessly for McCarey's patented brand of fey. H.C. Potter directed, understandably without conviction.
We and Cooper are back on track with The Real Glory (1939). The reliable Henry Hathaway helmed this second cousin to his and Cooper's The Lives of a Bengal Lancer, with Cooper as an Army doctor assigned to the Philippine Constabulary on Mindanao in 1906. The movie was well-received when it came out; encountered in the shadow of the Iraq War, its tale of U.S. occupiers trying to help the local populace "stand up" against a fanatical and murderous insurgency takes on new fascination. There are some amazing passages--two horrendous murders by bolo knife--and the final battle sequence puts the CGI-riddled action films of the present day to shame. But the most impressive element is Cooper, and we can't improve on the verdict of that astute film critic Graham Greene: "Mr. Cooper ... has never acted better.... Watch him inoculate [Andrea King] against cholera--the casual jab of the needle, and the dressing slapped on while he talks, as though a thousand arms had taught him where to stab and he doesn't have to think any more."
For the final film in the set we jump into the '50s--the century's and Cooper's. Vera Cruz (1954) casts him as a former Confederate officer who's ridden into Emperor Maximilian's Mexico, hoping to make a fortune in the new civil war south of the border so that he can rebuild his own devastated homeland. Costar Burt Lancaster (whose company Hecht-Lancaster was producing) plays another mercenary, a real sociopath, and it's fascinating to watch these two stellar icons of very different Hollywood eras make common cause--Lancaster at the height of his grinning-predator mode, Cooper an aging knight whose aim is still true. Director Robert Aldrich keeps finding dynamic uses for the SuperScope format and flavorfully fills it with sublime uglies like Ernest Borgnine, Jack Elam, Charles Horvath, Jack Lambert, and Charles Buchinsky-about-to-become-Bronson. Pieces of this movie found their way into the dreams of Sam Peckinpah and Sergio Leone. --Richard T. Jameson
She was famous as both artist and model, infamous as political revolutionary and social libertine, and Frida Kahlo's controversial life couldn't help but seem the stuff of great musical theater. Her story is brought to the screen by director Julie Taymor, whose musical compatriot here is also her husband; Elliot Goldenthal, student of both Copland and Corigliani, shrewdly sublimates his modernism in service of the rich, evocative music and songs of Mexico and Central America. Utilizing performers that range from the contemporary (Lila Downs) to the folk-classic (Costa Rican legend Chavela Vargas; Brazilian star Caetano Veloso) and traditional (Los Cojolites, El Poder Del Norte, Trio Huasteca, Caimanes de Tanquin, and others), Goldenthal generously displays the true breadth of Mexican folk music, while seamlessly infusing it with the minimalist corners of his own underscore and some winning songwriting of his own. The result is one of 2002's most compelling soundtracks. The enhanced CD features include musical film excerpts, as well as a video conversation between Goldenthal and star Salma Hayek and text interviews with the composer and director Taymor. --Jerry McCulley
This is a downbeat and brainy set of mostly instrumental tracks from the likes of Kronos Quartet, ECM guitarist Terje Rypdal, guitarist Michael Brook, and Lisa (Dead Can Dance) Gerrard. Highlights include "Always Forever Now" by Passengers (Brian Eno, U2), and Moby's mordant cover of Joy Division's "New Dawn Fades." --Jeff Bateman
With the soundtrack to Divine Secrets of the Ya-Ya Sisterhood, O Brother, Where Art Thou? producer T Bone Burnett has compiled another gently nostalgic gem. Filled with covers of jazz standards, sparse blues picking, and traditional Cajun pieces, Sisterhood matches Brother in ambiance and impeccable musicianship. The highlights are numerous: Bob Dylan's lively song waltzes with a raspy narrative, Lauryn Hill uses acoustic plucking to complement her soulful croon, and Bob Schneider contributes an understated love-ballad rumbling with piano. Even the cover songs are first-rate; Macy Gray jive-jumps through a faithful Billie Holiday cover, and Tony Bennett slows things down with a dapper and distinguished Nat "King" Cole homage. Despite the diffuse genres covered, the superior quality of Sisterhood's songs renders these differences negligible, and the album's pacing ensures a pleasing alternation of styles that never lags. In fact, there's nary a bad song on the entire album. The divine secret's out--Sisterhood is an essential listen. --Annie Zaleski
Color of Touch RED with HDTV LCD DLNA 1080p 52-Inch LN52A750 Samsung