Electronics : Sanyo Eneloop 4 Pack AAA NiMH Pre-Charged Rechargeable Batteries

Electronics : Sanyo Eneloop 4 Pack AAA NiMH Pre-Charged Rechargeable Batteries

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Sanyo Eneloop 4 Pack AAA NiMH Pre-Charged Rechargeable Batteries

from: Sanyo Energy Corporation



Sanyo Eneloop 4 Pack AAA NiMH Pre-Charged Rechargeable Batteries
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Piece Availability: Usually ships in 24 hours

Street Price: $14.95
Gaunz Org Price: $9.37
Savings!: $5.58 (37%)
Prices subject to change.

Average Buyer Rating:  out of 5 stars
Sales Rank:





Binding: Electronics
Product Brand: Sanyo
Color: white
EAN: 0043168976497
Label: Sanyo Energy Corporation
Legal Disclaimer: Warranty does not cover misuse of product.
Product Manufacturer: Sanyo Energy Corporation
Model: SEC-HR4UTG-4BP
Publisher: Sanyo Energy Corporation
Studio: Sanyo Energy Corporation
Variation Description: white


Piece facts:
  • 4-pack of 800 mAh rechargeable AAA batteries for TV remotes, portable flashlights, and more
  • Pre-charged and ready to use right out of the pack; preserves charge for long periods of time
  • Extremely slow self-discharge rate maintains 85 percent of capacity after 1 year of storage
  • Combines best features of AAA alkaline (ready for use) and rechargeable (reusable) batteries
  • Can be charged up to 1,000 times (including partially) without experiencing memory effect




Batteries Rechargeable Pre-Charged NiMH AAA Pack 4 Eneloop Sanyo






0ur opinion:

:
precharged And Can Be Used lmmediately 0ut 0f The Package retain 85% 0f Charge After 12 Months 0f Storage take 4x More Shots With A Digital Camera Than With Any 0ther Disposable Batterycan Be Charged Up To 1000 Times And Compatible With 0ther Nimh Battery Chargersno Memory Effect recycleable And Environmentally Friendlyspecial Recyclable Packaging Can Also Be Used As A Convenient Storage Case For Your Batteries.








Piece Availability: Usually ships in 24 hours


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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 5 out of 5 stars - * Best rechargeable batteries ...
I found these over a year ago for my company and now we have 50 set for 50 photographers in the field. The best part is slow discharge when stored! They work great with Nikon Speedlights, SB600 and SB800! The recycle fast and more frequently than alkaline batteries.



Buyer's feedback: 5 out of 5 stars - These batteries are UNBELIEVABLE!
I used these in my son's radio controlled car. Regular Duracell AA batteries used to last no more than an hour in that car. I've been using these batteries for 3 days now, probably 3-4 hours of use and they show no signs of requiring a recharge yet! VERY HIGHLY RECOMMENDED!!



Buyer's feedback: 5 out of 5 stars - * Good Batteries ...
I've only had these batteries for about 2 weeks and they've exceeded expectation. I use a Sony ICD-P520 Voice Recorder everyday to record about 3 hours of lecture. I usually have to change out a pair of regular Alkaline Batteries after about 12 hours (4 days) of usage. These Eneloops have lasted just as long as Alkaline Batteries, maybe a little longer, WITH the additional aspect that they are rechargeable. Highly recommend these batteries for those who use AAA frequently; they will pay for themselves after a couple charges.



Buyer's feedback: 5 out of 5 stars - Great rechargable batteries
These batteries work well and come pre-charged as described. Because they don't lose their charge when not in use as quickly, they can be used in other devices that you normally wouldn't use rechargeable batteries with, like led flashlights and wall clocks. They work great for everything that takes AA batteries. After a few charges you've already saved the purchase price by not using alkalines'.



Buyer's feedback: 5 out of 5 stars - * GREAT! ...
its really great.
i had pentax camera and i used the regular batteries before which didnt even turn on.
but using this sanyo batteries it stays on for more than 5 hours.
i only charged it twice over 2 and half months.
its great for cameras that need batteries.

read more customer reviews on Sanyo Eneloop 4 Pack AAA NiMH Pre-Charged Rechargeable Batteries


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Set in Saudi Arabia, The Kingdom is a political action thriller with good acting and wonderful visuals. Its so-so script, though, at times meanders aimlessly until a good explosion jolts the viewer's attention back to the screen. Jamie Foxx stars as FBI special agent Ronald Fleury, who leads an elite team into Saudi Arabia to find the terrorists who attacked American employees working in the Middle East. He has been given the unlikely deadline of five days to infiltrate the compound, with just his wit and his crew, which includes forensics expert Janet Mayes (Jennifer Garner), explosives guru Grant Sykes (Chris Cooper), and intelligence analyst Adam Leavitt (Jason Bateman). It's unclear how helpful smarmy U.S. diplomat Damon Schmidt (Jeremy Piven) will be, but Fleury knows enough to surmise that the media-hungry Schmidt might not be completely trustworthy. Foxx and Garner have wonderful screen presence, but it's Bateman and Piven who get the best lines. Director Peter Berg peppers The Kingdom with actors he has worked with in the past. Berg, who guest-starred on Alias opposite Garner, casts Tim McGraw in a small role here. (The country singer also had a co-starring role in Berg's 2004 film Friday Night Lights.) And Kyle Chandler and Minka Kelly--two of Berg's lead actors from the Friday Night Lights television series, , make appearances in The Kingdom. The action sequences he creates are impressive and generate a sense of panic that The Kingdom producer Michael Mann (Miami Vice) undoubtedly applauds. While a tauter script would've rounded out the action nicely, the action in many cases does speak for itself. --Jae-Ha Kim
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A staggering portrait of arrogance and incompetence, the documentary No End in Sight avoids the question of why the U.S. invaded Iraq in 2003, choosing instead to focus on the war's aftermath--and meticulously examine the chain of decisions that led Iraq into a grotesque state of lawlessness and civil war. Drawing from interviews with top generals, administration officials, journalists, and soldiers who were in the thick of the war itself, No End in Sight lays out a gripping story, as suspenseful as any Hollywood movie, accompanied by terrifying footage of firefights and explosions more vivid than any special effects. Unfortunately, there is no happy ending. If the documentary has a weakness, it's the shortage of voices trying to defend the administration policies (perhaps unsurprisingly, policymakers like Dick Cheney, Donald Rumsfeld, and Paul Wolfowitz declined to be interviewed). But the testimony (presented by administration insiders and officials in Iraq, both military and civilian) argues that, despite contrary analysis and experienced advice against its actions, the top brass of the Bush administration made decisions (that aggravated already existing problems and created devastating new ones. No End in Sight builds its case one voice at a time and avoids the grandstanding that undercuts Michael Moore's work; instead, the gradual accumulation of simple facts--presented with weary resignation, earnest outrage, and restrained anger--results in a compelling condemnation of one of the worst blunders the U.S. has ever made. --Bret Fetzer
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Fans of Oliver Stone's J.F.K. will recognize the opening moments of writer-director Eugene Jarecki's Why We Fight, in which outgoing President Dwight Eisenhower warns of the pernicious and growing influence of what he called the "military-industrial complex." But Stone's movie, which uses the same footage, was a work of fiction. While those who disagree with the decidedly leftist point of view in this documentary will probably consider it the product of paranoid liberal fantasy as well, there's enough credible material, much of it supplied by the targets of Jarecki's criticisms, to make Eisenhower look like a prophet and everyone else uneasy about the dark confluence of politics, money, and war that controls the country's fortunes. The message here is that while there may be some who sincerely believe that America's various military engagements (in Iraq, Vietnam, Grenada, Panama, and elsewhere) since World War II are the product of our God-given duty to spread freedom and halt the influence of evil ideologies around the world, the real reason we fight is that war is good business. This is hardly a bulletin; anyone who is surprised by allegations that politicians pander to defense contractors, or that Vice President Dick Cheney helped secure huge deals for Halliburton, the company he formerly headed, simply hasn't been paying attention (Politicians lie? How shocking!). In fact, the principal drawback to Jarecki's film is simply that there's nothing particularly revelatory or compelling about it. Only when he takes a personal approach does he go beyond the obvious; the story of a retired New York policeman and former Vietnam veteran whose son died in the World Trade Center, who wanted revenge, but who became seriously disillusioned when Bush admitted that the war in Iraq had nothing to do with 9/11, adds some much needed human interest. Still, Why We Fight, which includes a director's audio commentary track and a few other bonus features, serves as a grim reminder that the world's most powerful nation has strayed far from the principles of our founding fathers, a development that does not bode well for America's future. --Sam Graham

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In her snowy home state of Utah, Marie Osmond serves up a warm cup of holiday cheer with Marie Osmond's Merry Christmas, her very first Christmas special. Mixing traditional songs and carols with modern melodies, Marie presents a sentimental hourlong program (originally aired on television in 1989), blending music with short sketches. The show features Kirk Cameron, then-teen heartthrob on Growing Pains; Candace Cameron, his sister and star of Full House; country singer Lee Greenwood; Sally Struthers and daughter Samantha, ice dancers Judy Blumberg and Michael Siebert, and the Osmond Boys.

Marie opens the show with an outdoor rendition of "We Need a Little Christmas" and then moves into the studio where Kirk Cameron arrives on a snowmobile (fresh from rescuing a trio of blonde snow bunnies) to read "The First Christmas Story." Lee Greenwood performs "Christmas to Christmas" and later a duet with Marie. "It's Beginning to Look a Lot Like Christmas" is sung by Sally Struthers and daughter with help from the Osmond Boys--six stepping stones ages 4 to 12 who have the senior Osmonds' moves down pat. The adorable award, though, goes to Marie's 5-year-old son, Steven, who performs a rockin' version of "Santa Claus Is Comin' to Town" (clapping on the off-beat nearly the whole song).

Marie has a good, strong voice, but many of the songs are overproduced and melodramatic. This, most likely, is a product of the big, pouffy '80s (her hair and outfits are also bigger-than-life) rather than a reflection of her talents. The closing number, "O Holy Night," sung by Marie alone, is quite lovely. --Dana Van Nest

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Batteries Rechargeable Pre-Charged NiMH AAA Pack 4 Eneloop Sanyo
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