: Shake Hands With the Devil

: Shake Hands With the Devil

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Shake Hands With the Devil

starring: James Cagney, Don Murray, Dana Wynter, Glynis Johns, Michael Redgrave
directed by: Michael Anderson



Shake Hands With the Devil
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Average Buyer Rating:  out of 5 stars
Sales Rank: 3684





Audience Rating: NR (Not Rated)
Binding: VHS Tape
EAN: 9786302804713
Format: Black & White, Closed-captioned, NTSC
ISBN: 630280471X
Label: MGM (Video & DVD)
Product Manufacturer: MGM (Video & DVD)
Number Of Items: 1
Publisher: MGM (Video & DVD)
Release Date: September 01, 1998
Running Time: 111 minutes
Ranking: 3684
Studio: MGM (Video & DVD)
Theatrical Release Date: June 24, 1959






Devil the With Hands Shake















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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 5 out of 5 stars - * Innocence, experience and wisdom! ...
James Cagney made according my personal opinion, a tour de force performance and his most superb artistic achievement, personifying the leader of IRA. Through the innocent gaze of a naïve student who sudden and accidentally becomes involved in rebel activities, Cagney will exert on him a spelling influence but gradually he will realize the core of the human being behind the mask: a murderous fanatic.

A ravishing jewel of Michael Anderson, one of the best and remarkable British filmmakers ever.




Buyer's feedback: 4 out of 5 stars - There is More to It Than the Clancy Brothers!!!!
"Shake Hands with the Devil" is a highly intelligent movie. It is a virtual miniature Irish history lesson. It is set around 1920-at the height of the Revolution against England that led to Irish independence. Most Irish movies this reviewer has seen suffer from a common ailment: They require some foreknowledge of that troubled island's past to be fully appreciated. SHD is no exception. To those who pick up on the historical allegories, there is much to relish. The principal character is James Cagney. Ostensibly he is a professor in a Dublin Medical School. Behind the scenes he is a commander of an IRA brigade. Militarily, he reports to Michael Redgrave. The two are polar opposites. Gagney is rough and ready. Redgrave is dignified and reserved. There is an uneasy alliance between them. Though the true-life roles are reversed, the images of Michael Collins and Eamon de Valera shine through. Viewers who know their history will quickly sense the impending deadly conflict between the male leads. A high point to SHD is the outstanding work of the female leads in particular and the supporting cast in general. The latter include the dreaded Black and Tans, the IRA men and the regular Brit soldiers. All look the part. The former includes Glynis Johns, Dana Wynter and Sybil Thorndike. Thorndike is an upper class matron caught concealing an IRA soldier. She refuses to inform her contacts to the Brits and is thrown into Mountjoy Gaol, which housed so many patriots. She promptly goes on a hunger strike -and dies in prison. How very Irish- and allegorical. One is reminded of the patriot Terrence MacSwiney. By day, he was Lord Mayor of Cork. He was actually the local IRA commander! He too was tossed into a London prison and died on a hunger strike. (His case is notable because the Irish petitioned the Brits to allow his funeral cortege to pass through the streets of London on the way to the docks. The Brits actually granted the request! The result was a huge propaganda boost for the Irish cause. Londoners apparently were impressed with the young, spit and polished supporters of the demised!) Johns' role too is historical. Cagney suspects the barmaid/hanger on as an informer. Informers on both sides have had their own "history" in the Irish Troubles. My amazon friends will have to watch SHD to learn Johns' true sympathies. She is central to a stirring and deadly dockside shootout between the IRA and the Brits. This scene is one of the best this reviewer has seen anywhere! All the lads give a good account of themselves- in the finest traditions of both sides! Wynter too performs well as the kidnapped daughter of a Brit big shot. She is to be swapped for the Thorndike character but the hunger striker's death "complicates" matters. Some of us may remember Wynter from "Sink the Bismark!" Finally there is the matter of the Black and Tans. The Tans were a para-military group who went about randomly terrorizing Catholics or anyone remotely suspect of supporting the Republican cause. They were WWI vets who certainly would have been otherwise unemployed if not deployed to Ireland. The Tans remain a nasty blot on British Army to this day. There is so much more to the story of Ireland's troubles than "the Clancy Brothers and Irish rebel drinking songs" as a previous reviewer states. If only the Troubles were that prosaic. The curious should enjoy SHD-more so if they are able to connect the dots of Ireland's past. Those who know their Irish history should truly appreciate this under-shown film. Fair warning: SHD is unstintingly unsentimental. There is nary a trace of John Ford romanticism here. If those who have read this far wonder why only 4 stars are awarded, the answer lies in the unsatisfactory ending. Perhaps the Director got lost in the Collins/ de Valera allegory. Or perhaps he didn't know how to end the movie. The resolution of dealing with the kidnapped Wynter leads to a bizarre final scene that should not harm an otherwise superior historical movie. A final observation: This is one b/w film that should have been colorized. The Irish countryside looks much better in living color!



Buyer's feedback: 3 out of 5 stars - * False Portrayal of IRA as Heros ...
This fast paced movie provides a good yarn but is bad history. James Cagney seems out of place here trying to re-role his old gangster parts in the IRA. He gives a convincing portrait of the many fanatics who have run the IRA over the years, but he seems out of place. Richard Harris is young here and is your happy go lucky two-fisted Irish type. The British are all portrayed as Nazi's pretty much. This seems the beginning of Hollywood's negative pattern of depicting all British officers as ego-maniac Nazi's. This trend has continued up to the present with Mel Gibson and some of his biased anti-British films. The Black and Tans who are highlighted in this movie get especially bad treatment. Legend has made this para-military force composed of many ex-servicemen from the Great War as Churchill's equivilent to Hitler's Black shirts! The reality was somewhat different. The Black and Tans were brought in to deal with a difficult situation in Ireland where the IRA was busy shooting up whoever they felt like. Granted they responded in kind in what became a nasty war of murder, and counter murder. Buy this movie if you like the Clancy Brothers and Irish rebel drinking songs and don't care too much about the real history because you just want to see the Brits get shot up! Otherwise, a good book on the History of Ireland during those troubled years might serve one better. Its entertainment, but not history.



Buyer's feedback: 5 out of 5 stars - A fast paced action drama as topical as this weeks news
This is a fast paced drama,with a sensational supporting cast.Set in the Ireland of 1920,Cagney gives an understated performance as a University professor by day and an IRA activist by night.Don Murray plays the Irish American idealist caught in the middle,and in love with an IRA hostage. This picture captures brilliantly all the passions and emotion of the Irish Question,and the scene at Dublin docks is one of the best action sequences ever on film.Cagney even reprises,for a moment, his gangster persona of the 30`s, as he senses betrayal in Glynis Johns.(Look out for a very young Richard Harris.) Cagney,of course will not accept the partition of Ireland and declares "The fight goes on".This film has been reviwed as politically incorrect in most Movie Books,but in actual fact when viewed with the events in Northern Ireland over the last 30 years ,maybe it`s not so far off the mark after all.Michael Anderson does a solid job,but I wonder how John Ford would have approached it?



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Devil the With Hands Shake
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