Electronics : Sony Bravia Z-Series KDL-46Z4100/B 46-Inch 1080p 120Hz LCD HDTV, Black

Electronics : Sony Bravia Z-Series KDL-46Z4100/B 46-Inch 1080p 120Hz LCD HDTV, Black

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Sony Bravia Z-Series KDL-46Z4100/B 46-Inch 1080p 120Hz LCD HDTV, Black

from: Sony



Sony Bravia Z-Series KDL-46Z4100/B 46-Inch 1080p 120Hz LCD HDTV, Black
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Piece Availability: unknown


Average Buyer Rating:  out of 5 stars
Sales Rank: 141





Batteries Included: 1
Binding: Electronics
Product Brand: Sony
Color: Black
Display Size: 46 inches
EAN: 0027242736627
Label: Sony
Product Manufacturer: Sony
Model: KDL-46Z4100/B
Publisher: Sony
Release Date: June 01, 2008
Ranking: 141
Studio: Sony
Variation Description: Black
Warranty: 1 year warranty


Piece facts:
  • 16:9 Full HD 1080p Resolution (1920x1080p) LCD Panel
  • Motionflow¿ 120Hz; improves TV & DVD viewing
  • DMeX¿ compatible; allows seamless feature upgrades
  • DLNA® Compliant - view photos from another room
  • HDMI¿ x4, HD Component x2, PC Input




Black HDTV, LCD 120Hz 1080p 46-Inch KDL-46Z4100/B Z-Series Bravia Sony






0ur opinion:

:
Look no further than the KDL-46Z4100 for the most strikingly stunning and flat-out sophisticated HDTV Sony has to offer. With a remarkably slim bezel design, Motionflow 120Hz for the reproduction of smooth, lifelike images, BRAVlA Engine 2 and ACE for deeper blacks and crisp shadow detail, this TV's sensational design is only matched by its picture. But phenomenal image quality and show-stopping design isn't all. The KDL-46Z4100 also includes DLNA compatibility so you can access your digital photo collection over your home network (additional DLNA components required; sold separately). The Digital Media Port (DMP) is included for connecting your portable digital audio devices like iPod and Walkman music players.


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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 5 out of 5 stars - * Awesome! Five stars, for sure. ...
I had been researching TV's for about a month or so. I knew I wanted an LCD in the 42"-50" range, backed by a trusted brand name, with if not cutting edge technology then at least most of the latest and greatest features on current high-end models. This because a TV is something I buy and use for many years, and I don't want my set to become obsolete two years from purchase date. So after reading many product specifications, manufacturers' descriptions, reviews from other users and professional reviewers, and spending many hours walking through electronics stores and looking at displays, I picked the Sony Bravia KDL-46Z4100. The next closest contender was the KDL-46W4100. However, the Z series won out, although it was a couple of hundred dollars more expensive, for these reasons:

- Much better looking set (I'm talking about the physical TV here) with a very slim bezel and all-black design, as opposed to the two-tone black and silver of the W.
- 10 bit color processor, which gives far more on-screen colors. I didn't think this was a big deal, until I saw a W and Z series side by side in a store, and the display happened to show a sunset. The W had distinct bands of color, while the Z had a gradual change of color.
- DLNA. I don't use this option yet, but it's nice to know that I can if I want to. I have a PS3, which also has DLNA, and I use that to beam images/music/video from my computer to my TV. The reason I use the PS3 is because its DLNA capability is wireless, while the TV's is not. This is an important caveat for those to whom the TV's DLNA capability is important. There are ways to make it work wirelessly, like hooking up a bridge, but I have not tried that. However, just know that out of the box, the TV can't do wireless DLNA.

I also compared this TV with the XBR series, and found that it has almost all the features XBR has but for many hundreds of dollars less. I just didn't see any huge benefit in going for the XBR versus this model.

As for comparison with other brands: I did consider Samsung, LG, Sharp, and others, but only Samsung seemed to have products that could take on Sony's Bravias in terms of picture quality and features. However, in my humble opinion, Samsung shot themselves in the foot by putting glossy screens on their LCD's, thus defeating one of the primary purposes people are moving from plasma to LCD. This is something I read about and didn't think was a huge difference until I did a side-by-side comparison in the store. The Samsung ToC models reflected the image from the TV displays across the room. The Bravias did not. I have a living room with many windows, so this instantly killed the Samsung's chances.

As for this TV: I can't say enough good things about it. If you are a techno geek, there are enough settings and features to keep you busy playing with them and setting them for days. If you are not, and just want to take it out of the box and use it, then it works too because setup couldn't be simpler. Just set it where you want it, hook up the power, connect your DVD/STB/receiver/box etc, and it's good to go. You can tweak settings to your heart's content, but don't have to. I was amazed by the picture right out of the box. The first movie we watched was Wall-E on Blu Ray, and the picture just blew my mind. We also watched a few episodes of Lost, and there were various scenes where the picture almost looked 3-dimensional, like looking out a window. Just amazing colors. We actually paused the show a few times to admire the picture. :) Oh, and the surround sound speakers are pretty good too. I hooked up my USB flash drive directly into the TV, and played a few songs from there via the TV's speakers, and it sounded very crisp. I'm not an audiophile, but to my ears it sounded more than satisfactory.

Is the 120Hz a big deal? Here's something anecdotal (and the sample size is only one), but for what it's worth: I was standing in the store and looking at the display on this TV for a few minutes. Then I turned around and looked at another TV that was showing the same display but had a refresh rate of 60Hz. I instantly started getting a headache. This is not a definitive scientific test, but I thought I'd mention it.

Nice little touch: the TV stand has a screw-hole in the back to fix it to the unit it is sitting on, to prevent the TV from toppling over if pulled too hard. You don't have to use this, because the stand is sufficiently wide and deep to take the weight, but just good to have. I don't know if all such TV's come with stands that have this. I appreciated this because I have a 2-year old child at home. It will take two people to lift the TV and set it up, either on its stand or wall mount. The TV is light enough that I can lift it on my own, but I'd rather be cautious with an expensive electronic device. I'm also happy that the box fit on the back seat of my Maxima, otherwise I would have to hire a truck to bring it home.

Complaints: The remote is too large, and is a basic universal remote. It works just fine for this TV, and will also probably work fine with most other standard devices, but lacks the very important learning feature. I actually like the layout of buttons and the ergonomic design, just not the size and the lacking feature set. Also, the slim bezel around the TV is high-gloss, so it reflects light from other sources. Nitpicking here, but I wish it were matt.



Buyer's feedback: 5 out of 5 stars - A GREAT TV AND A GREAT DEAL
I purchased this from Amazon,,and I love it,, great service with the white glove delivery and also a great price and wow no sales tax. Now ofcourse the tv is great many features im learning still.. I mounted it n the wall and looks great,, great Sony product,,and quality,,non glare screen..beautiful hd pictures..I also hooked my computer screen into it to view the desktop and web pages..



Buyer's feedback: 5 out of 5 stars - * A combination of bests (in product quality and buying experience) ...
Product Review:
If you are looking to buy a Sony LCD larger than 40" for less than $2000 this is as good as it gets.

The picture clarity is simply awesome (even with an HD antenna), with no motion blur and good enough speakers. It looks sleek and smartly designed with minimum waste of space.

I picked Sony over Samsung because I liked it better after weeks of staring at LCDs in many stores. I picked the Z-series over XBR because I didn't feel the XBR was worth the extra money.

Buying Experience Review:
After shopping around we found the price on Amazon to be unbeatable. This was our first big purchase online but since it was sold by Amazon we went with it and are happy. I placed the order on 10/29/2008 and the TV was delivered to my door on 11/05/2008. The initial delivery estimate was 11/08/2008 by CEVA logistics.

All of Amazon's promised white glove delivery was executed by the delivery guys except for putting the TV on its pedestal. CEVA apparently does not authorize its deliverymen to do it. It isn't too hard so my wife and I finished that step in less than 5 minutes. FYI, we upgraded from a 27" CRT so this is our first LCD.

I give it 5 stars on all accounts.



Buyer's feedback: 1 out of 5 stars - Amazon Pricing Games
Looked at a Sony Bravia Z-Series (KDL-46Z4100/B) TV vs an XBR6 over the past few days. FRI Nov 7 2008: Placed both into my shopping cart and tried doing add'l research. The Z series was priced at $1,759.99, i.e very good price compared to CCity 2499.99. OK...signed in to Amazon Saturday and was greeted by a message raising price to $1,781.94. Busy on Sunday, signed in again Monday morning, price was LOWERED to $1708.58 at 8:10AM Local Time. Still had some questions and waited for customer service to open and OOPS...by 8:42AM price was RAISED to $1,797.94. WHAT IS GOING ON HERE??? Spoke with customer service about this...well that's the way it is. FOR ME THIS PRICING MODEL ISN'T WORKING...



Buyer's feedback: 3 out of 5 stars - * Amazon should provide specs w&w/o stand ...
Amazon should provide the dimensions with & without the stand or ATLEAST should state that the dimensions are without the stand. I almost purchased this TV, which would definitely have been too big for my cabinet. I am surprised that Amazon is not forthright about such an important fact. This could be a big headache for most customers as many of us are trying to buy the largest TV our cabinets etc can accommodate.

read more customer reviews on Sony Bravia Z-Series KDL-46Z4100/B 46-Inch 1080p 120Hz LCD HDTV, Black


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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.

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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pithy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" for supposedly nailing his scenes.

The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheimer with serious understatement. Other cool extras include "Tale of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley

Beyond Pirates of the Caribbean: At World’s End


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Stills from Pirates of the Caribbean: At World’s End (click for larger image)





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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley


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Thanks to a fortuitous intersection of talent and fate, 22-year-old Josh Groban hasn't finished his senior year in performing arts school but has already released his sophomore effort on a major major label. Fans of the young vocal phenom's debut will find much to enthrall them here, even if it nudges the singer closer to the center of producer/mentor David Foster's MOR pop sensibilities. Eschewing much of its predecessor's more overt classic-lite pretensions and pop-rock covers for a slate of dramatic, Eurocentric ballads that serve as a showcase for the singer's inviting baritone, Groban shrewdly positions himself as the American alternative to the Bocelli-Watson crossover axis. "Caruso" may find the singer falling short of its operatic inspiration, but "Oceano" and "My Confession" quickly showcase his true dramatic range (which seems to all but yearn for a bona fide Broadway musical challenge), while a vocal take of Bacalov's graceful "Il Postino" theme uses classical virtuoso Joshua Bell's violin flourishes to good effect. To his credit, Groban displays some promising efforts at songwriting collaboration on the bittersweet "Per Te" and "Remember When It Rains," while the ambient/ethnic soundscape of Deep Forest's "Never Let Go" offers a teasing alternative to the record's otherwise melodramatic production formula. Groban has found commercial triumph via Foster's mentoring, but there remains a nagging sense here that he hasn't truly pushed himself as an artist--yet. --Jerry McCulley
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The world can't get enough of Madonna, and with CD/DVD sets like The Confessions Tour dropping regularly, it's little wonder why. As a thrower of fantasy dance parties, she is peerless. As a physical role model for the 40-ish women who grew up on her music, she rules. And as an arbiter of what's going to sound shockingly original in any given decade--well, duh. The Confessions Tour rounds up songs from way back--"Ray of Light" and "La Isla Bonita" make the DVD, and "Lucky Star" and "Like a Virgin" are on the CD as well as the DVD--but this concert, filmed in 2006 at London's Wembley Arena, aims its sturdiest spotlight on Confessions on a Dance Floor, Madge's 2005 disco disc. You could argue, then, that unless you're in it for the sheer DVD spectacle (and what a spectacle it is), there's no sense in owning this package. Only you wouldn't be right. Because as any on-the-ball Madonna fan knows, what she's doing musically is telling a story--you may already know the characters, but that doesn't mean she hasn't completely reworked the plot. To that end, "I Love New York" gets its rock on, "Let It Will Be" has a musical temper tantrum, and "Hung Up" goes for the drama queen award. You've heard these songs before, but you've never heard them quite like this, to borrow a bad informercial phrase. As twisted and hopped-up as they've become, they're all worth getting to know again. --Tammy La Gorce
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Apparently there's nothing in Kabbalah that disallows sweaty, head-spinningly good dance music, because here comes a flame-haired Madonna hawking a dozen songs' worth: Confessions on a Dance Floor darts seamlessly from Madge's early days, when she emerged as the genre's enduring darling, through the political, kiddie, and acoustic pap that drove a wedge between her and early adopters of the fingerless glove look. Songs like the pop-leaning "Jump" and first single "Hung Up"--an adrenaline drip on high that, like many of these tracks, will inspire mild shame among those who've thrilled to the much thinner disco-dusted outpourings of younger divas recently--represent both a return to form and an unmistakable march into the future. "Get Together" is a sonic freak-out in the best sense; "Push" traffics in gut-level futuristic trance; and "Forbidden Love" loops in '80s blips and bleeps for a follow-me-into-the-past effect that's both neo and retro. For all the image-affirming innovations here, though, these confessions find Madonna framed in her share of reflective moments too. "Was it all worth it/How did I earn it?" she asks on "How High," a song featuring vocoder. "Nobody's perfect/I guess I deserve it," comes the answer. A later lyrical inquiry is left for the listener to judge: "Does this get any better?" Madonna wants to know. But that opens the door to a dizzying proposition. Few of us would have guessed, after all, that it got this good. --Tammy La Gorce


Black HDTV, LCD 120Hz 1080p 46-Inch KDL-46Z4100/B Z-Series Bravia Sony
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