Photo : Sony DCR-DVD610 DVD Handycam Camcorder with 40x Optical Zoom

Photo : Sony DCR-DVD610 DVD Handycam Camcorder with 40x Optical Zoom

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Sony DCR-DVD610 DVD Handycam Camcorder with 40x Optical Zoom

from: Sony



Sony DCR-DVD610 DVD Handycam Camcorder with 40x Optical Zoom
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Piece Availability: Usually ships in 24 hours


Average Buyer Rating:  out of 5 stars
Sales Rank: 393





Batteries Included: 1
Binding: Electronics
Product Brand: Sony
Color: Silver
Connectivity: AV
Digital Zoom: 2000 x
Display Size: 2.7 inches
EAN: 0027242727700
Included Software: Yes
Label: Sony
Product Manufacturer: Sony
Maximum Focal Length: 76 millimeters
Maximum Resolution: 340000 Pixels
Minimum Focal Length: 1.9 millimeters
Model: DCR-DVD610
Monitor Size: 270 hundredths-inches
Optical Zoom: 40 x
Publisher: Sony
Release Date: January 31, 2008
Ranking: 393
Studio: Sony


Piece facts:
  • Uniquely powerful 40x optical zoom/2000x digital zoom
  • Professional-quality Carl Zeiss Vario-Tessar lens
  • 2.7-inch wide (16:9) touch panel LCD
  • Hybrid recording with Memory Stick PRO Duo media slot
  • Super SteadyShot image stabilization system




Zoom Optical 40x with Camcorder Handycam DVD DCR-DVD610 Sony






0ur opinion:

:
records high-quality MPEG-2 video * records to mini DVD-Rs, DVD-RWs, DVD+RWs, and DVD+R DLs (Dual Layer) * one single-layer disc holds 20 minutes at HQ setting; 30 minutes at SP setting; 60 minutes at LP setting * digital photo mode * widescreen 2-11/16' touchpanel LCD *


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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 1 out of 5 stars - * Read before you buy ...
The biggest drawback of this camcorder is that it uses Sony 3" Rewritable DVD+RW. And it has only 30 minutes storage capacity. So after every 30 minutes you need to change the DVR. Now who will use a camcorder with just 30 minutes of one time recording capacity? These are the days of hard drive based camcorders where most competitors use a 40/60 GB hard drive which gives around 1000+ minutes of video. Unfortunately Sony decided to use them in their high end camcorders.



Buyer's feedback: 3 out of 5 stars - So far so good
I just have it for a month. So far it does what supposes to do. The resolution is a bit low but I didn't expect much for this price. I still have a problem with memorystick. It didn't work properly. I returned and got a replacement and still didn't solve. So be careful if you think you would rely on the Hybrid function on this camera,you may be disappointed. I also found out that it's not compatible with the high speed memory stick.



Buyer's feedback: 3 out of 5 stars - * Very good for the price ...
Sony DCR-DVD610 DVD Handycam Camcorder with 40x Optical ZoomVery good optics and ease of recording. I still have a lot to learn about how to use the camera, but so far I like it. I tried to use the LP feature because what I used it for did not require a high degree of definition. The owner's manual says it will record 120 minutes on a disc if there is not a lot of start and stop. In fact, it lasted only about 60 minutes with no start or stop after the first start and the last stop. I would also have liked the ability to plug in a remote microphone to avoid ambient noise and get the speaker's voice more clearly. Over all, however, very satisfied.



Buyer's feedback: 5 out of 5 stars - For the price, excellent
I purchased this camcorder a few days ago for my dad, I must say I am quite impressed with it. I compared the Canon DC310/320, Panasonic VDR50, and the Sony 610/710. I went to the store biased in favour of the Canon based on the specifications alone. But what a huge disappointment the canon cameras were. They look cheap, the plastic is cheap, the buttons are flimsy, the buttons next to the screen were tiny and the on screen info was not clear at all. Canon's design department needs to wake up, I have tried quite a few canon entry level/mid range products in the recent past and have come up very disappointing with design and build quality. To make things worse, there was noise all over the place, indoor light wasnt great, but the dark carpet had light green and red spots all over on the LCD. The zoom action was quick. The one aspect where Canon trumps is that it has optical image stabilization, not found on the sony. This is a huge help when you go closer to the telephoto end of things, its impossible to keep the sony still at telephoto.

The Panasonic looked much sleeker than the Canon, had a nice feel to it, felt a tad heavier as well though, some might find it a bit heavy for its size. The screen looked sharp, the menu system was ok, everything seemed just about fine. But the colors seemed a tad unnatural, and slightly over saturated. I tried to go fiddle with the settings, but I could never get the colors to look natural.

The Sony has a very appealing design, the materials look of high quality, the fit and finish is excellent. Power up is quick, the touch screen is very responsive and so much easier to use compared to the dot sized rocker switch on the Canon. The LCD was sharper, the colors were natural although a tad dull looking (never a bad thing, you can always add saturation later depending on your subject). The camera gains up and down really quickly based on the lighting conditions. Indoor focussing speed is not very good, but it gets there. Quick movements can lead the video to just get out of focus. Nightshot plus is useful only when there is very little light, otherwise it over exposes like crazy. Even if you have bulbs or stuff indoors, you can manage without nightshot plus.

Outdoors video is fantastic, I couldnt see many compression artifacts, details were there, I could make out the leaves on the tree clearly, the colors werent bleeding (A major issue with a previous samsung dvd camcorder i tried). I tried the Memorex DVD-RW format disc and it worked fine. Format takes 6-8 seconds (which is quite fantastic IMO). Finalizing the disc took more than 6 minutes. Not sure if this was because of the media. I will try other discs and see if I see any improvement. One annoying thing with this camera is the pop up message that shows up with you insert a non-sony disc. This can be very misleading since its pretty much just blatant advertising on sony's part saying "Use Sony Media". But it goes away in a few seconds. Ppl might think its an error or that other brand discs are unusable. Another thing is the clever marketting of battery life on the box stating "9 hrs" in a big font and below that in ultra tiny fonts it says "Using F__100 battery, with LCD off). The battery that comes with the camera is the F__50 that manages about 90 minutes of recording time. These sort of marketting schemes are sometimes why I get irritated with Sony. But nevertheless, the product is good. If you are looking for a DVD camcorder in the 300$ range, this is the one to get. If you want a marginal improvement in video quality, the 710 offers a slightly boosted pixel count. I didnt get to see both on a television screen so I cant tell you how much of a difference there is, but on the LCD screen I couldnt tell the difference, which is why I settled for the 610.



Buyer's feedback: 5 out of 5 stars - * A Great Gift for a New Parent! ...
When my oldest daughter had her first child (it was also my first grandchild) two years ago I bought her a digital camera and printer. I have been since rewarded by receiving many photos of my favorite (and only) grandchild.

Now, for my granddaughter's second birthday, I bought her this video camera. After reading many of the reviews for this and other camcorders on Amazon I picked the Sony DCR-DVD610 because met all of the needs that I had for a camcorder that I would give as a gift:

1. POPULAR. Almost everyone who purchased this item was very happy with it. This was not so with all of the best-selling camcorders, even those at twice the price.

2. EASY. I wanted to get her one that was fairly easy to use. I read the instruction book on-line and felt that this fit the bill.

3. DVDs. It was important to me that it used some sort of DVD as the primary recording media since I feel that it is more archival than tape and more secure than a hard drive only.

4. PRICE. Even though would have been willing to spend more, I was hoping for something under $400.

I also purchased an accessory kit (which included a bag, an extra battery and 2 DVDs) and then some extra Sony brand DVDs (after reading some of the reviews I decided to stick with the Sony brand in order to avoid the message that pops up when you use a different brand of DVDs).

So far my daughter and her husband have been VERY happy with this gift and I am hoping see some great videos of my beautiful granddaughter who lives several states away.

Sony ACC-DVDH2 Accessory Starter Kit for Handycam, DVD, Camcorders

read more customer reviews on Sony DCR-DVD610 DVD Handycam Camcorder with 40x Optical Zoom


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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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It actually underscores the power and distinctiveness of Gary Cooper's movie stardom that this isn't so much a true collection as gleanings from the odds-and-ends table. That's not a knock; three of the four films are solid entertainments and would be well worth recommending on their own. But the only thing unifying them is the beauty and enigma Cooper brought to them, and the professionalism with which he addressed these wide-ranging assignments.

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Next up chronologically is The Cowboy and the Lady (1938), and the best thing about this misbegotten movie is Garson Kanin's description, in one of his Hollywood memoirs, of how Leo McCarey sold the idea for it to Sam Goldwyn. McCarey was, of course, a comedic master (recently Oscared for directing The Awful Truth), and his exuberant pitch convinced Goldwyn and his staffers that audiences would "piss" themselves laughing at this romantic comedy about a daughter of privilege (Merle Oberon) who falls for a rodeo rider (Cooper) and learns homespun values. Goldwyn paid McCarey off, assigned some writers to the script, then realized there was no real story--"no there there," as Gertrude Stein might have put it. The resultant unfunny and unromantic endeavor oozes bad faith from every pore, with neck-snapping life changes foisted on the hapless Cooper and Oberon from reel to reel, and excruciating scenes (jitterbugging in a drawing room, playing house back on Cooper's ranch) that strain charmlessly for McCarey's patented brand of fey. H.C. Potter directed, understandably without conviction.

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For the final film in the set we jump into the '50s--the century's and Cooper's. Vera Cruz (1954) casts him as a former Confederate officer who's ridden into Emperor Maximilian's Mexico, hoping to make a fortune in the new civil war south of the border so that he can rebuild his own devastated homeland. Costar Burt Lancaster (whose company Hecht-Lancaster was producing) plays another mercenary, a real sociopath, and it's fascinating to watch these two stellar icons of very different Hollywood eras make common cause--Lancaster at the height of his grinning-predator mode, Cooper an aging knight whose aim is still true. Director Robert Aldrich keeps finding dynamic uses for the SuperScope format and flavorfully fills it with sublime uglies like Ernest Borgnine, Jack Elam, Charles Horvath, Jack Lambert, and Charles Buchinsky-about-to-become-Bronson. Pieces of this movie found their way into the dreams of Sam Peckinpah and Sergio Leone. --Richard T. Jameson


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Zoom Optical 40x with Camcorder Handycam DVD DCR-DVD610 Sony
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