Photo : Sony HDR-FX1 3-CCD HDV High Definition Camcorder w/12x Optical Zoom

Photo : Sony HDR-FX1 3-CCD HDV High Definition Camcorder w/12x Optical Zoom

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Sony HDR-FX1 3-CCD HDV High Definition Camcorder w/12x Optical Zoom

from: Sony



Sony HDR-FX1 3-CCD HDV High Definition Camcorder w/12x Optical Zoom
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Average Buyer Rating:  out of 5 stars
Sales Rank: 1871





Binding: Electronics
Product Brand: Sony
Display Size: 3.5 inches
EAN: 0822766009000
Floppy Disk Drive Description: None
Label: Sony
Product Manufacturer: Sony
Maximum Focal Length: 54 millimeters
Minimum Focal Length: 4.5 millimeters
Model: HDR-FX1
Optical Zoom: 12 unknown-units
Publisher: Sony
Ranking: 1871
Studio: Sony


Piece facts:
  • Three 1/3-inch wide-aspect-ratio advanced HAD CCD imagers for true-to-life color rendering
  • Play and record interlaced high-definition video at resolutions up to 1440 x 1080 for professional-quality video
  • 12x optical zoom with Super SteadyShot Optical Stabilization System
  • 3.5-inch wide precision hybrid SwivelScreen LCD
  • Record at either 30 frames per second or, for a film-like feel, at 24 frames per second




Zoom Optical w/12x Camcorder Definition High HDV 3-CCD HDR-FX1 Sony






0ur opinion:

:
Sony Handycam(R) HDR-FX1, the first true 1080i high definition camcorder, is the perfect introduction to the world of high definition video. Record your most intimate moments in the highest quality. With advanced features such as the newly developed wide 3 sensor 1/3' CCD, 72mm Carl Zeiss Vario-Sonnar T lens and Real Time Codec engine, the HDR-FX1 is equipped to handle every video task. Relive your memories in vivid HDTV quality colors and clarity. This may not be the camera to use for family and touring. lf you're into professional or serious creative use, this camcorder offers vast opportunities that were previously unavailable at this class. You've been waiting for your chance. Here it is! 3.5 LCD Viewing monitor Manual control of camcorder functions allow settings of the camera to be adjusted so that creative effects can be achieved while filming 12x 0ptical Zoom with 4-way zoom capability for different situations Widescreen LCD monitor lets you see every detail as you shoot in 16 - 9 mode High-performance Down Conversion Function Precision DV- wide Recording Personal Menu Battery lnformation Continual shooting time Sony iLlNK (HDV/DV) Connector for easy video transfer to a PC or Macintosh computer for DV edit and enhancement - and back again SteadyShot Active Lens System (Menu) Shot Transition Picture Profile - 6 Picture Profiles - You can set each of 6 Picture Profiles with Color Level/Color Phase/Sharpness/Skin Tone Detail/AE Shift/AGC Limit/Auto lris Limit/WB Shift/AWB Sensitivity/Cinematone Gamma/Cineframe


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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 5 out of 5 stars - * The FX-1 is the new standard bearer! ...
When I first received this camera, I really put it through the paces trying it out in different light conditions, with different mics, etc. I was really impressed with how well it performed. Though it is not true HD, it is as close as I can currently get on my budget. With a full complement of features and presets, the FX-1 provides a tremendous amount of bang for my buck. Some reviewers mentioned the lack of XLRs for audio in, but in a wireless world is that really a problem? I use a Sennheiser G2 Wireless Lavalier Microphone Kit with a wireless adapter that snaps into the XLR port of any handheld or shotgun mic. I just plug the wireless receiver's miniplug directly into the FX-1. The auto-limiter has never failed me; the audio levels stay very consistent and I haven't seen it peak out once. I do also carry a BeachTek DXA-4 Dual XLR Adapter and an XLR cable in my kit in case of emergencies, but I've never once had to pull them out.

Not a negative, just an FYI: the FX1 weighs almost 5 pounds, add a big battery, a shotgun mic and/or a light and this camera is probably way too heavy for the average prosumer-quality tripod. Additionally, if you use a steady-device, even with a basic harness, or a shoulder mount, you might your shoots a little more grueling than with your old camera. Ultimately, you may find as I did that you also have to upgrade some of your basic support equipment to accommodate the extra weight. Be sure to consider this in your budget.

Great color, wide-screen, 1080i and great audio what more could you ask for around $3000? The FX-1 has set the mark that the others are now trying to emulate.



Buyer's feedback: 5 out of 5 stars - Super Camera!!!
My wedding cinematography studio purchased this camera just about a year ago. We love it! The quality is outstanding - the 16:9 is so beautiful.
Easy to learn. Good weight and feel. The LCD is HUGH!!!! We are planning to purchase two more early next year!



Buyer's feedback: 5 out of 5 stars - * Superb!! ...
Sony HDR-FX1 3-CCD HDV High Definition Camcorder w/12x Optical Zoom

Just one word of warning, the camera can get heavy, especially if you use the standard battery it makes the camera very front heavy, but oh well.

This camera is totally customizable in which it is either all auto, manual or some of both. It has 5 presets that are customizable. The cool features about these presets are that you can get a 24p, 30p (cineframe and cinetone), and 60i modes. The 24p and 30p refers to the "film" setting. You can record in true 16:9 widescreen or standard 4:3 letterbox. The high def mode will only do 16:9. I wouldn't listen to anyone who says the widescreen is a stretched 4:3, because its not. You can also hook in headphones, and an XLR adapter. This comes with a 2-hr battery. There are just 3 things I have beef with about this camera. One is the fact that it doesn't have XLR inputs - you'd think that after spending 3K on a camera you'd get some. 2nd: It records in 1080i. Not exactly terrible. 1080i is not true HD, but nor is 720p. True HD is 1920x1080p. But, recording at this high of resolution means spending more money. 3rd: This thing can't record in 24p.

I'm a video production major and I love this camera. It not really just a consumer camera, but a professional consumer camera. I highly recommend it, its well worth your money. Yeah it has come cons, but I think every camera will. This is by far one of the best on the market.



Buyer's feedback: 5 out of 5 stars - Sony's got a winner here!
I have been using the DCRVX 1000 for over 10 years and it has done well. However, the FX1 is so far superior in every way. The only feature I miss is the "overlap". So far, the color, the detail, the feel (a bit heavier than the VX1000) are even better than I expected. HD is as close to reality as possible. I have 2 weddings that I will soon record, and I feel confident that the FX1 will perform without fail. I recommend this camcorder for the very serious videographer. It is priced $2 thousand less than the VX1000 sold for in "96 at $5 thousand. Technology has improved while costs have fallen. A good buy at 3 grand.



Buyer's feedback: 4 out of 5 stars - * Great for short films! ...
Got my hands on one of these babies this weekend for a no-budget short film. Loved it. So easy to use, and the picture is great. It's true, the finished look is not "cinematic", which is a fair criticism, but for the price it is great if you're looking to upgrade to a high-def digital picture. Watched the playback on a 16:9 widescreen TV before editing and it was beautiful. However, you can't rely on the auto-functions. Tried using auto-focus and auto-iris at the start, but ended up doing both manually for the most part. A small complaint considering a real filmmaker shouldn't be using them anyway. Otherwise, a great camera.

read more customer reviews on Sony HDR-FX1 3-CCD HDV High Definition Camcorder w/12x Optical Zoom


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Alienware's flagship gaming laptop, the Area-51 m9750, has plenty of appeal for high-end gamers, but the alien head aesthetic seems dated, and newer components are right around the corner.

The rise and fall of muni-Fi (and rise again): Clearly, the largest story involving Wi-Fi in 2007 was the at-first continued growth in cities awarding contracts with no money involved on their part to have service providers build Wi-Fi networks--and the subsequent failure of these networks to be built. Starting quietly in late 2006, the market shifted for metro-scale Wi-Fi. During 2007, providers decided that bearing the full cost of a city-wide network without city contracts wasn't financially sensible.

The full scope of the low uptake rates in cities that had large portions of the network built out also became clear: rather than 15 to 35 percent of residents subscribing, just a few percentage points would put a network in the top tier. Revenue is apparently also pretty minimal even in cities like Taipei, Taiwan, the network provider for which was predicting 250,000 subscribers by the end of 2006, and had just 30,000 regular users each month at last public report in early 2007.

MetroFi started to tell cities that without an advance service commitment at a minimum level -- an anchor tenancy -- the company couldn't proceed on networks. In 2007, MetroFi lost half a dozen bids or saw contracts canceled due to this change. Its work in Portland, Ore., the biggest network it was building, won't be extended beyond current limited dimensions until additional capital or a city commitment is obtained; the city has said it won't commit to service fees, however.

Meanwhile, EarthLink lost its CEO Garry Betty in January due to cancer. A strong backer of new initiatives to change EarthLink's core business, his death was certainly one of the causes in a quick re-evaluation of the municipal wireless division. New CEO Rolla Huff pulled EarthLink out of new deals, suspended existing ones, laid off hundreds of employees while gutting the metro Wi-Fi division, and appears poised to leave currently built or underway networks, including their flagship Philadelphia effort. They may sell the division, but it's hard to see much worth in it given the current state.

In a smaller bit of news, Kite Networks, formerly known by various names, was sold by parent MobilePro to Gobility with conditions that according to SEC filings by MobilePro weren't met. Kite was once high flying, in the company of EarthLink and MetroFi as one of the major U.S. Wi-Fi network builders. Now it's still in that company, with work on its Arizona networks apparently halted. A suitor has emerged in the form of a regional telecom that specializes in the Hispanophone market (double entendre intended), and which thinks it could boost Tempe subscriptions from the current several hundred to about 300 times that number. Hope springs eternal.

And while AT&T was able to launch a Riverside, Calif., network with MetroFi handling the installation and operation, it backed out of St. Louis, Mo., due to a utility pole problem, and the bidding in Chicago, too. The Metro Connect consortiums in Sacramento and Silcion Valley were unable to raise financing despite the apparent blue-chip participation by Cisco, IBM, and Intel.

County-wide Wi-Fi was also hit again and again by providers who pulled out--CenturyTel in Pierce County, Wash., for instance--or problems with technology or utility poles. In a few scattered areas, Wi-Fi across counties has been built out, but it's not an idea whose time has yet come.

Muni-Fi isn't down for the count. While these high-profile networks in large cities and county-wide networks have mostly hit the skids, more modest networks with well-defined goals continue to be built with a focus on public safety and municipal uses in hundreds of small and medium-sized towns. Brookline, Mass., may be a good example, in which a public safety/public access network was built relatively quickly and with no reported problems.

And there's one big city success story: Minneapolis, Minn. While local provider US Internet wound up spending more than they'd intended, reports from the ground indicate that service works quite well, and subscriptions and interest are quite high. The company was able to respond almost instantly to the bridge collapse a few months ago by deploying additional mesh infrastructure to add network capacity in the area. And it says that it could reach positive cash flow in early 2008. One of their advantages? They secured a substantial commitment from the city for the services they built.

Other trends of the year gone by: Music and Wi-Fi are clearly more aligned, with the new Zune models and firmware from Microsoft allowing wireless sync (but not yet Wi-Fi purchases), and the introduction of both the Apple iPhone and iTunes touch, which allow music purchases over Wi-Fi but not synchronization. (While the MusicGremlin preceded both the Zune and iPhone/iPod options, it didn't seem to gain any market traction in 2007.)

Security continues to be a concern in 2007, although less of one as home users have clearly accepted WPA Personal, at long last, and networks are increasingly encrypted through better software from major hardware manufacturers. Wizards make encryption a no-brainer, when they work. Corporations stung by reports and by requirements from credit card issuers are also clearly protecting their networks better, although I'm sure we'll still see breaches at those firms that didn't cross every "t."

The 802.11n standard's emergence into an interim certified Wi-Fi state was also a significant milestone for faster wireless networking. Shipments of Draft 802.11n products in 2007 increased significantly, while prices dropped so much that it makes perfect sense to purchase a $50 to $80 Draft N router than a comparable G unit. Manufacturers made it clear as the year progressed that hardware sold today should generally be firmware upgradable to whatever the final, not much changed 802.11n standard is when approved in 2008.

Gadget-Fi continued on the rise, as an increasing array of devices included Wi-Fi as a connectivity option. Most notably, T-Mobile launched its HotSpot@Home service, the largest scale offering of converged cell/Wi-Fi calling. By year's end, they had four handsets for sale--two plain, a BlackBerry, and a clamshell--but subscriber numbers are unknown.

What's coming in 2008?

In-flight Internet (over Wi-Fi): 2008 is finally the year. It was supposed to be 2005. Or maybe 2002. But we should see a number of planes, mostly flying over the U.S., equipped with either in-flight Internet access or in-flight text messaging and text email. Connexion by Boeing's failure fortunately didn't discourage a half a dozen competitors who were in the R&D phase when Boeing wrote off its satellite-based Internet access venture.

AirCell, Row 44, OnAir, Aeromobile, Panasonic Avionics, and a T-Mobile consortium are among the announced or nearly announced firms with commitments or trials underway. AirCell and Row 44, focused on the U.S. market, plan to deliver Internet not voice to fuselages; OnAir and Aeromobile are working on mobile-based services, including voice, via existing cell phones and devices.

In 2008, American, Alaska, and Virgin America will launch trials over the U.S., and potentially move into production. OnAir should be expanding in Europe beyond the single French aircraft that's equipped in a trial now to RyanAir's fleet. And Aeromobile's Qantas trial could turn into real usage. There's likely action that will happen in Asia and the Middle East, too, that's not yet disclosed.

Other trends to watch

Wi-Fi in every smartphone with better integration. The iPhone was the leading edge, pun intended, offering 2.5G EDGE cell networking as part of the subscription price, along with seamless roaming to Wi-Fi networks. With RIM finally offering BlackBerry models with Wi-Fi, it's unlikely that any future smartphone model intended for serious users would lack the option.

Wi-Fi everywhere. Despite the setbacks in municipal Wi-Fi, wireless networks continue to expand, with better and better coverage found across larger areas and more locations. 2008 might be the year of hotspot saturation.

WiMax arrives. In 2008, we'll finally see production mobile WiMax in action in the U.S., and the questions about whether it works well enough and fast enough at the right price to beat current generation cell data networks, and make money for the disorganized Sprint Nextel will be answered. More certainly, Clearwire, with WiMax as its only option, will push aggressively to steal customers away from fixed, wired broadband, especially in markets with little competition.

Gadget-Fi a go-go. Wi-Fi will become an expected part of gaming consoles (already found in a few), cameras (found in crippled form in just a handful), regular cell phones (in dozens and dozens now), and music players (with more full functionality).




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Zoom Optical w/12x Camcorder Definition High HDV 3-CCD HDR-FX1 Sony
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