Electronics : Sony ICF-36 Portable AM/FM/TV/Weather Radio

Electronics : Sony ICF-36 Portable AM/FM/TV/Weather Radio

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Sony ICF-36 Portable AM/FM/TV/Weather Radio

from: Sony



Sony ICF-36 Portable AM/FM/TV/Weather Radio
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Average Buyer Rating:  out of 5 stars
Sales Rank: 1364





Batteries: 4 C
Battery Description: 4 AA
Binding: Electronics
Product Brand: Sony
EAN: 0027242468399
Label: Sony
Product Manufacturer: Sony
Model: ICF36
Number Of Items: 1
Publisher: Sony
Ranking: 1364
Studio: Sony


Piece facts:
  • Sleek, compact design that is easy to carry
  • Tune in AM/FM, TV, and weather channels
  • 4-inch speaker reproduces a wide range of sound
  • Powered by four AA batteries or AC adapter
  • Includes 110-120 volt AC adapter




Radio AM/FM/TV/Weather Portable ICF-36 Sony






0ur opinion:

:
The Sony lCF-36 is a portable radio that offers 4 bands of frequencies including AM, FM, Weather and TV Audio. Jack for optional headphone or earphone Monaural Sound Dimensions - 10 1/4 Wide x 5 1/2 High x 2 3/4 Deep

:
Sony's lCF-36 Portable AM/FM/TV/Weather Band Radio features a simple design with high power and good sound output. The four-band AM/FM/TV/Weather tuner means you can tune in your favorite radio broadcasts, listen to TV programs, and receive up-to-date weather reports. This unit contains one four-inch speaker for clear sound, or an earphone jack for private listening. The built-in carrying handle means easy portability and this device operates on batteries or AC for further convenience. The lCF-36 is a great companion on the road or at the park for music, news, TV shows and weather updates.


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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 4 out of 5 stars - * Excellent for emergencies ...
I chose this radio as a backup for power/cable outages. The TV band gets good reception (I'm in a metro area with few hills). Unfortunately, when TV goes digital in February '09, the TV reception feature won't work. Sony notes this on the box.
I've always had good luck with Sony products - you can't beat the quality and dependability. The radio is a good buy, even without the TV feature.



Buyer's feedback: 5 out of 5 stars - ¡great lil radio!
I ordered this particular radio based on Internet reviews and it is indeed a great little radio. It offers lots of stations, weather (important for where we live), and works excellent from the batteries. Perfectly sized, light weight, with good sound. I could NOT find a similar item in the big-stores. They offered only CD and/or alarm radios (not needed). This is my portable, dependable, counter-top (or my bedroom bureau top) radio, AND the one we have for storms!



Buyer's feedback: 1 out of 5 stars - * Not worth it ...
I just returned this item for credit, although Wall Street's return policies are terrible and it took several different e-mails to finally get the return address. Also, they want the UNopened box. How can you tell if you like something or not without opening the box???? (1) It seems like a cheaply-made item, to me. (2) It states on the box that it won't receive TV programs after February of next year, but the advertising did not state that - otherwise I would not have bought it. (3) It started making noises and giving static on every station. So I would not recommend this item.



Buyer's feedback: 5 out of 5 stars - Fine little radio-- a fine bargain.
This is the third one on these radios I've purchased through many years. I give them rough treatment by frequently shuttling them between greenhouse and home, and have found them indispensable.



Buyer's feedback: 2 out of 5 stars - * forget the weather band feature ...
The am/fm is fine but the radio is useless as a weather band radio. I received it as gift to be kept in my garage/shop area to be able to check weather reports before fishing trips. As a small craft boater weather reports are critical. The Weather band tuning is difficult(impossible) because of minute adjustments and faint reception. I have relegated it to musical use on the boat and beach where it works great. I don't know if that tv function works but I would not reccomend spending any money on this product under the guise of it being a weather radio.

read more customer reviews on Sony ICF-36 Portable AM/FM/TV/Weather Radio


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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pithy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" for supposedly nailing his scenes.

The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheimer with serious understatement. Other cool extras include "Tale of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley

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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

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In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley


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Thanks to a fortuitous intersection of talent and fate, 22-year-old Josh Groban hasn't finished his senior year in performing arts school but has already released his sophomore effort on a major major label. Fans of the young vocal phenom's debut will find much to enthrall them here, even if it nudges the singer closer to the center of producer/mentor David Foster's MOR pop sensibilities. Eschewing much of its predecessor's more overt classic-lite pretensions and pop-rock covers for a slate of dramatic, Eurocentric ballads that serve as a showcase for the singer's inviting baritone, Groban shrewdly positions himself as the American alternative to the Bocelli-Watson crossover axis. "Caruso" may find the singer falling short of its operatic inspiration, but "Oceano" and "My Confession" quickly showcase his true dramatic range (which seems to all but yearn for a bona fide Broadway musical challenge), while a vocal take of Bacalov's graceful "Il Postino" theme uses classical virtuoso Joshua Bell's violin flourishes to good effect. To his credit, Groban displays some promising efforts at songwriting collaboration on the bittersweet "Per Te" and "Remember When It Rains," while the ambient/ethnic soundscape of Deep Forest's "Never Let Go" offers a teasing alternative to the record's otherwise melodramatic production formula. Groban has found commercial triumph via Foster's mentoring, but there remains a nagging sense here that he hasn't truly pushed himself as an artist--yet. --Jerry McCulley
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The world can't get enough of Madonna, and with CD/DVD sets like The Confessions Tour dropping regularly, it's little wonder why. As a thrower of fantasy dance parties, she is peerless. As a physical role model for the 40-ish women who grew up on her music, she rules. And as an arbiter of what's going to sound shockingly original in any given decade--well, duh. The Confessions Tour rounds up songs from way back--"Ray of Light" and "La Isla Bonita" make the DVD, and "Lucky Star" and "Like a Virgin" are on the CD as well as the DVD--but this concert, filmed in 2006 at London's Wembley Arena, aims its sturdiest spotlight on Confessions on a Dance Floor, Madge's 2005 disco disc. You could argue, then, that unless you're in it for the sheer DVD spectacle (and what a spectacle it is), there's no sense in owning this package. Only you wouldn't be right. Because as any on-the-ball Madonna fan knows, what she's doing musically is telling a story--you may already know the characters, but that doesn't mean she hasn't completely reworked the plot. To that end, "I Love New York" gets its rock on, "Let It Will Be" has a musical temper tantrum, and "Hung Up" goes for the drama queen award. You've heard these songs before, but you've never heard them quite like this, to borrow a bad informercial phrase. As twisted and hopped-up as they've become, they're all worth getting to know again. --Tammy La Gorce
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Apparently there's nothing in Kabbalah that disallows sweaty, head-spinningly good dance music, because here comes a flame-haired Madonna hawking a dozen songs' worth: Confessions on a Dance Floor darts seamlessly from Madge's early days, when she emerged as the genre's enduring darling, through the political, kiddie, and acoustic pap that drove a wedge between her and early adopters of the fingerless glove look. Songs like the pop-leaning "Jump" and first single "Hung Up"--an adrenaline drip on high that, like many of these tracks, will inspire mild shame among those who've thrilled to the much thinner disco-dusted outpourings of younger divas recently--represent both a return to form and an unmistakable march into the future. "Get Together" is a sonic freak-out in the best sense; "Push" traffics in gut-level futuristic trance; and "Forbidden Love" loops in '80s blips and bleeps for a follow-me-into-the-past effect that's both neo and retro. For all the image-affirming innovations here, though, these confessions find Madonna framed in her share of reflective moments too. "Was it all worth it/How did I earn it?" she asks on "How High," a song featuring vocoder. "Nobody's perfect/I guess I deserve it," comes the answer. A later lyrical inquiry is left for the listener to judge: "Does this get any better?" Madonna wants to know. But that opens the door to a dizzying proposition. Few of us would have guessed, after all, that it got this good. --Tammy La Gorce


Radio AM/FM/TV/Weather Portable ICF-36 Sony
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