Electronics : Sony SLV-D380P DVD/VCR Tunerless Progressive Scan DVD/VHS Combo Player

Electronics : Sony SLV-D380P DVD/VCR Tunerless Progressive Scan DVD/VHS Combo Player

could not open XML input

Sony SLV-D380P DVD/VCR Tunerless Progressive Scan DVD/VHS Combo Player

from: Sony



Sony SLV-D380P DVD/VCR Tunerless Progressive Scan DVD/VHS Combo Player
Click Larger Image

More Info
Piece Availability: Usually ships in 24 hours


Average Buyer Rating:  out of 5 stars
Sales Rank: 742





Batteries Included: 1
Batteries: 2 AA
Binding: Electronics
Product Brand: Sony
Color: Black
EAN: 0027242708945
Label: Sony
Product Manufacturer: Sony
Model: SLV-D380P
Publisher: Sony
Ranking: 742
Studio: Sony
Variation Description: Black
Warranty: 1 year parts/labor limited warranty


Piece facts:
  • Progressive Output (480p) for DVD Player
  • Multi Brand TV Remote Control
  • CD, MP3, and JPEG Playback
  • 4-Head Hi-Fi Stereo
  • Flash Rewind: Rewind a T-120 tape in around 120 seconds




Player Combo DVD/VHS Scan Progressive Tunerless DVD/VCR SLV-D380P Sony






0ur opinion:

:
Simplify your home-theater by combining a VCR and DVD player into one convenient component. The SLV-D380P lets you enjoy your VHS tapes and DVD library using the same player, and features easy-to-use menus for programming. The front A/V inputs come in handy when you want to quickly view newly recorded videos from your camcorder. CD with MP3 and JPEG file playback through DVD player 4-head Hi-Hi stereo sound capability from VHS VCR Flash rewind - Rewind a T-120 tape in around 120 seconds 19-micron heads for optimized EP (slow speed) recording VCR Auto head cleaner Fast/slow playback with sound TV virtual-surround connection Coaxial digital output DVD+R/RW and DVD-R/RW read formats / Reads Dual Layer discs lnputs and 0utputs - RCA Audio lnput(s) --- 2 (1 Front, 1Rear); RCA Audio 0utput(s) --- 1 (Rear); Composite Video lnput(s) --- 2 (1 Front, 1Rear); Component Video (Y/Pb/Pr) 0utput(s) --- 1 (Rear); Coaxial Audio Digital 0utput(s) --- 1 (Rear) Screen Saver Mode


Some more accessories for this product for you:
3-Year Extended Service Plan - Covers Electronic Items $0-$200 - Repair Monster Cable MP AV600 Power Protector Monster Cable I300MKII-2M Interlink Cable 2 Meter Monster Cable MV2CV-1M Monster Video 2 Component Video Cable (1 Meter) Monster Cable MV2CV-4M Monster Video 2 Component Video Cable 4 meter click 4 more

Some more accessories for this product for you:




Piece Availability: Usually ships in 24 hours


We found more related products for you:
Cables To Go - 17916 - 25ft Value Series RCA-Type Audio Video Cable (Black) Cables to Go Hi-Resolution - Video / audio cable ( 23902 ) Sony DVP-NS57P/B Progressive Scan DVD Player, Black Maxell VP100 Vhs Dry Video Head Cleaner Toshiba SD-V295 Tunerless DVD VCR Combo Player click 4 more

We found more related products for you:




Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 1 out of 5 stars - * Awful Waste Of Money ...
The DVD side is okay, but the VCR side is very bad. The DVD player is slow, and consistently locks up on the end of the DVD, "A Goofy Movie". However, it played every other DVD we have flawlessly. It doesn't have any of the audio difficulties of the APEX players we had before it. Sometimes when we turn the unit on, it ejects the disc for no reason. Sometimes when we eject the disc, it closes the tray again for no reason. MP3 playback works but when the disc plays MP3, it spins the discs faster and gets much louder than it does for DVD. So, the unit is not very good for listening to music. The device will display JPEG pictures, but they will will not be scaled to fit on the television screen. I have tried small and large pictures and none of them fit. The VCR side has flickering and distortion at the top of every video played. It doesn't matter what recording speed is used. Auto tracking is fairly inaccurate, and even manual tracking adjustment can't fix the flickering and distortion. I am unable to say how well the unit records television because it has no TV tuner, so unless a cable box or video camera is connected, there is no way to record a television show with this device. All of these problems seem like issues that could be fixed with a firmware upgrade, but there doesn't seem to be one. There is no sign of Adaptive Picture Control, and the video is not nearly as good as my previous Sony VCR's. The remote control must be pointed directly at the unit. Unless you can mount a rifle scope on your remote, you would be better off with a different remote.



Buyer's feedback: 1 out of 5 stars - Lousy Product
this is a lousy dvd/vcr player. I have many single vcrs that would make this thing look like a scrap heap. This is not from sonys quality days. Everyone thinks sony can still make good stuff. But the truth is they dont care about there tape based products any more. if you call there customerservice it stinks. Dont buy this product i have personally used this one my self and it stinks big time. It makes the humming noise and plays tapes badly. I have other vcrs that are ultra silent even when rewinding i tried this one for another room and it was horrible.



Buyer's feedback: 1 out of 5 stars - * This product SUCKS ...
This product SUCKS. It won't play alot of my DVDs. I can play the same DVDs on friends players. Some of the DVDs it does play one day won't the next. I do not recommend this product or the Company who sold it.



Buyer's feedback: 5 out of 5 stars - I love it
I think this unit is great. first of all I was able to hook it right up. I have never been able to do this before. & it works great.



Buyer's feedback: 5 out of 5 stars - * Excellent DVD & VHS player ...
The unit as advertised is excellent. We have had
no problems.
Thanks.

DVD & VHS player.

read more customer reviews on Sony SLV-D380P DVD/VCR Tunerless Progressive Scan DVD/VHS Combo Player


We have more similar products, listed by their category for you:


 




Editor Annalee Newitz reveals the inspiration for the futurism-focused site's name, shares her obsession with the scientifically taboo and tells why sci-fi is going mainstream.


Editor Annalee Newitz reveals the inspiration for the futurism-focused site's name, shares her obsession with the scientifically taboo and tells why sci-fi is going mainstream.


It's June 29th and Apple is finally ready to let the public play with the iPhone. The past six months have shaped up to be the highest profile mobile phone launch ever, Apple has conjured up an...

[Thanks to dozens of spam sites using the full text of our RSS content, the feed is now only a summary. Click through to see the full story.)


$18.99



Set in Saudi Arabia, The Kingdom is a political action thriller with good acting and wonderful visuals. Its so-so script, though, at times meanders aimlessly until a good explosion jolts the viewer's attention back to the screen. Jamie Foxx stars as FBI special agent Ronald Fleury, who leads an elite team into Saudi Arabia to find the terrorists who attacked American employees working in the Middle East. He has been given the unlikely deadline of five days to infiltrate the compound, with just his wit and his crew, which includes forensics expert Janet Mayes (Jennifer Garner), explosives guru Grant Sykes (Chris Cooper), and intelligence analyst Adam Leavitt (Jason Bateman). It's unclear how helpful smarmy U.S. diplomat Damon Schmidt (Jeremy Piven) will be, but Fleury knows enough to surmise that the media-hungry Schmidt might not be completely trustworthy. Foxx and Garner have wonderful screen presence, but it's Bateman and Piven who get the best lines. Director Peter Berg peppers The Kingdom with actors he has worked with in the past. Berg, who guest-starred on Alias opposite Garner, casts Tim McGraw in a small role here. (The country singer also had a co-starring role in Berg's 2004 film Friday Night Lights.) And Kyle Chandler and Minka Kelly--two of Berg's lead actors from the Friday Night Lights television series, , make appearances in The Kingdom. The action sequences he creates are impressive and generate a sense of panic that The Kingdom producer Michael Mann (Miami Vice) undoubtedly applauds. While a tauter script would've rounded out the action nicely, the action in many cases does speak for itself. --Jae-Ha Kim
$19.99



A staggering portrait of arrogance and incompetence, the documentary No End in Sight avoids the question of why the U.S. invaded Iraq in 2003, choosing instead to focus on the war's aftermath--and meticulously examine the chain of decisions that led Iraq into a grotesque state of lawlessness and civil war. Drawing from interviews with top generals, administration officials, journalists, and soldiers who were in the thick of the war itself, No End in Sight lays out a gripping story, as suspenseful as any Hollywood movie, accompanied by terrifying footage of firefights and explosions more vivid than any special effects. Unfortunately, there is no happy ending. If the documentary has a weakness, it's the shortage of voices trying to defend the administration policies (perhaps unsurprisingly, policymakers like Dick Cheney, Donald Rumsfeld, and Paul Wolfowitz declined to be interviewed). But the testimony (presented by administration insiders and officials in Iraq, both military and civilian) argues that, despite contrary analysis and experienced advice against its actions, the top brass of the Bush administration made decisions (that aggravated already existing problems and created devastating new ones. No End in Sight builds its case one voice at a time and avoids the grandstanding that undercuts Michael Moore's work; instead, the gradual accumulation of simple facts--presented with weary resignation, earnest outrage, and restrained anger--results in a compelling condemnation of one of the worst blunders the U.S. has ever made. --Bret Fetzer
$14.99



Fans of Oliver Stone's J.F.K. will recognize the opening moments of writer-director Eugene Jarecki's Why We Fight, in which outgoing President Dwight Eisenhower warns of the pernicious and growing influence of what he called the "military-industrial complex." But Stone's movie, which uses the same footage, was a work of fiction. While those who disagree with the decidedly leftist point of view in this documentary will probably consider it the product of paranoid liberal fantasy as well, there's enough credible material, much of it supplied by the targets of Jarecki's criticisms, to make Eisenhower look like a prophet and everyone else uneasy about the dark confluence of politics, money, and war that controls the country's fortunes. The message here is that while there may be some who sincerely believe that America's various military engagements (in Iraq, Vietnam, Grenada, Panama, and elsewhere) since World War II are the product of our God-given duty to spread freedom and halt the influence of evil ideologies around the world, the real reason we fight is that war is good business. This is hardly a bulletin; anyone who is surprised by allegations that politicians pander to defense contractors, or that Vice President Dick Cheney helped secure huge deals for Halliburton, the company he formerly headed, simply hasn't been paying attention (Politicians lie? How shocking!). In fact, the principal drawback to Jarecki's film is simply that there's nothing particularly revelatory or compelling about it. Only when he takes a personal approach does he go beyond the obvious; the story of a retired New York policeman and former Vietnam veteran whose son died in the World Trade Center, who wanted revenge, but who became seriously disillusioned when Bush admitted that the war in Iraq had nothing to do with 9/11, adds some much needed human interest. Still, Why We Fight, which includes a director's audio commentary track and a few other bonus features, serves as a grim reminder that the world's most powerful nation has strayed far from the principles of our founding fathers, a development that does not bode well for America's future. --Sam Graham

by Dixie Chicks
$21.95

Average customer rating: ISBN: 0739043439

by Dixie Chicks, Mark Seliger
$16.95

Average customer rating: ISBN: 0739043447
$4.95



In her snowy home state of Utah, Marie Osmond serves up a warm cup of holiday cheer with Marie Osmond's Merry Christmas, her very first Christmas special. Mixing traditional songs and carols with modern melodies, Marie presents a sentimental hourlong program (originally aired on television in 1989), blending music with short sketches. The show features Kirk Cameron, then-teen heartthrob on Growing Pains; Candace Cameron, his sister and star of Full House; country singer Lee Greenwood; Sally Struthers and daughter Samantha, ice dancers Judy Blumberg and Michael Siebert, and the Osmond Boys.

Marie opens the show with an outdoor rendition of "We Need a Little Christmas" and then moves into the studio where Kirk Cameron arrives on a snowmobile (fresh from rescuing a trio of blonde snow bunnies) to read "The First Christmas Story." Lee Greenwood performs "Christmas to Christmas" and later a duet with Marie. "It's Beginning to Look a Lot Like Christmas" is sung by Sally Struthers and daughter with help from the Osmond Boys--six stepping stones ages 4 to 12 who have the senior Osmonds' moves down pat. The adorable award, though, goes to Marie's 5-year-old son, Steven, who performs a rockin' version of "Santa Claus Is Comin' to Town" (clapping on the off-beat nearly the whole song).

Marie has a good, strong voice, but many of the songs are overproduced and melodramatic. This, most likely, is a product of the big, pouffy '80s (her hair and outfits are also bigger-than-life) rather than a reflection of her talents. The closing number, "O Holy Night," sung by Marie alone, is quite lovely. --Dana Van Nest

$11.98





Player Combo DVD/VHS Scan Progressive Tunerless DVD/VCR SLV-D380P Sony
Shopping at www.gaunz.org  Created at Sat Sep 6 09:04:08 2008