Software : Star Trek: The Complete Collection

Software : Star Trek: The Complete Collection

could not open XML input

Star Trek: The Complete Collection

from: GIT Corp



Star Trek: The Complete Collection
Click Larger Image

More Info
Piece Availability: Usually ships in 24 hours

Street Price: $49.95
Gaunz Org Price: $29.99
Savings!: $19.96 (40%)
Prices subject to change.

Average Buyer Rating:  out of 5 stars
Sales Rank: 176





Binding: DVD-ROM
Product Brand: GIT Corp
EAN: 0791149900183
Format: DVD-ROM
Label: GIT Corp
Product Manufacturer: GIT Corp
Model: 90018
Publisher: GIT Corp
Release Date: September 07, 2008
Ranking: 176
Studio: GIT Corp


Piece facts:
  • 500 issues of Star Trek comics
  • includes all annuals, articles and original advetisements
  • All comics are printable




Collection Complete The Trek: Star






0ur opinion:

:
Are you missing an issue or two in your Star Trek comic collection? Revisit and relive your favorite Star Trek comic books with this Star Trek - The Complete Collection (1967-2002) DVD-R0M. Star Trek comics were published under a licensing agreement with Paramount Pictures under a wide variety of top publishers - Western (Gold Label), Marvel, DC, Malibu and Wildstorm. This collection includes all issues from 1967 to 2002, every annual, all articles and every single advertisement. That's over 500 issues, all in a friendly readable PDF format and all printable. This is the first time you are able to purchase all publishers on one disk for your viewing enjoyment.










Piece Availability: Usually ships in 24 hours


We found more related products for you:
Iron Man (Single-Disc Edition) Indiana Jones and the Kingdom of the Crystal Skull (Single Disc) Incredible Hulk (Widescreen Edition) The Dark Knight (+ Digital Copy and BD Live) [Blu-ray] Wall-E (Widescreen Single-Disc Edition) click 4 more

We found more related products for you:




Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 4 out of 5 stars - * About Time... ...
I have been on a lifelong search through comic stores across the country for Star Trek comic books. Never to purchase, as that would burn a decent hole into my already empty pocket, but simply to glance through the pages and read the stories in a manner so much more different than what I was used to. Comics are fun to read, and they offer a unique vision of a story and its characters. Imagine my surprise when I learned there was a compilation DVD in the works for the Star Trek comic series!

I have glanced through a good chunk of the comics included in this set, and am pleased as punch to see these stories again. Some of my favorites included the Mirror Universe Saga, the Tabukan Syndrome, the parallel universe Borg invasion, and of course Peter David's "Who Killed Captain Kirk?" I also enjoyed being able to finally read Shatner's comic adaptation of "The Ashes of Eden," which I missed out on when it fell out of publication.

However, I have noticed several errors in the scanning process used to produce this set. Some of the comic pages will have half or so of the image tinted a solid color, and some will be cut off completely. Fortunately, the vast majority were scanned correctly, but there are enough that weren't to make the experience somewhat annoying. Nevertheless, I am still glad to finally have these stories available to me whenever I want. If you are a serious Star Trek fan, then these are a must-have.



Buyer's feedback: 5 out of 5 stars - Resistance is Futile
This is really an impressive collection. I remember reading some of the Gold Key comics as a kid and when I saw this I had to check it out. With over 500 comic books to read you can spend many long hours reading the comics in this collection, or print out any pages that you find particularly captivating.

I like some of the flaws in the early Gold Key comics with fire coming out of the Enterprise nacelles, or seeing the Enterprise skimming over the treetops of some planet, or better yet the complete annihilation of an entire planet of diverse intelligent plants-talk about ignoring the prime directive.

In any event the entire collection is well worth it, great stories, great artwork, all for about 8 cents a comic. If you enjoy Star Trek this should hold you over until the next movie.



Buyer's feedback: 5 out of 5 stars - * Outstanding compilation! ...
As the packaging suggests, this collection includes every issue of Star Trek comic books ever published on a single DVD-ROM. From the classic DC Comic releases to the more obscure fare such as the nearly forgotten Star Trek comic/record sets from the seventies (included here under "Bonus Material"). It's all here - even the annuals, movie adaptations, and mini-series events.

In the unlikely event a user is unfamiliar with the Star Trek universe, there's even a helpful "Bios" section which briefly explains the role of each major crewmember. In addition, there is a four-page summation of Star Trek history as well. Neither are particularly detailed, but they're a welcome bonus for a collection already brimming at the seams with material.

The comics are read through Abobe Acrobat (which is included) and the interface is quite efficient and user-friendly. To begin with, you simply click which of the five publishers you want and you're brought to an organized listing of the works they published. Once you select the group of issues you want, you'll be taken to a table displaying all the covers and issues numbers (see user images for my example of this). Simply select one and begin reading!

Of special note is how complete these comics are - all the original advertisements are intact as well as the "Letters to the Editor" sections. The ads are always interesting, especially the older ones. I believe every comic book since the beginning of mankind has an ad that promises you an instant muscled physique for only a few dollars. The Letters sections typically have insightful comments from the readers as well as often amusing rants and technical nitpicking as only Trekkies can do!

Naturally, reading from a computer screen is less than ideal. Nothing can match a hard copy, especially where comic books are concerned. Of course, the comics are fully printable, though I shudder to think how much ink and paper just a few dozen of these would require!

As far as quality is concerned, the older issues do not make as fine a scan as the newer ones. Typically the ones from the mid-eighties and older are more difficult to read, as the ink is slightly hazy and blurry in places. They're still fully readable, just not as crisp and clear as the issues from the late-eighties onward are.

One last note, the promotional material prior to the release of this indicated that the newspaper comic strip material would be included as well. Due to a variety of rights issues, they were not able to include these. Still, with over 500 issues here, it's possible even the most ardent Star Trek fan will require months and months to sift through all this material!

This is an incredible value and a very fun disc to have. The comics are perfect for a brief study break or a lazy Sunday marathon reading session. I can honestly say my purchase was worth every penny, and that's a rare thing these days!

(A note about the packaging: the disc is housed in a standard dvd case and comes shipped in a cardboard sleeve. The sleeve contains a listing of all the issues as well as a brief distillation of the "Classic Issues" included in the DVD-ROM. I think it's a good idea to cut these out of the sleeve and place them within the dvd case - as I said, always nice to have a hard copy!)




We have more similar products, listed by their category for you:


 




Editor Annalee Newitz reveals the inspiration for the futurism-focused site's name, shares her obsession with the scientifically taboo and tells why sci-fi is going mainstream.


Editor Annalee Newitz reveals the inspiration for the futurism-focused site's name, shares her obsession with the scientifically taboo and tells why sci-fi is going mainstream.


It's June 29th and Apple is finally ready to let the public play with the iPhone. The past six months have shaped up to be the highest profile mobile phone launch ever, Apple has conjured up an...

[Thanks to dozens of spam sites using the full text of our RSS content, the feed is now only a summary. Click through to see the full story.)


$10.49



A cheerfully over-the-top action film, Bad Boys is notable chiefly for the rapport between its two stars, Will Smith and Martin Lawrence, as two Miami cops on the trail of a drug kingpin as they try to protect a witness (Tea Leoni). Smith is the swinging bachelor and Lawrence the family man, and both must juggle their personal lives as they baby-sit the one chance they have to recover a stolen drug shipment, save their jobs, and take down the drug dealer. While the film is almost always implausible and its story is something seen many times before, director Michael Bay (The Rock) keeps things moving stylishly and at a feverish pace, as Smith and Lawrence prove themselves a terrific comic pairing. Their odd couple banter flies at a faster clip than the bullets and explosions, and becomes the best reason to see this hyperbolic but entertaining action flick. --Robert Lane
$9.99



Peter Berg's dark comedy about a bachelor party gone horribly awry is highly ambitious in its attempts to satirize suburbia, male bonding, and self-help philosophy, and for the most part it does succeed in hitting its targets with a malicious, misanthropic glee. When five buddies arrive in Las Vegas for some pre-wedding shenanigans, things quickly spiral out of control when the requisite prostitute falls victim to a grisly accident, igniting a spark in an already unstable powder keg of personalities. Following the lead of real estate agent and self-help guy Robert (Christian Slater), the men warily agree on a cover-up and covert desert burial. A couple hours and another corpse later, however, they're already at each other's throats, and their escalating breakdowns threaten to disrupt the highly prized wedding of hard-as-nails bride Laura (a stunning Cameron Diaz). Berg, like most actor-turned-directors (this is The Last Seduction star's filmmaking debut) helms the film with a wildly sliding tone and tends to weigh its strengths heavily on its performers. Slater's psycho turn is by far his most inventive yet (he's more in control than ever before), Diaz effectively mixes sunshine with poison, and Jon Favreau is effective and understated as the hapless bridegroom; the rest of the cast, however, tends to play up the histrionics. Be warned, though: Those expecting a sunny-style There's Something About Mary gross-out comedy will probably be shocked by Berg's take-no-prisoners agenda; this is comedy at its absolute blackest, and no one is spared. --Mark Englehart
$19.99



It actually underscores the power and distinctiveness of Gary Cooper's movie stardom that this isn't so much a true collection as gleanings from the odds-and-ends table. That's not a knock; three of the four films are solid entertainments and would be well worth recommending on their own. But the only thing unifying them is the beauty and enigma Cooper brought to them, and the professionalism with which he addressed these wide-ranging assignments.

Three of them date from the '20s and '30s and were produced by Samuel Goldwyn. The 1926 silent The Winning of Barbara Worth gave Western stunt man and bit player Cooper his first featured role (by accident--the actor originally cast didn't report for work!). A cowboy whose visionary surveyor father aims to "redeem the desert and make it one fine garden," Cooper's character is the third corner of a romantic triangle, ordained by the Hollywood caste system to lose lifelong sweetheart Vilma Banky to engineer Ronald Colman. Colman has lots more screen time than Cooper and bears the moral-ethical brunt of the eco-conscious drama; he's also surprisingly persuasive wearing a sweat-stained Stetson and trading gunshots with the bad guys (if this were a sound film, Colman could never have gotten away with it). But the camera and the audience are locked onto Cooper whenever he's on screen. In longshot or vulnerable closeup, he's already one of the gods of the cinema. As for the movie, the quality of the print is excellent, its clarity intensified by bronze, yellow, and moonlit-blue tinting that often seems on the verge of resolving into full color. Director Henry King shows a good eye for action and bold vistas, and a visual adventurousness mostly absent from his later work.

Next up chronologically is The Cowboy and the Lady (1938), and the best thing about this misbegotten movie is Garson Kanin's description, in one of his Hollywood memoirs, of how Leo McCarey sold the idea for it to Sam Goldwyn. McCarey was, of course, a comedic master (recently Oscared for directing The Awful Truth), and his exuberant pitch convinced Goldwyn and his staffers that audiences would "piss" themselves laughing at this romantic comedy about a daughter of privilege (Merle Oberon) who falls for a rodeo rider (Cooper) and learns homespun values. Goldwyn paid McCarey off, assigned some writers to the script, then realized there was no real story--"no there there," as Gertrude Stein might have put it. The resultant unfunny and unromantic endeavor oozes bad faith from every pore, with neck-snapping life changes foisted on the hapless Cooper and Oberon from reel to reel, and excruciating scenes (jitterbugging in a drawing room, playing house back on Cooper's ranch) that strain charmlessly for McCarey's patented brand of fey. H.C. Potter directed, understandably without conviction.

We and Cooper are back on track with The Real Glory (1939). The reliable Henry Hathaway helmed this second cousin to his and Cooper's The Lives of a Bengal Lancer, with Cooper as an Army doctor assigned to the Philippine Constabulary on Mindanao in 1906. The movie was well-received when it came out; encountered in the shadow of the Iraq War, its tale of U.S. occupiers trying to help the local populace "stand up" against a fanatical and murderous insurgency takes on new fascination. There are some amazing passages--two horrendous murders by bolo knife--and the final battle sequence puts the CGI-riddled action films of the present day to shame. But the most impressive element is Cooper, and we can't improve on the verdict of that astute film critic Graham Greene: "Mr. Cooper ... has never acted better.... Watch him inoculate [Andrea King] against cholera--the casual jab of the needle, and the dressing slapped on while he talks, as though a thousand arms had taught him where to stab and he doesn't have to think any more."

For the final film in the set we jump into the '50s--the century's and Cooper's. Vera Cruz (1954) casts him as a former Confederate officer who's ridden into Emperor Maximilian's Mexico, hoping to make a fortune in the new civil war south of the border so that he can rebuild his own devastated homeland. Costar Burt Lancaster (whose company Hecht-Lancaster was producing) plays another mercenary, a real sociopath, and it's fascinating to watch these two stellar icons of very different Hollywood eras make common cause--Lancaster at the height of his grinning-predator mode, Cooper an aging knight whose aim is still true. Director Robert Aldrich keeps finding dynamic uses for the SuperScope format and flavorfully fills it with sublime uglies like Ernest Borgnine, Jack Elam, Charles Horvath, Jack Lambert, and Charles Buchinsky-about-to-become-Bronson. Pieces of this movie found their way into the dreams of Sam Peckinpah and Sergio Leone. --Richard T. Jameson


by Will Pearson, Mangesh Hattikudur, Elizabeth Hunt
$10.17

Average customer rating: 4.0 ISBN: 0060568062

by Gordon Livingston, Elizabeth Edwards
$12.24

Average customer rating: 4.5 ISBN: 1569244197

by Henry C. Lee, Jerry Labriola
$16.32

Average customer rating: 3.0 ISBN: 1591024099
$14.99



She was famous as both artist and model, infamous as political revolutionary and social libertine, and Frida Kahlo's controversial life couldn't help but seem the stuff of great musical theater. Her story is brought to the screen by director Julie Taymor, whose musical compatriot here is also her husband; Elliot Goldenthal, student of both Copland and Corigliani, shrewdly sublimates his modernism in service of the rich, evocative music and songs of Mexico and Central America. Utilizing performers that range from the contemporary (Lila Downs) to the folk-classic (Costa Rican legend Chavela Vargas; Brazilian star Caetano Veloso) and traditional (Los Cojolites, El Poder Del Norte, Trio Huasteca, Caimanes de Tanquin, and others), Goldenthal generously displays the true breadth of Mexican folk music, while seamlessly infusing it with the minimalist corners of his own underscore and some winning songwriting of his own. The result is one of 2002's most compelling soundtracks. The enhanced CD features include musical film excerpts, as well as a video conversation between Goldenthal and star Salma Hayek and text interviews with the composer and director Taymor. --Jerry McCulley
$11.98



This is a downbeat and brainy set of mostly instrumental tracks from the likes of Kronos Quartet, ECM guitarist Terje Rypdal, guitarist Michael Brook, and Lisa (Dead Can Dance) Gerrard. Highlights include "Always Forever Now" by Passengers (Brian Eno, U2), and Moby's mordant cover of Joy Division's "New Dawn Fades." --Jeff Bateman
$10.99



With the soundtrack to Divine Secrets of the Ya-Ya Sisterhood, O Brother, Where Art Thou? producer T Bone Burnett has compiled another gently nostalgic gem. Filled with covers of jazz standards, sparse blues picking, and traditional Cajun pieces, Sisterhood matches Brother in ambiance and impeccable musicianship. The highlights are numerous: Bob Dylan's lively song waltzes with a raspy narrative, Lauryn Hill uses acoustic plucking to complement her soulful croon, and Bob Schneider contributes an understated love-ballad rumbling with piano. Even the cover songs are first-rate; Macy Gray jive-jumps through a faithful Billie Holiday cover, and Tony Bennett slows things down with a dapper and distinguished Nat "King" Cole homage. Despite the diffuse genres covered, the superior quality of Sisterhood's songs renders these differences negligible, and the album's pacing ensures a pleasing alternation of styles that never lags. In fact, there's nary a bad song on the entire album. The divine secret's out--Sisterhood is an essential listen. --Annie Zaleski


Collection Complete The Trek: Star
Shopping at www.gaunz.org  Created at Fri Dec 5 07:14:35 2008