Photo : Swann Bulldog Security Camera

Photo : Swann Bulldog Security Camera
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Swann Bulldog Security Camera

from: Swann



Swann Bulldog Security Camera
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Piece Availability: Usually ships in 24 hours

Street Price: $129.95
Gaunz Org Price: $82.98
Savings!: $46.97 (36%)
Prices subject to change.

Average Buyer Rating: out of 5 stars
Sales Rank: 9195





Binding: Electronics
Product Brand: Swann
EAN: 0814282002498
Label: Swann
Legal Disclaimer: Warranty does not cover misuse of product.
Product Manufacturer: Swann
Model: SW-C-BDOGC
Publisher: Swann
Ranking: 9195
Studio: Swann
Warranty: 1 year warranty


Piece facts:
  • High Resolution - 420 Lines
  • Color Video Capture
  • Robust Metal Casing
  • NTSC/PAL Format Support
  • 1/4 CCD



Camera Security Bulldog Swann





0ur opinion:

:
Do away with the cables between wired security cameras. Use the Wireless Converter to transmit any video signal on powerful 2.4GHz up to 100m / 330 feet. Perfect for 'hard to get to' locations.








Piece Availability: Usually ships in 24 hours

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Testimonials
Average Buyer Rating: out of 5 stars

Buyer's feedback: 5 out of 5 stars - * good camera, exceeded specs ...
I installed this camera on the roof in September 2007, and it still performs well after a hard winter. The specs say it will work down to 32 degrees (f), but if worked well even though we had numerous days below zero. it never seemed to be bothered by the brutal winds or temps.

The camera had exposure to snow and rain, and more snow, and now rain rain rain rain and freezing rain!

the camera is shielded from the north wind, and sits approx 3 feet under a small overhang, but the lens of the cam is not protected by this overhang.

I recommend this camera for security recordings. Picture quality is good, night recordings are good. My application has low level street lighting which provide enough light to give me a clear picture of the activity.

I haven't had to call for support, but I wouldn't expect gold star support for $100 cameras.

the only problem I had all winter was a smudge on the lens. I was considering a call to the factory to demand a technician fix the problem on site, but a high-tech Q-tip solved the problem.

The camera is connected a Dual-Tuner Tivo, and the tivo is tricked into thinking it is a satellite dish. I can still record regular shows on one tuner while the camera is being recorded on the other tuner. The schedule is setup to record 1/2 hour "shows", every 1/2 hour. the recordings are deleted as needed by the Tivo to make space for new recordings. The fast forward ability of a Tivo allows me to view a summary of activity is seconds. That's a sweet setup. (Note: Tivo does not support this use. Their software update killed my first setup, and I had to find this work around. Tivo, Inc. has the right to do whatever they want to your Tivo - and they will)

I just remembered: installation was a bit of a hassle because of the base which holds the camera steady via a very thin aluminum thumb screw. It broke very easily. The camera "head" is far too big and heavy for the base. (Think Bobble-head) I had to improvise the installation to provide a solid connection to the building. It was a hassle at the time, but the camera has been worth the money spent. Perhaps they've made the newer units with better bases?


Buyer's feedback: 5 out of 5 stars - better
I have been looking for a good baby monitor and none of them seem to have good reception and privacy. So I bought this camera to put in the baby's room and hook to our television in the bedroom and living room television. My wife loves it. Full color and night vision she can keep taps on the baby with peace of mind without inference and privacy concerns since it is hard wired and not wireless. You will have to drill a few holes to get set up and run some wire but its worth at the end. Been thinking about purchasing more in the future. (You will have to have a cheap baby monitor for sound.)


Buyer's feedback: 5 out of 5 stars - * Great Camera for the Money ...
This Camera has great picture quality, good resolution, good range, crisp night vision, all at an affordable price and in a low profile. I have 3 of these in a 4 camera set up, and plans to replace the one off. I have been very happy with these cameras.


Buyer's feedback: 5 out of 5 stars - bulldog cam
i found this camera to work very well, images were sharp and clear with good night vision compaired to others i have had in the past,i would like to see it come with a wide angled lens for more area coverage its a bit tight for the area i want to cover,i will see how well it works this winter as it gets much colder here then its rated for.


Buyer's feedback: 5 out of 5 stars - * Excellent Cameras ...
I'm using 2 of these cameras, 3 Q-See cameras, and 3 Sylvania cmeras. This camera has excellent daylight picture, and good night vision capability from 20-30 feet. The Sylvania cameras have good daylight pictures, but not quite as sharp as the Swann Bulldog. Stay far, far away from the Q-See cameras. They are advertised as having similar capabilities as these, but daylight picture is grainy, washed out, and extremely dark. Night vision was useless. I've got 2 Q-See 4-channel PCI capture cards, which work well.

read more customer reviews on Swann Bulldog Security Camera

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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Pirates of the Caribbean - At World's End (Two-Disc Collector's Edition)
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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pithy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" for supposedly nailing his scenes.

The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheimer with serious understatement. Other cool extras include "Tale of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley

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Stills from Pirates of the Caribbean: At World’s End (click for larger image)





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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

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Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

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The world can't get enough of Madonna, and with CD/DVD sets like The Confessions Tour dropping regularly, it's little wonder why. As a thrower of fantasy dance parties, she is peerless. As a physical role model for the 40-ish women who grew up on her music, she rules. And as an arbiter of what's going to sound shockingly original in any given decade--well, duh. The Confessions Tour rounds up songs from way back--"Ray of Light" and "La Isla Bonita" make the DVD, and "Lucky Star" and "Like a Virgin" are on the CD as well as the DVD--but this concert, filmed in 2006 at London's Wembley Arena, aims its sturdiest spotlight on Confessions on a Dance Floor, Madge's 2005 disco disc. You could argue, then, that unless you're in it for the sheer DVD spectacle (and what a spectacle it is), there's no sense in owning this package. Only you wouldn't be right. Because as any on-the-ball Madonna fan knows, what she's doing musically is telling a story--you may already know the characters, but that doesn't mean she hasn't completely reworked the plot. To that end, "I Love New York" gets its rock on, "Let It Will Be" has a musical temper tantrum, and "Hung Up" goes for the drama queen award. You've heard these songs before, but you've never heard them quite like this, to borrow a bad informercial phrase. As twisted and hopped-up as they've become, they're all worth getting to know again. --Tammy La Gorce
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Apparently there's nothing in Kabbalah that disallows sweaty, head-spinningly good dance music, because here comes a flame-haired Madonna hawking a dozen songs' worth: Confessions on a Dance Floor darts seamlessly from Madge's early days, when she emerged as the genre's enduring darling, through the political, kiddie, and acoustic pap that drove a wedge between her and early adopters of the fingerless glove look. Songs like the pop-leaning "Jump" and first single "Hung Up"--an adrenaline drip on high that, like many of these tracks, will inspire mild shame among those who've thrilled to the much thinner disco-dusted outpourings of younger divas recently--represent both a return to form and an unmistakable march into the future. "Get Together" is a sonic freak-out in the best sense; "Push" traffics in gut-level futuristic trance; and "Forbidden Love" loops in '80s blips and bleeps for a follow-me-into-the-past effect that's both neo and retro. For all the image-affirming innovations here, though, these confessions find Madonna framed in her share of reflective moments too. "Was it all worth it/How did I earn it?" she asks on "How High," a song featuring vocoder. "Nobody's perfect/I guess I deserve it," comes the answer. A later lyrical inquiry is left for the listener to judge: "Does this get any better?" Madonna wants to know. But that opens the door to a dizzying proposition. Few of us would have guessed, after all, that it got this good. --Tammy La Gorce

Camera Security Bulldog Swann
Shopping at www.gaunz.org  Created at Mon Oct 13 13:12:07 2008