0ur opinion: :For the ultimate workbench, this Super Heavy-Duty Workbench Leg System features square column steel legs with adjustable food pads and rectangular steel cross braces for unparalleled strength and stability. Assembly is fast and simple with bolt-together legs and cross braces. Cross braces have a built-in recess for an added 3/4' plywood shelf. 0verall assembled size without top is 32' high x 56' wide x 28' deep. Weighs 78 lbs.
0ur opinion: :This ladder can have at least 7 different uses and functions. With 3 multi position articulating hinges that allow 18 different configurations, this ladder can be a step ladder, double step ladder, extension ladder, mezzanine ladder, multi-lever ladder, platform scaffold or a stair-step scaffold. Made with high quality aluminum, lightweight and rustfree. With all these features, you won't need to buy another ladder.
0ur opinion: :The Superwinch AC1000 is your choice when AC power is the only option. Features an all-steel planetary geartrain, dynamic brake and circuit breaker protection. 1-year limited warranty. U.S.A. Volts: 110, Line Pull (lbs.): 1,000, Gear Train: Steel planetary gears, Clutch: Power in, power out, and freespooling, Braking: Dynamic, Switching Method: Handheld remote control, Remote Length (ft.): 6, Rope Type: Galvanized, Rope Size L x dia. (ft. x in.): 45 x dia., Mounting Hardware lncluded: Yes ...
0ur opinion: :The Wing Little Giant 17-foot Type 1A 300-pound duty rating ladder system with work platform wraps several different ladders into a single package. You can use the Little Giant as one of five different sized A-frame ladders, nine different sizes of extension ladders, two scaffolding trestles that can be set at five different heights, 10 staircase ladders, and four 90-degree ladders. The Little Giant is made from heavy-wall 6005-T5 aluminum that holds up under heavy ...
We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.
The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?
Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.
This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.
One of the most unjustly underrated Italian operas receives a production that should help correct that attitude. Andrea Chenier is based on the true story of a poet who was caught up and destroyed by the blind fury of the French Revolution. Giordano's music captures the acrid flavor of that movement, the cynicism of some of its leaders, and Chenier's integrity and tragic fate. This production's value has probably increased since Plácido Domingo, the leading Chenier of his generation, has dropped the role from his repertoire.
All three principals sing eloquently and with a fine sense of the opera's structure and context. Anna Tomowa-Sintow is in even better voice than Domingo, and Giorgio Zancanaro heads an expert supporting cast. The Covent Garden Chorus, directed with distinction by Michael Hampe, gives a memorable impression of the revolutionary mob. Julius Rudel's conducting is totally idiomatic. --Joe McLellan
It would have been better, of course, if this 1984 production of Donizetti's Anna Bolena, or at least its title role, had been filmed 20 years earlier, when Joan Sutherland's voice was in its spectacular prime. But like her Canadian Opera Norma, dating from 1981, this is a better-late-than-never documentation of one of the most remarkable voices of the 20th century.
Lotfi Mansouri spared no effort or expense in making this production special. He personally directed the staging, and handpicked an outstanding cast (right down to the very young and then-unknown Ben Heppner in the small role of Hervey). The visual elements--sets, costumes, and camera work--are also handled with great care, and Sutherland's positive response to this dedication can be sensed in her performance as the unfortunate wife of King Henry VIII. James Morris is best-known as a Wagnerian singer--perhaps the leading Wotan of our time--but he is equally at home in many of the villainous roles that are the fate of bass- baritones (Iago, Scarpia, Don Giovanni). In this sinister tale of an innocent woman ruthlessly destroyed, he shows a surprising knack for the bel canto style. Judith Forst is also excellent in the role of Jane Seymour. --Joe McLellan
Platform Work with System Ladder Rating Duty 300-Pound 17-Foot Giant Little 10102LGW Wing