: The Beatles - Abbey Road Best Sellers Poster Print, 34x23

: The Beatles - Abbey Road Best Sellers Poster Print, 34x23

could not open XML input

The Beatles - Abbey Road Best Sellers Poster Print, 34x23

from: AllPosters.com



The Beatles - Abbey Road Best Sellers Poster Print, 34x23
Click Larger Image


Average Buyer Rating:  out of 5 stars
Sales Rank: 2514







Product Brand: AllPosters.com
Label: AllPosters.com
Product Manufacturer: AllPosters.com
Publisher: AllPosters.com
Ranking: 2514
Studio: AllPosters.com


Piece facts:
  • Poster Title: The Beatles - Abbey Road
  • Size: 34 x 23 inches







0ur opinion:

:
Unmatched service and quality

















Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 5 out of 5 stars - * The beatles ...
Nothing much to say. great photo, classic view of the beatles crossing abbey road. the quality of the paper is pretty good, and it ships fairly quickly. (Considering it is from another company, bought through amazon). The poster size is approx. 35" x 23"



Buyer's feedback: 5 out of 5 stars - Famous Photo and Paul Is Still Around
Any fan of classic rock will immediately recognize the cover picture to the final Beatles studio album, "Abbey Road." Photographer Iain MacMillan took the picture on 8 August 1969, at around 10 AM. He had about 10 minutes to take the picture.

Most of us are too young to remember the "Paul is dead" hoax or rumor of the era. Supposedly Paul had died and the Beatles were not telling the rest of the world. Paul is out of step with the other Beatles, he is barefoot, he has his eyes closed, and he is holding a cigarette in his right hand, though he is left handed. The license plate of the Volkswagen Beetle in the background, which was actually just an innocent car that belonged to people across the street from the studio, supposedly contained more clues about Paul's death. The license plate was stolen numerous times after the album came out. The Beetle was later sold at auction for many times its actual value and now resides at the VW museum.

Of course, we know that Paul lived well beyond this picture, and was alive and well at the time this review was written.

All the "Paul is dead" nonsense aside, Iain MacMillan managed to capture an image that will be one of the most memorable in music history. The photograph is simple and classic, and somehow manages to poignantly capture the end of an era, and, more importantly, the end of a group. This picture is an attractive addition to a bedroom, den, game room, or just about anywhere else you want to remember the final moments of the greatest rock group in history.




Buyer's feedback: 5 out of 5 stars - * The cover of \"Abbey Road\" and the \"Paul is Dead\" theory ...
Apparently it is something of a London tradition to go to a zebra crossing in St. John's Wood, in the city of Westmister in greater London, and walk across the road in bare feet. That is because on August 8, 1969 that was the location outside of the EMI studio at 3 Abbey Road where the most famous cover for a Beatles' album was shot by Iain MacMillan; the studio is now called Abbey Road Studio because of this famous association. I understand there is a store next to the tube station that hands out free maps so you can find your way, and there is all sorts of merchandise (t-shirts, coffee mugs, key chains, etc.) depicting the crossing to be bought.

The cover of "Abbey Road" was also the last clue in the "Paul is Dead" running gag that the Beatles had going. Paul McCartney had been in a motorcycle accident in 1966, but somehow the rumor got out that it was a car crash and that Paul had been killed (decapitated apparently), replaced by a look alike named William Campbell (apparently the actor who played Trelane on the original "Star Trek"), dumped Paul's girlfriend Jane Asher and married Linda Eastman instead. The "Sgt. Pepper" album was seen as containing a wealth of clues, especially Paul being pictured were an O.P.D. ("Officially Pronounced Dead"), which was reinforced by him wearing a black carnation in the booklet for "Magical Mystery Tour" and the "I buried Paul" line you can hear at the end of "Strawberry Fields Forever" (Lennon claimed he was really saying "cranberry sauce," but where is the fun in that?). Then there was the song "Glass Onion" on the "White Album" where John Lennon informs us, "Here's another clue for you all...the walrus was Paul."

But it was the cover shot of "Abbey Road" that was the final nail in the coffin, so to speak. The idea is that this is Paul's funeral procession. John is Jesus dressed in white, Ringo Starr is the minister (or funeral director in some interpretations), Paul is the barefoot corpse (no need for shoes in the afterlife), and George Harrison is the gravedigger. There is also the fact that Paul is out-of-step with the other three Beatles, which signifies either being dead or left-handed. But then we get to the license plate on the Volkswagen Beetle (oooh, "Beetle," get it?), which reads: "LMW 28IF." This is translated as "Linda McCartney Weeps" and reminds us that Paul would have been "28 IF" he had lived. With this 34 ½ x 22 ¼ wall poster the you can look at all the evidence for yourself to make up your own mind, or it could just represent your favorite shot of the Beatles from the cover of what proved to be their last great album.

What I remember best of the "Paul is Dead" craze was that there was a Robin story in one of the "Batman" comics where the Boy Wonder investigates the death of one of the members of the world's most famous music group. It turns out that "Paul" is still alive, but that it was the other three who died and the hoax is just a case of misdirection so nobody notices what has happened. I know that it is a 50-50 proposition at this point, but since I think the law of irony usually applies I think Paul will one day be the last of the Beatles. That would hold true if we go top to bottom on the cover of "Yellow Submarine' and clockwise on the "Revolver" cover, but not if we go left to right on the "With the Beatles" cover, right to left on the cover of "Please Please Me," or top to bottom as in on the cover of "A Hard Day's Night."



We have more similar products, listed by their category for you:

 < Previous Page 
page 2 of  2
 1  2 
 




Indian exporters of essential foods to Sri Lanka may be hit hard if importers and distributors in the island carry out a threat to go on strike against the Sri Lankan government's bid to enter the trade on unequal terms.

The exercise will cost RBI around Rs 100 cr. Under the terms of the contract, HCL will set up the two centres and maintain them for the RBI for 7 years. Build your biz online


$22.99



Stephen Sondheim's Victorian horror thriller Sweeney Todd: The Demon Barber of Fleet Street is generally considered his greatest work, macabre but darkly humorous with a viscerally powerful score that has found a home both on Broadway and in opera houses. George Hearn (who replaced Len Cariou of the original Broadway cast) plays the title character, a wronged man whose lust for revenge drives him to murder (an 18th-century legend who has been traced to a real-life barber), and Angela Lansbury plays his partner in crime, Mrs. Lovett, who finds a practical business use for Todd's victims. This combination of horror and humor is echoed in Sondheim's score: brooding menace ("The Ballad of Sweeney Todd," "My Friend"), achingly beautiful ballads ("Johanna," "Not While I'm Around"), clever puns ("A Little Priest"), coloratura arias ("Green Finch and Linnet Bird"), and intricate choral and ensemble numbers.

Continuing a fortuitous tradition of capturing the Sondheim legacy on video recordings, this performance was filmed before a live audience in Los Angeles during the 1982 national tour. Almost 20 years later, Hearn returned to the role opposite Patti LuPone in an acclaimed concert production. But Sweeney Todd is an especially compelling experience in this 1982 version, complete with the clever staging tricks (e.g., the barber's chair) and as close to the original cast as we're likely to see. --David Horiuchi

$9.99



A guilty, guilty pleasure, perhaps not one a left-wing feminist should be admitting to in public. Female boomers should recall yearly TV reruns of this Rodgers and Hammerstein production, featuring such delights as "Impossible" and "Do I Love You Because You're Beautiful?" It may appear a bit stark to younger viewers, but part of the charm of this 1964 network TV special, a remake of the live 1957 telecast originally built around Julie Andrews, is its utter simplicity. An extremely young Lesley Ann Warren and Stuart Damon (of General Hospital fame) are joined by Ginger Rogers, Walter Pidgeon, and Celeste Holm. Warren is all sweetness and innocence without a hint of saccharine artificiality, while Damon is a clear-eyed romantic. This very handsome love story is a bit of an oddity, but worth owning just for the memorable score. --Rochelle O'Gorman
$9.49



John Waters made his bid for PG respectability with this enjoyably trashy comedy about the racial integration of a teen dance show on Baltimore television in the early '60s. Waters, as always, makes a virtue of junk culture and the powerful emotional forces it can represent as kids vie to get on the show. Meanwhile, a parade of former stars (Pia Zadora, Debbie Harry, Sonny Bono) and pseudostars (Divine, Ricki Lake) cross the screen, playing freakish characters absorbed by thoughts of fame. (Waters himself turns up as a weirdo psychiatrist.) This transitional film for Waters is rough going at times and not as interesting or funny as his later features Cry-Baby and Serial Mom, but it's worth a look. --Tom Keogh

by Christina Aguilera
$13.57

Average customer rating: ISBN: 1423422597

by Pier Dominguez
$11.01

Average customer rating: 4.0 ISBN: 0970222459

by Mary Jo Lemmens
$22.95

Average customer rating: ISBN: 1422202852
$14.99



Martina McBride has long been a champion of music as social consciousness, particularly for abused women ("Independence Day") and children. On Waking Up Laughing, her ninth album and the follow-up to Timeless, her platinum-selling album of country classics, she advances the theme while expanding it. While two songs explore the issue of unwed mothers (particularly the exquisite "Love Land," which closes the album), and another, "Beautiful Again," touches on child sexual abuse, her overall repertoire embraces the wholeness of family, and of standing strong together in the face of adversity and defeat. Musically, McBride has always proved to be an elegant thorn--her song selection is often inspired (and here, she co-wrote three tunes, including the skyscraping single "Anyway"), but she has tended to use her huge, ride-the-wave soprano full-tilt, without employing the subtle shadings that would make her even more emotionally resonant. On Waking Up Laughing she seems to have worked on the problem, yet in her second foray as solo producer, she still tends to gild the lily instrumentally--inflating string bridges between choruses, for example, or loading the opening country-pop track, "If I Had Your Name," with a Southern-rock guitar break, a listen-to-me fiddle showcase, a Celtic guitar intro, and a close that brings to mind George Harrison's sitar in play-it-backward mode. That said, she makes fine use of what sounds like a black female choir on the uplifting "For These Times," and wisely keeps the haunting break-up ballad "Tryin' to Find a Reason" (with Keith Urban's harmony vocals and guitar solo) lean and affecting. As McBride works to refine her pastiche of creativity, commerciality, and social awareness, she slyly takes more chances than one might think, all the while rallying old fans and making new ones. --Alanna Nash
$10.99



For right-minded buyers of the reissued Muppet Christmas Carol soundtrack, the odds of disappointment are about as remote as Miss Piggy's chances with Kermit. If you loved the movie, you will love the loopy mayhem of the Muppet Brass Buskers ("Good King Wenceslas"), the cartoonish malice of the black-hearted misanthropes Marley & Marley ("Marley & Marley"), and the hope-swollen harmonies of Tiny Tim and Family ("Bless Us All"), Muppeted here to hilariously humble effect. If, on the other hand, your interest in this disc has more to do with its inclusion in the way-narrow Christmas-record-for-kids category--if the spirit of the season doesn't extend, for you, to the magic of the Muppets--you may want to keep browsing, as it's a soundtrack first (overture, instrumentals, and all) and a Christmas CD second. That's not to suggest you're stuck with an un-fun disc should it land on your holiday stack without a prior screening, though. Miles Goodman's score sweeps and inspires, and certain tracks--"One More Sleep 'til Christmas" and "Fozziwig's Party"--are future classics. (Note to the right-minded: After a misstep on the original release, Martina McBride's version of "When Love is Gone" is back.) -Tammy La Gorce


34x23 Print, Poster Sellers Best Road Abbey - Beatles The
Shopping at www.gaunz.org  Created at Tue Dec 2 06:02:58 2008