Electronics : TiVo TCD652160 HD Digital Video Recorder

Electronics : TiVo TCD652160 HD Digital Video Recorder

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TiVo TCD652160 HD Digital Video Recorder

from: TiVo



TiVo TCD652160 HD Digital Video Recorder
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Piece Availability: Usually ships in 24 hours


Average Buyer Rating:  out of 5 stars
Sales Rank:





Batteries Included: 1
Binding: Electronics
Product Brand: TiVo
Color: Black
EAN: 0851342000742
Label: TiVo
Product Manufacturer: TiVo
Model: TCD652160
Publisher: TiVo
Studio: TiVo


Piece facts:
  • Controls cable TV with record, pause, rewind and fast-forward in HD
  • Records two HD channels at once, while watching another recorded show
  • Records up to 20 hours of high definition programming (or 180 hours of standard definition)
  • Video output modes include: 480i, 480p, 720p, 1080i
  • Sources supported: Digital cable, Analog cable, Digital antenna (ATSC), Analog antenna and broadband content




Recorder Video Digital HD TCD652160 TiVo






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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 5 out of 5 stars - * Can't live without it ...
I found out about a TIVO several years ago. I was hesitant to get one because VCRs were so difficult to set the recordings on. TIVO has made it so simple to do. I don't miss anything I want to see on television anymore.



Buyer's feedback: 5 out of 5 stars - Tivo HD rocks
I've been using this for only 3 weeks so can't say much about long-term reliability. But functionally, I've been extremely happy with the unit. The FF function works like reviews I'd read - it automatically rewinds a little when you stop FF. With a little practice, it puts you right where you want to resume play. The box is in general reliable, much more so than my earlier Comcast box. I haven't seen any freezes and reboots that I've read about. One problem I've had though is the "HDMI Not Permitted" issue. Every now and then, the CP handshake with my TV fails and I just get this verbiage plastered on the screen. When it does this, you have to switch from HDMI to Component. Of course I don't want to do that. After a little googling I found that others who have had the same problem fixed it by unplugging (not turning off) and plugging the TV back in. This resets the HDMI CP handshake. That technique worked for me. I've had it happend three times so far. It's annoying but not as bad as some of the stuff I had to endure with the Comcast box.

I also like the Tivo Desktop software. It's nice to be able to archive recordings from the Tivo to your PC via your home network. The software isn't great but it does the job, and it's free.



Buyer's feedback: 5 out of 5 stars - * Works great for me. ...
I'm using this with a rabbit ear OTA antenna and it works great. Right now I'm getting both analog and digital channels which is sort of a pain because I have two channels for each station with the same exact programming (not counting all the little split off channels like 7.1, 7.2, 7.4...). I'll be happy when they cut the analog broadcast off in February 2009. But, I love being able to get PBS stations from all over So Cal. I have about 60 channels now!



Buyer's feedback: 3 out of 5 stars - Probably worth the money
I finally broke down and bought a TiVo after trying some DIY solutions. Although SageTV, BeyondTV, etc. do well enough for SD TV, I found trying to record HD episodes was really difficult. TiVo's user interface is pretty slick, and if you can get your cable guy to install the cablecards right after 2 or 3 tries, it's definitely worth the money, subscription and all, EXCEPT....there are now rumors floating around on the tech blogs that the is a auto-delete flag feature. That is to say, the recorded program will auto-delete itself after a certain period of time (in this case approximately 2-3 hours after it was recorded). Assuming this is for real, I would have to say that it is a real deal-breaker. The advantage of TiVo is supposed to be time-shifting. I would think that this kind of auto-deletion defeats that whole purpose.



Buyer's feedback: 1 out of 5 stars - * It was Not What I Wanted ...
I was not aware of all of the associated costs to fully use this product. So I cannot evaluate it fairly. I made a mistake in ordering it. I simply wanted to record HD TV shows, Nothing more.

read more customer reviews on TiVo TCD652160 HD Digital Video Recorder


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Sales of semiconductors in November indicate that consumer products such as LCD (liquid crystal display) TVs, digital music players, and other devices sold well during the holidays, the Semiconductor Industry Association (SIA) said Monday.

November chip sales rose 2.3 percent year-on-year to $23.1 billion, the SIA said.

Unit demand has far outpaced last year. But falling chip prices have hurt industry revenue, the chip association said. For example, DRAM (dynamic RAM) bit shipments grew 25 percent in the three months through mid-December, but average selling prices have declined 20 percent over the same period.

The association also noted that rising energy prices and concerns about the sub-prime lending issue in the U.S. do not appear to have had a significant impact on consumer spending for the holidays, the SIA said. The group reiterated its forecast that worldwide semiconductor sales will reach a new record in 2007. But it will take a stronger than expected December selling season to reach the 3.8 percent growth goal the group had forecast earlier this year, the SIA said.

Investment banking firm Credit Suisse was not as optimistic as the SIA.

The November data was below normal seasonal trends, noted analyst John Pitzer, in a report on Monday. Even if December reaches its normal seasonal growth, 2007 industry revenue will only reach $255.7 billion, up 3.2 percent over last year. The growth percentage would fall short of the SIA's 3.8 percent target.

The slow November prompted Credit Suisse to lower its 2008 chip industry revenue forecast to 9.4 percent year-on-year growth, down from a previous target of 13 percent.


The HP Compaq tc4400 convertible tablet offers decent performance and battery life, though we recommend adding more RAM.

Editor Annalee Newitz reveals the inspiration for the futurism-focused site's name, shares her obsession with the scientifically taboo and tells why sci-fi is going mainstream.


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Set in Saudi Arabia, The Kingdom is a political action thriller with good acting and wonderful visuals. Its so-so script, though, at times meanders aimlessly until a good explosion jolts the viewer's attention back to the screen. Jamie Foxx stars as FBI special agent Ronald Fleury, who leads an elite team into Saudi Arabia to find the terrorists who attacked American employees working in the Middle East. He has been given the unlikely deadline of five days to infiltrate the compound, with just his wit and his crew, which includes forensics expert Janet Mayes (Jennifer Garner), explosives guru Grant Sykes (Chris Cooper), and intelligence analyst Adam Leavitt (Jason Bateman). It's unclear how helpful smarmy U.S. diplomat Damon Schmidt (Jeremy Piven) will be, but Fleury knows enough to surmise that the media-hungry Schmidt might not be completely trustworthy. Foxx and Garner have wonderful screen presence, but it's Bateman and Piven who get the best lines. Director Peter Berg peppers The Kingdom with actors he has worked with in the past. Berg, who guest-starred on Alias opposite Garner, casts Tim McGraw in a small role here. (The country singer also had a co-starring role in Berg's 2004 film Friday Night Lights.) And Kyle Chandler and Minka Kelly--two of Berg's lead actors from the Friday Night Lights television series, , make appearances in The Kingdom. The action sequences he creates are impressive and generate a sense of panic that The Kingdom producer Michael Mann (Miami Vice) undoubtedly applauds. While a tauter script would've rounded out the action nicely, the action in many cases does speak for itself. --Jae-Ha Kim
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A staggering portrait of arrogance and incompetence, the documentary No End in Sight avoids the question of why the U.S. invaded Iraq in 2003, choosing instead to focus on the war's aftermath--and meticulously examine the chain of decisions that led Iraq into a grotesque state of lawlessness and civil war. Drawing from interviews with top generals, administration officials, journalists, and soldiers who were in the thick of the war itself, No End in Sight lays out a gripping story, as suspenseful as any Hollywood movie, accompanied by terrifying footage of firefights and explosions more vivid than any special effects. Unfortunately, there is no happy ending. If the documentary has a weakness, it's the shortage of voices trying to defend the administration policies (perhaps unsurprisingly, policymakers like Dick Cheney, Donald Rumsfeld, and Paul Wolfowitz declined to be interviewed). But the testimony (presented by administration insiders and officials in Iraq, both military and civilian) argues that, despite contrary analysis and experienced advice against its actions, the top brass of the Bush administration made decisions (that aggravated already existing problems and created devastating new ones. No End in Sight builds its case one voice at a time and avoids the grandstanding that undercuts Michael Moore's work; instead, the gradual accumulation of simple facts--presented with weary resignation, earnest outrage, and restrained anger--results in a compelling condemnation of one of the worst blunders the U.S. has ever made. --Bret Fetzer
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Fans of Oliver Stone's J.F.K. will recognize the opening moments of writer-director Eugene Jarecki's Why We Fight, in which outgoing President Dwight Eisenhower warns of the pernicious and growing influence of what he called the "military-industrial complex." But Stone's movie, which uses the same footage, was a work of fiction. While those who disagree with the decidedly leftist point of view in this documentary will probably consider it the product of paranoid liberal fantasy as well, there's enough credible material, much of it supplied by the targets of Jarecki's criticisms, to make Eisenhower look like a prophet and everyone else uneasy about the dark confluence of politics, money, and war that controls the country's fortunes. The message here is that while there may be some who sincerely believe that America's various military engagements (in Iraq, Vietnam, Grenada, Panama, and elsewhere) since World War II are the product of our God-given duty to spread freedom and halt the influence of evil ideologies around the world, the real reason we fight is that war is good business. This is hardly a bulletin; anyone who is surprised by allegations that politicians pander to defense contractors, or that Vice President Dick Cheney helped secure huge deals for Halliburton, the company he formerly headed, simply hasn't been paying attention (Politicians lie? How shocking!). In fact, the principal drawback to Jarecki's film is simply that there's nothing particularly revelatory or compelling about it. Only when he takes a personal approach does he go beyond the obvious; the story of a retired New York policeman and former Vietnam veteran whose son died in the World Trade Center, who wanted revenge, but who became seriously disillusioned when Bush admitted that the war in Iraq had nothing to do with 9/11, adds some much needed human interest. Still, Why We Fight, which includes a director's audio commentary track and a few other bonus features, serves as a grim reminder that the world's most powerful nation has strayed far from the principles of our founding fathers, a development that does not bode well for America's future. --Sam Graham

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In her snowy home state of Utah, Marie Osmond serves up a warm cup of holiday cheer with Marie Osmond's Merry Christmas, her very first Christmas special. Mixing traditional songs and carols with modern melodies, Marie presents a sentimental hourlong program (originally aired on television in 1989), blending music with short sketches. The show features Kirk Cameron, then-teen heartthrob on Growing Pains; Candace Cameron, his sister and star of Full House; country singer Lee Greenwood; Sally Struthers and daughter Samantha, ice dancers Judy Blumberg and Michael Siebert, and the Osmond Boys.

Marie opens the show with an outdoor rendition of "We Need a Little Christmas" and then moves into the studio where Kirk Cameron arrives on a snowmobile (fresh from rescuing a trio of blonde snow bunnies) to read "The First Christmas Story." Lee Greenwood performs "Christmas to Christmas" and later a duet with Marie. "It's Beginning to Look a Lot Like Christmas" is sung by Sally Struthers and daughter with help from the Osmond Boys--six stepping stones ages 4 to 12 who have the senior Osmonds' moves down pat. The adorable award, though, goes to Marie's 5-year-old son, Steven, who performs a rockin' version of "Santa Claus Is Comin' to Town" (clapping on the off-beat nearly the whole song).

Marie has a good, strong voice, but many of the songs are overproduced and melodramatic. This, most likely, is a product of the big, pouffy '80s (her hair and outfits are also bigger-than-life) rather than a reflection of her talents. The closing number, "O Holy Night," sung by Marie alone, is quite lovely. --Dana Van Nest

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Recorder Video Digital HD TCD652160 TiVo
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