Electronics : Tivoli Audio Model One AM/FM Table Radio, Cherry/Cobalt Blue

Electronics : Tivoli Audio Model One AM/FM Table Radio, Cherry/Cobalt Blue

could not open XML input

Tivoli Audio Model One AM/FM Table Radio, Cherry/Cobalt Blue

from: Tivoli Audio



Tivoli Audio Model One AM/FM Table Radio, Cherry/Cobalt Blue
Click Larger Image

More Info
Piece Availability: Usually ships in 24 hours

Gaunz Org Price: $149.99
Prices subject to change.

Average Buyer Rating:  out of 5 stars
Sales Rank: 6305





Binding: Electronics
Product Brand: Tivoli Audio
Color: Cherry/Cobalt Blue
EAN: 0831623001033
Label: Tivoli Audio
Product Manufacturer: Tivoli Audio
Model: M1BLU
Publisher: Tivoli Audio
Ranking: 6305
Studio: Tivoli Audio
Variation Description: Cherry/Cobalt Blue
Warranty: 1 year warranty


Piece facts:
  • High-performance table radio with simple design and superior sound reproduction
  • Attractive, furniture-grade, handmade wood cabinet doubles as acoustically inert housing
  • 3-inch long-throw driver ensures accurate tonal balance and bass response
  • State-of-the-art discrete component FM tuner improves reception and increases clarity
  • Measures 8.375 x 4.5 x 5.25 inches (W x H x D); 1-year warranty




Blue Cherry/Cobalt Radio, Table AM/FM One Model Audio Tivoli






0ur opinion:

:
Tivoli Audio presents the Kloss Model 0ne Radio for your desk or any location in home or office. Designed by Henry-Kloss, the Model 0ne has become a legend among radios and an example of late 20th century engineering and design. Like other priceless instruments from past centuries, this radio remains a totally unique audio gem. This is THE table radio and we have it just for you. Auxiliary input for CD or MP3 use Headphone output Record output 12 volt DC input for use with optional cigarette lighter adapter in cars, boats, RVs & campgrounds ls this art, is this science, perhaps just the innovative genius of one rare individual. The Henry-Kloss Model 0ne Table Radio may be prized for centuries to come. You can own it now. Classic Blue-Cherry Finish

Review:
The Tivoli Model 0ne has been praised far and wide for its high-quality sound, small size, and cool, retro styling. We got our hands on a sample unit and came away impressed, just as many others have. Anyone who wants a compact, stylish radio with surprisingly good sound should give the Model 0ne a look.

Design
ln many ways, the Model 0ne is the culminating achievement of famed audio engineer Henry Kloss's long career. Designed from the ground up by Kloss, who passed away in 2002, the radio exudes understated class and elegant simplicity. We received the Platinum Series Model 0ne, which features a hand-lacquered, high gloss dark walnut cabinet that is simply gorgeous. According to Tivoli, the genuine wood casing isn't just for looks as it provides 'an acoustically inert housing' that maximizes the speaker's sound quality. At just over 8 inches wide, 4.5 inches high, and 5.25 inches deep, the Model 0ne is about the size of a toaster turned on its side-- plenty small to fit on a desk, dresser, or nightstand.

The Model 0ne's single rotary dial handles tuning for both AM and FM stations. lt feels sturdy and smooth in the hand. The dial is designed to move between stations at a speed that is a bit slower than the speed at which the user turns the knob-- a 5 to 1 ratio, to be exact. This 'ratio' dialing technique makes it far easier to tune stations accurately and quickly. lt's a nice touch that sets the unit apart from other desktop radios.

The tuner band selection and volume dials are easy to control. Plus, they're well designed for hands of all sizes. A small LED power indicator, as well as an LED that helps determine signal strength, are positioned between the dials. We liked the light-colored face and dark lettering printed on the Platinum Series model we reviewed; it made for easy operation in dimly-lit rooms. The Model 0ne's single, 3' driver is protected by a handsome metal speaker cover. Tivoli adds that the speaker is enhanced by a 'multi-stage frequency contouring circuit that adjusts the speaker's output over half-octave increments.' The result, Tivoli claims, is 'musically accurate tonal balance and bass response.'

The back of the unit features a coaxial antenna jack for the included FM antenna wire. While the Model 0ne also has an internal FM antenna, Tivoli recommends using the supplied external one for tricky tuning in locales with a lot of stations crammed together. There's a handy switch for switching between the internal and external antennae. A standard 3.5mm headphone jack is also provided, as is a 3.5mm auxiliary line in port for plugging in your iPod or other music device. lf you want to use the Model 0ne as a component tuner-- not a bad idea given the overall quality and accuracy of the tuning circuitry-- Tivoli has provided a 3.5mm output port. The back panel also sports separate ports for AC and DC power, making the unit a great choice for boating or RV use.

Listening Pleasure
As with the Tivoli iPal portable speaker system, we were initially skeptical about the performance of a small, one-speaker unit that only offers monaural sound. The reality is that most small two-speaker systems don't allow you to place the speakers very far apart anyway, and the Model 0ne's rich, resonant sound more than made up for its lack of true stereo separation. Plus, the Model 0ne is a single, elegant box with no annoying speaker cords.

While the Model 0ne isn't designed to provide earth-shattering sound at high volume, it produces surprising clarity and fullness at normal listening levels. When turned all the way up, the unit's rich sound persists and we suspect that Tivoli engineered the Model 0ne's volume level to max out before any distortion arises. lf you don't need a lot of volume, the Model 0ne delivers. As with the iPal, we were left scratching our heads and wondering how such great sound could come from such a little box.

The Model 0ne's tuning accuracy is also impressive; we were able to dial in stations we didn't even know existed. Tivoli says this is due to the unit's discrete-component FM tuner technology, which was originally developed for cellular telephones. Whatever Tivoli has done here, they did it right; closely-spaced stations are a breeze to tune.

Pros
  • Compact form factor
  • Excellent sound
  • Supremely accurate tuning
Cons
  • Not engineered to produce extremely high volume levels



Some more accessories for this product for you:
Tivoli Audio Model CD Player, Cherry/Metallic Taupe click 4 more

Some more accessories for this product for you:




Piece Availability: Usually ships in 24 hours


We found more related products for you:
Tivoli Audio Model One AM / FM Table Radio, Classic / Walnut Tivoli AudioModel One AM / FM Table Radio, Black / Silver Tivoli Audio Model One AM/FM Table Radio, Hunter/Maple Tivoli Audio iPAL Portable Audio Laboratory AM/FM Radio, Silver/White C. Crane FM Reflect Antenna click 4 more

We found more related products for you:




Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 2 out of 5 stars - * Great sound - Tuner drifts constantly ...
I bought two of these units about a year ago. The audio is amazing for for the small size, it can really fill up the room. I have not tested the AM tuning, but the FM tuner constantly drifts. Every 30 to 40 min you start to hear a bit of distortion in the station. You have to go and bump the frequency up a bit then all is well again. When it does tune into a station the sound is wonderful (for another 30 min). I can tune both of these units along with a digital pll receiver on my stereo to the same station, leave the house for 2 hours and both Tivoli's have drifted far enough off the signal that you cannot tell what is playing on the radio from all the distortion, the digital receiver is still locked in and playing perfectly.
For sound for pound, I give this unit 5 stars. However, the tuner section gets a solid 1. Since this is an AM/FM radio I would think the tuner is important enough to the function to justify a 2 star rating.



Buyer's feedback: 3 out of 5 stars - great radio with one big fault
This is a solidly built radio with excellent sound for its small size. However, I am really disappointed that stations tend to drift. After tuning in a specific (FM) station, I find that I have to make minor adjustments to the tuning dial every 10 minutes or so to maintain best signal strength. This is not a radio where you can set it on one station and forget it. You have to make minor adjustments periodically to get best reception.




Buyer's feedback: 5 out of 5 stars - * Excellent reception ...
I live in the shadow of the local mountaintop radio antennas and can rarely get good, reliable reception on your average dial or digitally tuned radio. The Tivolio Model One pulls in all my stations crystal clear and rock solid thanks to the fine adjustment on the dial knob. And the sound is great despite not being a full on stereo. I love my Model One.



Buyer's feedback: 5 out of 5 stars - Like My Old KLH
In the mid-60's I bought a little KLH component tuner that looks exactly like the Tivoli Audio One I recently purchased. I loved that little tuner, but it became a dinosaur when receivers came with radios built in. My new Tivoli replaces that little KLH and stands on its own. I bought the radio primarily to listen to NPR in my kitchen, so I don't need stereo. The sound quality is clear and crisp. Some reviewers complained of a hiss, but I don't find that. Of course I love the retro look of the radio and remembrance of days of yore. The style is simple, yet effective. I was lucky to find this model on a deep clearance at Target and bought it for less than half the going price. A great radio for a great price. I look forward to years of enjoyment from it.



Buyer's feedback: 5 out of 5 stars - * Feeling the love ...
Reception is great; the color blue with the cherrywood is sooo cool; the sound is amazing out of only the one speaker and my iPod sounds great. Happiness.

read more customer reviews on Tivoli Audio Model One AM/FM Table Radio, Cherry/Cobalt Blue


We have more similar products, listed by their category for you:


 




Get #1 Search Engine Rankings Ez!
via

The Mobile Crossing WayPoint 200 is a respectable PDA and an even better GPS device, but the design needs work, and it's too expensive.

The Web Services Policy Working Group has published two Web Services Policy 1.5 - Working Drafts: an update to the Primer and a First Public Working Draft of Guidelines for Policy Assertion Authors. The new Guidelines document provides ...

$22.99



Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pithy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" for supposedly nailing his scenes.

The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheimer with serious understatement. Other cool extras include "Tale of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley

Beyond Pirates of the Caribbean: At World’s End


Our Pirates of the Caribbean Store

Pirates of the Caribbean: Curse of the Black Pearl

Pirates of the Caribbean: Dead Man’s Chest

Pirates of the Caribbean: At World’s End Soundtrack

Why We Love… Bill Nighy

Johnny Depp Essential DVDs
Stills from Pirates of the Caribbean: At World’s End (click for larger image)





$14.99



Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

$19.99



Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spots (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley


by Rick Barba
$11.55

Average customer rating: 3.0 ISBN: 0744004292

by BradyGames
$13.59

Average customer rating: ISBN: 0744009332
$9.99



Thanks to a fortuitous intersection of talent and fate, 22-year-old Josh Groban hasn't finished his senior year in performing arts school but has already released his sophomore effort on a major major label. Fans of the young vocal phenom's debut will find much to enthrall them here, even if it nudges the singer closer to the center of producer/mentor David Foster's MOR pop sensibilities. Eschewing much of its predecessor's more overt classic-lite pretensions and pop-rock covers for a slate of dramatic, Eurocentric ballads that serve as a showcase for the singer's inviting baritone, Groban shrewdly positions himself as the American alternative to the Bocelli-Watson crossover axis. "Caruso" may find the singer falling short of its operatic inspiration, but "Oceano" and "My Confession" quickly showcase his true dramatic range (which seems to all but yearn for a bona fide Broadway musical challenge), while a vocal take of Bacalov's graceful "Il Postino" theme uses classical virtuoso Joshua Bell's violin flourishes to good effect. To his credit, Groban displays some promising efforts at songwriting collaboration on the bittersweet "Per Te" and "Remember When It Rains," while the ambient/ethnic soundscape of Deep Forest's "Never Let Go" offers a teasing alternative to the record's otherwise melodramatic production formula. Groban has found commercial triumph via Foster's mentoring, but there remains a nagging sense here that he hasn't truly pushed himself as an artist--yet. --Jerry McCulley
$23.99



The world can't get enough of Madonna, and with CD/DVD sets like The Confessions Tour dropping regularly, it's little wonder why. As a thrower of fantasy dance parties, she is peerless. As a physical role model for the 40-ish women who grew up on her music, she rules. And as an arbiter of what's going to sound shockingly original in any given decade--well, duh. The Confessions Tour rounds up songs from way back--"Ray of Light" and "La Isla Bonita" make the DVD, and "Lucky Star" and "Like a Virgin" are on the CD as well as the DVD--but this concert, filmed in 2006 at London's Wembley Arena, aims its sturdiest spotlight on Confessions on a Dance Floor, Madge's 2005 disco disc. You could argue, then, that unless you're in it for the sheer DVD spectacle (and what a spectacle it is), there's no sense in owning this package. Only you wouldn't be right. Because as any on-the-ball Madonna fan knows, what she's doing musically is telling a story--you may already know the characters, but that doesn't mean she hasn't completely reworked the plot. To that end, "I Love New York" gets its rock on, "Let It Will Be" has a musical temper tantrum, and "Hung Up" goes for the drama queen award. You've heard these songs before, but you've never heard them quite like this, to borrow a bad informercial phrase. As twisted and hopped-up as they've become, they're all worth getting to know again. --Tammy La Gorce
$10.97



Apparently there's nothing in Kabbalah that disallows sweaty, head-spinningly good dance music, because here comes a flame-haired Madonna hawking a dozen songs' worth: Confessions on a Dance Floor darts seamlessly from Madge's early days, when she emerged as the genre's enduring darling, through the political, kiddie, and acoustic pap that drove a wedge between her and early adopters of the fingerless glove look. Songs like the pop-leaning "Jump" and first single "Hung Up"--an adrenaline drip on high that, like many of these tracks, will inspire mild shame among those who've thrilled to the much thinner disco-dusted outpourings of younger divas recently--represent both a return to form and an unmistakable march into the future. "Get Together" is a sonic freak-out in the best sense; "Push" traffics in gut-level futuristic trance; and "Forbidden Love" loops in '80s blips and bleeps for a follow-me-into-the-past effect that's both neo and retro. For all the image-affirming innovations here, though, these confessions find Madonna framed in her share of reflective moments too. "Was it all worth it/How did I earn it?" she asks on "How High," a song featuring vocoder. "Nobody's perfect/I guess I deserve it," comes the answer. A later lyrical inquiry is left for the listener to judge: "Does this get any better?" Madonna wants to know. But that opens the door to a dizzying proposition. Few of us would have guessed, after all, that it got this good. --Tammy La Gorce


Blue Cherry/Cobalt Radio, Table AM/FM One Model Audio Tivoli
Shopping at www.gaunz.org  Created at Tue Dec 2 15:10:40 2008