Electronics : Tivoli Audio Model CD Player, Cherry/Metallic Taupe

Electronics : Tivoli Audio Model CD Player, Cherry/Metallic Taupe

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Tivoli Audio Model CD Player, Cherry/Metallic Taupe

from: Tivoli Audio



Tivoli Audio Model CD Player, Cherry/Metallic Taupe
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Piece Availability: Usually ships in 24 hours

Street Price: $299.99
Gaunz Org Price: $199.99
Savings!: $100.00 (33%)
Prices subject to change.

Average Buyer Rating:  out of 5 stars
Sales Rank: 8253





Binding: Electronics
Product Brand: Tivoli Audio
Color: Cherry
EAN: 0831623003402
Label: Tivoli Audio
Product Manufacturer: Tivoli Audio
Model: MCDTPE
Publisher: Tivoli Audio
Ranking: 8253
Studio: Tivoli Audio
Warranty: 1 year warranty


Piece facts:
  • Matching, front-loading CD player for Tivoli Model One and Model Two table radios
  • Minimalist front panel with large, easy-to-read display and primary controls
  • Compatible with standard audio CD and CD-R formats (does not play CD-RW)
  • Credit-card-sized remote includes shuffle, repeat, intro, and track access functions
  • Measures 8.375 x 4.5 x 5.875 inches (W x H x D); 1-year warranty




Taupe Cherry/Metallic Player, CD Model Audio Tivoli






0ur opinion:

:
Whether you're looking for a CD player to compliment your Model 0ne table radio or the Model Two stereo radio, or are in need of a smaller-sized CD player to add to a home stereo system, the Model CD satisfies on both counts. Dimensions - 4.5 inches high x 8.375 inches wide x 5.875 inches deep and weighs 5 lbs This is a CD deck accessory that can be used with the Tivoli Model 0ne, Model Two, and Model Three radios, as well as any component sound system via full size RCA outputs and 1/8 stereo miniplug 12V DC input for use in cars, boats, RVs, or private aircraft lncludes 110V AC Power Supply and Analog Audio Connect Cable

:
The Tivoli Henry Kloss Model Two Radio with companion speaker, the Tivoli Model Subwoofer, and the Tivoli Model CD are designed to be used together as part of a complete compact stereo system but are sold separately.

All the elements of the component system have classic styling that makes Tivoli products so distinctive. Simplicity and elegance are engineered into all three components and, for the most part, we came away impressed with what this little system could do in terms of sound quality, as well as its ease of use. lt's worth noting here that all three components sport separate ports for AC and DC power, making them a great choice for boating or RV use.

Henry Kloss Model Two
The Model Two serves as the base unit for the Tivoli component system. lt is very similar to the Model Three clock radio, without the alarm clock section. Like other Tivoli radios, the Model Two is just over 8 inches wide, 4.5 inches high, and 5.25 inches deep--about the size of a toaster turned on its side. The unit also ships with a companion speaker which, unlike the monaural Henry Kloss Model 0ne, gives the system full stereo separation.



The Tivoli Model Two with companion speaker.
The Model Two has a single rotary dial that handles tuning for both AM and FM stations. The dial is designed to move between stations at a speed that's a bit slower than the speed at which the user turns the knob--a five-to-one ratio, to be exact. This ratio dialing technique makes it far easier to tune stations accurately and quickly. lt's a nice touch that sets the unit apart from other desktop radios. The tuner band selection and volume dials are easy to control, and they're well designed for hands of all sizes. A small LED power indicator, as well as an LED that helps determine signal strength, are positioned between the dials. We did have one gripe about the Model Two controls, though--the same gripe we had about the Model Three. Unlike the high-contrast labeling we found on the Platinum Series Model 0ne radio, the Model Two's blue-gray lettering atop a taupe background is difficult to read, especially in low-light situations.

The Model Two's 3-inch driver is housed next to the tuning dial and is protected by a handsome metal speaker cover. The companion speaker contains the same driver in a form factor that is the same size and construction as the Model Two's main unit. A 15-foot RCA speaker cord attached to the companion speaker allows you to set the speakers well apart in a room--great for getting optimal stereo separation. There's a small balance dial on the rear of the main unit as well as a mono-stereo switch.

A coaxial antenna jack for the included FM antenna wire is provided, although the Model Two also has an internal FM antenna. Tivoli recommends using the supplied external antenna for tricky tuning in locales with a lot of closely spaced stations. There's a handy switch for alternating between the internal and external antennae, as well. A standard 3.5-millimeter headphone jack is also provided, as is a 3.5-millimeter auxiliary line-in port for plugging in the Model CD. For the really techno-savvy, there's also a 3.5-millimeter mixing input that permits audio from your computer to be mixed with the radio. A preamp-out jack is provided for the Model Subwoofer, and if you want to use the Model Two as a component tuner--not a bad idea given the overall quality and accuracy of the tuning circuitry--Tivoli has provided a 3.5-millimeter output port.



The Subwoofer adds rich bass to the Model Two.
Model Subwoofer
At 6.5 inches high, 9.5 inches wide, and 6.1 inches deep, the Model Subwoofer is a bit larger than the other components in the Tivoli system. While a 5.25-inch bass driver dominates the front of the unit, there's also a deep front port for added bass response. A bass-level dial lets you decide how much of the low end you want to hear. The on-off switch has a sensor that automatically activates the subwoofer when a signal is detected. With 20 watts of power, the Model Subwoofer is an impressive little box with the capability of dramatically extending the fullness and richness of the Model Two sound.

Model CD
With its cherry wood casing, Tivoli's component CD player matches the Model Two perfectly while offering equally simple operation. We really liked the elegant slot-loading mechanism; it felt solid and reliable. Basic functions like play, stop, and track selection can be controlled on the unit. There's also a tiny little remote that adds shuffle, direct track selection, repeat, and intro-scanning functions. True to form, the remote is simple and easy to use. The Model CD's display is bright and crisp with the look of a high-end audiophile-class component. We played a number of CDs, including CD-R discs with nary a hitch. Tivoli says that the Model CD will not play CD-RW discs, however.



The Tivoli CD is elegant and capable.
A 3.5-millimeter headset jack is provided on the back of the unit, as are RCA outputs and an AC power port that connects to a supplied brick-style AC adapter. The unit is also capable of running on DC power.

All Together Now
Setting up the component system was fairly straightforward. All of the inputs and outputs are clearly marked, and each component ships with everything you need to make the right connections. Although it might be too much to ask for, it would be great if the Model Two main unit had an AC power input for plugging in at least one of the components. This is admittedly a minor quibble, and it might not be feasible in such a small device.

Just like our experiences with other Tivoli products, sound was impressive--full of clear highs and mids and rich, room-filling lows. The Model Two tuning feature felt less accurate than the Model 0ne, but we still were able to dial in stations quickly and easily. 0verall, we recommend the Model Two as a high-quality mini-component system, because systems this size rarely sound this good. Even without the subwoofer engaged, the sound was rich and resonant. As soon as we plugged in the subwoofer, though, we were transported to near sonic bliss. lt's a must-have accessory for the Model Two.--Joshua Gunn

Pros
  • Simple, stylish construction on all the component parts
  • Great sound from such a compact system; good tuning accuracy
  • Subwoofer option adds exceptional dynamic range
Cons
  • Tuner is slightly less accurate than the Model 0ne









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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 4 out of 5 stars - * Sounds and looks great, but occasionally eats CDs ...
I bought a Tivoli Two and this CD player together, and they are truly beautiful little beasts, both in appearance and in sound quality. The Tivoli Two has performed flawlessly, but after a few months, the CD player developed a nasty habit of eating CDs at unpredictable intervals (turning the player off, turning it on its head, turning it back on and pushing Eject is usually successful after three or four tries). If I were a sensible person, I would send it in for repair--it's otherwise a marvelous set and well worth it.




Buyer's feedback: 1 out of 5 stars - Tivoli Model CD Problems
My Model CD started to have problems after one year of light use. Initially the display would lose segments and then would require a power-down to restore. This problem got worse with time. After less than 2 years of use, the dosplay has now failed completely and the player rejects all disks from any manufacturer. It was never a great sounding player, but having invested in several other Tivoli Audio components, I had no alternative but to live with their extremely expensive single disk unit. Obviously my unit is out of warranty and I am out of luck, but I would sure hope that this company (which is always boasting of it's audiophile roots) would help it's loyal customers out of this situation.



Buyer's feedback: 5 out of 5 stars - * Tivoli is tops ...
Just buy it for it's elegance , simplicity and high quality.
Tivoli will never let you down.



Buyer's feedback: 4 out of 5 stars - Close but not Quite
Sound quality is nice and the cabinetry is well designed; however, the remote lacks a few essential features as well as the LCD on the CD player leaves room for improvement. The remote does not have the ability to power on and off the CD player making it only somewhat helpful in remotely adjusting your CD listening, but not fully featured. Another disadvantage is that the LCD screen is not as clear as you would want and for a dim room the angle of clear viewing is slim at best. The best way to get this product is in a bundle... Don't misunderstand the review though, this is a nice product, but don't think that there are not a few shortcomings.



Buyer's feedback: 5 out of 5 stars - * Just what we wanted ...
My brother and I were looking to replace our mother's broken CD player. We wanted something that looked and sounded good and that was also easy to use. Finding something with the last attribute, simplicity of use, without giving up the first two attributes was the hard part. The Tivoli CD player was ideal: One CD only, play-pause-stop, forward-back, that's it, and that is all that is necessary - and it is very attractive and sounds great. It was the perfect gift - she loves it.

read more customer reviews on Tivoli Audio Model CD Player, Cherry/Metallic Taupe


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Sales of semiconductors in November indicate that consumer products such as LCD (liquid crystal display) TVs, digital music players, and other devices sold well during the holidays, the Semiconductor Industry Association (SIA) said Monday.

November chip sales rose 2.3 percent year-on-year to $23.1 billion, the SIA said.

Unit demand has far outpaced last year. But falling chip prices have hurt industry revenue, the chip association said. For example, DRAM (dynamic RAM) bit shipments grew 25 percent in the three months through mid-December, but average selling prices have declined 20 percent over the same period.

The association also noted that rising energy prices and concerns about the sub-prime lending issue in the U.S. do not appear to have had a significant impact on consumer spending for the holidays, the SIA said. The group reiterated its forecast that worldwide semiconductor sales will reach a new record in 2007. But it will take a stronger than expected December selling season to reach the 3.8 percent growth goal the group had forecast earlier this year, the SIA said.

Investment banking firm Credit Suisse was not as optimistic as the SIA.

The November data was below normal seasonal trends, noted analyst John Pitzer, in a report on Monday. Even if December reaches its normal seasonal growth, 2007 industry revenue will only reach $255.7 billion, up 3.2 percent over last year. The growth percentage would fall short of the SIA's 3.8 percent target.

The slow November prompted Credit Suisse to lower its 2008 chip industry revenue forecast to 9.4 percent year-on-year growth, down from a previous target of 13 percent.


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Peter Berg's dark comedy about a bachelor party gone horribly awry is highly ambitious in its attempts to satirize suburbia, male bonding, and self-help philosophy, and for the most part it does succeed in hitting its targets with a malicious, misanthropic glee. When five buddies arrive in Las Vegas for some pre-wedding shenanigans, things quickly spiral out of control when the requisite prostitute falls victim to a grisly accident, igniting a spark in an already unstable powder keg of personalities. Following the lead of real estate agent and self-help guy Robert (Christian Slater), the men warily agree on a cover-up and covert desert burial. A couple hours and another corpse later, however, they're already at each other's throats, and their escalating breakdowns threaten to disrupt the highly prized wedding of hard-as-nails bride Laura (a stunning Cameron Diaz). Berg, like most actor-turned-directors (this is The Last Seduction star's filmmaking debut) helms the film with a wildly sliding tone and tends to weigh its strengths heavily on its performers. Slater's psycho turn is by far his most inventive yet (he's more in control than ever before), Diaz effectively mixes sunshine with poison, and Jon Favreau is effective and understated as the hapless bridegroom; the rest of the cast, however, tends to play up the histrionics. Be warned, though: Those expecting a sunny-style There's Something About Mary gross-out comedy will probably be shocked by Berg's take-no-prisoners agenda; this is comedy at its absolute blackest, and no one is spared. --Mark Englehart
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Three of them date from the '20s and '30s and were produced by Samuel Goldwyn. The 1926 silent The Winning of Barbara Worth gave Western stunt man and bit player Cooper his first featured role (by accident--the actor originally cast didn't report for work!). A cowboy whose visionary surveyor father aims to "redeem the desert and make it one fine garden," Cooper's character is the third corner of a romantic triangle, ordained by the Hollywood caste system to lose lifelong sweetheart Vilma Banky to engineer Ronald Colman. Colman has lots more screen time than Cooper and bears the moral-ethical brunt of the eco-conscious drama; he's also surprisingly persuasive wearing a sweat-stained Stetson and trading gunshots with the bad guys (if this were a sound film, Colman could never have gotten away with it). But the camera and the audience are locked onto Cooper whenever he's on screen. In longshot or vulnerable closeup, he's already one of the gods of the cinema. As for the movie, the quality of the print is excellent, its clarity intensified by bronze, yellow, and moonlit-blue tinting that often seems on the verge of resolving into full color. Director Henry King shows a good eye for action and bold vistas, and a visual adventurousness mostly absent from his later work.

Next up chronologically is The Cowboy and the Lady (1938), and the best thing about this misbegotten movie is Garson Kanin's description, in one of his Hollywood memoirs, of how Leo McCarey sold the idea for it to Sam Goldwyn. McCarey was, of course, a comedic master (recently Oscared for directing The Awful Truth), and his exuberant pitch convinced Goldwyn and his staffers that audiences would "piss" themselves laughing at this romantic comedy about a daughter of privilege (Merle Oberon) who falls for a rodeo rider (Cooper) and learns homespun values. Goldwyn paid McCarey off, assigned some writers to the script, then realized there was no real story--"no there there," as Gertrude Stein might have put it. The resultant unfunny and unromantic endeavor oozes bad faith from every pore, with neck-snapping life changes foisted on the hapless Cooper and Oberon from reel to reel, and excruciating scenes (jitterbugging in a drawing room, playing house back on Cooper's ranch) that strain charmlessly for McCarey's patented brand of fey. H.C. Potter directed, understandably without conviction.

We and Cooper are back on track with The Real Glory (1939). The reliable Henry Hathaway helmed this second cousin to his and Cooper's The Lives of a Bengal Lancer, with Cooper as an Army doctor assigned to the Philippine Constabulary on Mindanao in 1906. The movie was well-received when it came out; encountered in the shadow of the Iraq War, its tale of U.S. occupiers trying to help the local populace "stand up" against a fanatical and murderous insurgency takes on new fascination. There are some amazing passages--two horrendous murders by bolo knife--and the final battle sequence puts the CGI-riddled action films of the present day to shame. But the most impressive element is Cooper, and we can't improve on the verdict of that astute film critic Graham Greene: "Mr. Cooper ... has never acted better.... Watch him inoculate [Andrea King] against cholera--the casual jab of the needle, and the dressing slapped on while he talks, as though a thousand arms had taught him where to stab and he doesn't have to think any more."

For the final film in the set we jump into the '50s--the century's and Cooper's. Vera Cruz (1954) casts him as a former Confederate officer who's ridden into Emperor Maximilian's Mexico, hoping to make a fortune in the new civil war south of the border so that he can rebuild his own devastated homeland. Costar Burt Lancaster (whose company Hecht-Lancaster was producing) plays another mercenary, a real sociopath, and it's fascinating to watch these two stellar icons of very different Hollywood eras make common cause--Lancaster at the height of his grinning-predator mode, Cooper an aging knight whose aim is still true. Director Robert Aldrich keeps finding dynamic uses for the SuperScope format and flavorfully fills it with sublime uglies like Ernest Borgnine, Jack Elam, Charles Horvath, Jack Lambert, and Charles Buchinsky-about-to-become-Bronson. Pieces of this movie found their way into the dreams of Sam Peckinpah and Sergio Leone. --Richard T. Jameson


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Taupe Cherry/Metallic Player, CD Model Audio Tivoli
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