Electronics : Ultimate Ears Metro.fi 2 Earphones Black with Silver Trim

Electronics : Ultimate Ears Metro.fi 2 Earphones Black with Silver Trim

could not open XML input

Ultimate Ears Metro.fi 2 Earphones Black with Silver Trim

from: Ultimate Ears



Ultimate Ears Metro.fi 2  Earphones Black with Silver Trim
Click Larger Image

More Info


Average Buyer Rating:  out of 5 stars
Sales Rank:





Binding: Electronics
Product Brand: Ultimate
Color: Black
EAN: 0840356619385
Label: Ultimate Ears
Legal Disclaimer: Warranty does not cover misuse of product.
Product Manufacturer: Ultimate Ears
Model: Metro.fi 2 Black
Publisher: Ultimate Ears
Studio: Ultimate Ears
Variation Description: Black


Piece facts:
  • Single high performance dynamic speaker
  • Full spectrum sound
  • Noise Isolating Design attenuates outside noise by an amazing 16db
  • Comfortable and Secure Ear Loops
  • Includes Universal Fit kit and a leather case to store earphones




Trim Silver with Black Earphones 2 Metro.fi Ears Ultimate






0ur opinion:

:
The metro.fi 2 is based off the same sonic principles as Ultimate Ears' custom personal monitors. This model is ideal for fashion conscious on-the-go individuals.


Some more accessories for this product for you:
Sport Series Headphones Black Rivet Stereo Earphones - Black Philips HL150 Lightweight Stereo Headphones Able Planet Clear Harmony Over the Head Stereo Headphones Creative Aurvana In-Ear Headphones click 4 more

Some more accessories for this product for you:






We found more related products for you:
Ultimate Ears Super.fi 3 Studio Earphones (Black) Ultimate Ears Super.fi 5 Pro Earphones (Black) Creative EP-630 In-Ear Headphones Ultimate Ears IP-P4SSA0001-02 Super.fi 4 Mobile Earphones Monster AICYP 200 iSplitter 200 Mini Y-Adapter for iPod w/ Volume Control/Mute (AICYP 200) click 4 more

We found more related products for you:




Testimonials
Average Buyer Rating:  out of 5 stars

Buyer's feedback: 2 out of 5 stars - * Poor fit...always drop out... ...
They just drop out all the time from the ears.
Totally unusable when standing (walking, etc..)
Moreover I had two times such an ear irritation caused by these earplugs, that I had to go to doctor and take drugs (ok,ok, i didn't disinfected them, that was also probably the cause). When this happend me for a second time (even after desinfection), i said, ok, i will never use them.

I have to say, that when I holded them in my ears, they have TERRIFIC SOUND (better than sure e2c). What a pity, that they don't fit me.

Overally: I do not recommend to purchase it without trying out them first in a studio.

p.s.: i had no similiar problems with shure e2c, probably because they had a soft fit).



Buyer's feedback: 1 out of 5 stars - Disappointing
Got these as a replacement for the Sony Fontopias (when the left earbud broke on my third pair of Fontopias in a year, I've decided to move up to bigger and better). Was initially pleased with the sound isolation and the audio quality. Then the problems started to pile on: the earbuds won't stay on unless you are sitting perfectly still and not moving your head. I had to hold them in my ears at the gym! Whenever the cord bounces off your body, you hear it over the music, like a hollow noise. The earbud covers started to come lose and come off the drivers, which had me in a constant state of paranoia of losing them. The very stiff cord makes it impossible to keep the earbuds in your ears, they get yanked out every time you turn your head. The cord also does not lie flat against your body, which makes it easier for others to accidentally yank the buds out when they walk past you. Long story short - I seem to have lost them on a recent trip, and I am not getting a replacement pair.



Buyer's feedback: 4 out of 5 stars - * Buy These Buds- Trust Me ...
I am a musician and I am very picky about my audio equipment. I have tried all of the better buds out there from Shure, Bose, V-moda, Sennheiser, Sony, etc...... I was just about to give up on my search for the perfect bud and I came across these. Let them bake(24 hours of play time)and these buds sound awesome. Great high, solid mid and good Bass. Comfortable fit, sturdy wiring. For the price, you just can't beat these.



Buyer's feedback: 5 out of 5 stars - Excellent earphones for the money
I put a lot of time into researching new earphones for on-the-go usage; I could not have spent my money better. The Ultimate Ears metro.fi 2 earphones have a single driver (you won't get more than one unless you spend well over $100) yet they boast a smooth range. The lows are bolstered by strong but not overpowering bass, which is controlled and accurate. The great bass adds an extra dimension to songs, especially if you have been using headphones with weak bass.

The mid-range is good although slightly recessed. It is smooth and has good separation though. Every sound I have heard through these earphones has come out with unmistakable clarity. Noise isolation is decent for these type of earphones (these are not canalphones); they reduce ambient sound by about 16db.

The Ultimate Ears metro.fi 2 earphones are an excellent all-around product for running, sports, or general listening. They come with a nice leather carry case and several different ear tips - they fit any ear.

Highly recommended.



Buyer's feedback: 5 out of 5 stars - * Quality excellent for price ...
You must push the ear pieces all the way into your ear in order to get the full sound, otherwise it will be tinny and shrill. I paid less than $50 for these earphones, and right now they are almost the same price as the super.fi 3, so you might as well get those instead. Considering the low cost of the metro, you can't expect an audiophile experience. You will get quality that is more than sufficient for most people and that will surely be an upgrade from the basic earphones that are included with your music player.

read more customer reviews on Ultimate Ears Metro.fi 2 Earphones Black with Silver Trim


We have more similar products, listed by their category for you:


 




Newegg.com is offering the Plantronics Voyager 855, which pulls double duty as a Bluetooth headset and wireless stereo earbuds, for $57.99, shipped.

On paper, the Mio DigiWalker P550 looks to be an attractive gadget for the mobile professional, combining the capabilities of a PDA and GPS into one device. However, its poor battery life and subpar navigation skills tell a different story.

Though it won't appeal to the masses quite yet, the Nokia N800 Internet Tablet is a nice, portable device for on-the-go Web browsing, and it has some worthy upgrades.

Though it's expensive, the Sony VAIO VGN-TX670P delivers a great combination of business and entertainment features, long battery life, and unparalleled connectivity in an incredibly ultraportable package.

$18.99



Set in Saudi Arabia, The Kingdom is a political action thriller with good acting and wonderful visuals. Its so-so script, though, at times meanders aimlessly until a good explosion jolts the viewer's attention back to the screen. Jamie Foxx stars as FBI special agent Ronald Fleury, who leads an elite team into Saudi Arabia to find the terrorists who attacked American employees working in the Middle East. He has been given the unlikely deadline of five days to infiltrate the compound, with just his wit and his crew, which includes forensics expert Janet Mayes (Jennifer Garner), explosives guru Grant Sykes (Chris Cooper), and intelligence analyst Adam Leavitt (Jason Bateman). It's unclear how helpful smarmy U.S. diplomat Damon Schmidt (Jeremy Piven) will be, but Fleury knows enough to surmise that the media-hungry Schmidt might not be completely trustworthy. Foxx and Garner have wonderful screen presence, but it's Bateman and Piven who get the best lines. Director Peter Berg peppers The Kingdom with actors he has worked with in the past. Berg, who guest-starred on Alias opposite Garner, casts Tim McGraw in a small role here. (The country singer also had a co-starring role in Berg's 2004 film Friday Night Lights.) And Kyle Chandler and Minka Kelly--two of Berg's lead actors from the Friday Night Lights television series, , make appearances in The Kingdom. The action sequences he creates are impressive and generate a sense of panic that The Kingdom producer Michael Mann (Miami Vice) undoubtedly applauds. While a tauter script would've rounded out the action nicely, the action in many cases does speak for itself. --Jae-Ha Kim
$19.99



A staggering portrait of arrogance and incompetence, the documentary No End in Sight avoids the question of why the U.S. invaded Iraq in 2003, choosing instead to focus on the war's aftermath--and meticulously examine the chain of decisions that led Iraq into a grotesque state of lawlessness and civil war. Drawing from interviews with top generals, administration officials, journalists, and soldiers who were in the thick of the war itself, No End in Sight lays out a gripping story, as suspenseful as any Hollywood movie, accompanied by terrifying footage of firefights and explosions more vivid than any special effects. Unfortunately, there is no happy ending. If the documentary has a weakness, it's the shortage of voices trying to defend the administration policies (perhaps unsurprisingly, policymakers like Dick Cheney, Donald Rumsfeld, and Paul Wolfowitz declined to be interviewed). But the testimony (presented by administration insiders and officials in Iraq, both military and civilian) argues that, despite contrary analysis and experienced advice against its actions, the top brass of the Bush administration made decisions (that aggravated already existing problems and created devastating new ones. No End in Sight builds its case one voice at a time and avoids the grandstanding that undercuts Michael Moore's work; instead, the gradual accumulation of simple facts--presented with weary resignation, earnest outrage, and restrained anger--results in a compelling condemnation of one of the worst blunders the U.S. has ever made. --Bret Fetzer
$14.99



Fans of Oliver Stone's J.F.K. will recognize the opening moments of writer-director Eugene Jarecki's Why We Fight, in which outgoing President Dwight Eisenhower warns of the pernicious and growing influence of what he called the "military-industrial complex." But Stone's movie, which uses the same footage, was a work of fiction. While those who disagree with the decidedly leftist point of view in this documentary will probably consider it the product of paranoid liberal fantasy as well, there's enough credible material, much of it supplied by the targets of Jarecki's criticisms, to make Eisenhower look like a prophet and everyone else uneasy about the dark confluence of politics, money, and war that controls the country's fortunes. The message here is that while there may be some who sincerely believe that America's various military engagements (in Iraq, Vietnam, Grenada, Panama, and elsewhere) since World War II are the product of our God-given duty to spread freedom and halt the influence of evil ideologies around the world, the real reason we fight is that war is good business. This is hardly a bulletin; anyone who is surprised by allegations that politicians pander to defense contractors, or that Vice President Dick Cheney helped secure huge deals for Halliburton, the company he formerly headed, simply hasn't been paying attention (Politicians lie? How shocking!). In fact, the principal drawback to Jarecki's film is simply that there's nothing particularly revelatory or compelling about it. Only when he takes a personal approach does he go beyond the obvious; the story of a retired New York policeman and former Vietnam veteran whose son died in the World Trade Center, who wanted revenge, but who became seriously disillusioned when Bush admitted that the war in Iraq had nothing to do with 9/11, adds some much needed human interest. Still, Why We Fight, which includes a director's audio commentary track and a few other bonus features, serves as a grim reminder that the world's most powerful nation has strayed far from the principles of our founding fathers, a development that does not bode well for America's future. --Sam Graham

by Dixie Chicks
$21.95

Average customer rating: ISBN: 0739043439

by Dixie Chicks, Mark Seliger
$16.95

Average customer rating: ISBN: 0739043447
$4.95



In her snowy home state of Utah, Marie Osmond serves up a warm cup of holiday cheer with Marie Osmond's Merry Christmas, her very first Christmas special. Mixing traditional songs and carols with modern melodies, Marie presents a sentimental hourlong program (originally aired on television in 1989), blending music with short sketches. The show features Kirk Cameron, then-teen heartthrob on Growing Pains; Candace Cameron, his sister and star of Full House; country singer Lee Greenwood; Sally Struthers and daughter Samantha, ice dancers Judy Blumberg and Michael Siebert, and the Osmond Boys.

Marie opens the show with an outdoor rendition of "We Need a Little Christmas" and then moves into the studio where Kirk Cameron arrives on a snowmobile (fresh from rescuing a trio of blonde snow bunnies) to read "The First Christmas Story." Lee Greenwood performs "Christmas to Christmas" and later a duet with Marie. "It's Beginning to Look a Lot Like Christmas" is sung by Sally Struthers and daughter with help from the Osmond Boys--six stepping stones ages 4 to 12 who have the senior Osmonds' moves down pat. The adorable award, though, goes to Marie's 5-year-old son, Steven, who performs a rockin' version of "Santa Claus Is Comin' to Town" (clapping on the off-beat nearly the whole song).

Marie has a good, strong voice, but many of the songs are overproduced and melodramatic. This, most likely, is a product of the big, pouffy '80s (her hair and outfits are also bigger-than-life) rather than a reflection of her talents. The closing number, "O Holy Night," sung by Marie alone, is quite lovely. --Dana Van Nest

$11.98





Trim Silver with Black Earphones 2 Metro.fi Ears Ultimate
Shopping at www.gaunz.org  Created at Sun Sep 7 04:50:41 2008