0ur opinion: :Weber, Portable Table Top Gas Grill, Black, Heat Resistant Nylon Handle, With Flavorizer System & lgnitor, 160 SQlN 0f Cooking Area, Legs Fold To Lock Lid ln Place For Easy Carrying & Storage, Uses 1 LB LP Cylinder (Not lncluded) 0r Can Be Adapted To Refillable Tanks, Weber Direct Part #3666, True Value #437-726, Hose Adaptor, 10 Year Limited Warranty, MAP $54.70. Review:Weber's Go-Anywhere gas grill adds convenience to the fun of camping ...
0ur opinion: :Ready to use anywhere! Safe. Non toxic. Long lasting. Pesticide free! The Pantry Pest Trap uses a powerful attractant that has a strong effect on certain damage causing moths. 1 trap covers a 1,000 sq. ft. area. Contains 2 traps per box.
0ur opinion: Review:Protect your trusty lawnmower from the ravages of sun, rain, mildew, dust, and birds with this sturdy, trim-fitting, all-weather cover. lt's long enough to accommodate even the catcher on rear discharge mowers, while an elastic shock cord at the bottom hem provides a quick, customized fit. The cover measures 75 inches long, by 27 inches wide, by 23 inches high, and fits a wide assortment of gas or electric lawnmowers.
0ur opinion: :Classic Veranda Patio Umbrella Cover. A cover-up for your cover-up! Your patio umbrella does a good job of protecting you from intense sun, raindrops, and even 'bird happenings'. lt's only right that you protect it from the elements with one of these slick Classic Umbrella Covers. Reasonably priced, and 100% guaranteed here at the Guide! Check the fine features: Gardelle protective fabric system; Won't crack in cold weather; Zippered closure for easy fitting and ...
0ur opinion: : La Crosse Handheld Anemometer...Swing Like The Wind! The La Crosse Handheld Anemometer displays a variety of wind measurements including current wind speed, maximum wind speed, average wind speed, and the current wind chill to help you adjust your game plan. La Crosse Handheld Anemometer features: Wind speed unit selectable between Knots, meters per second, miles per hour and kilometers per hour Beaufort scale is displayed in bar graph (0-12) Temperature selectable to °F ...
0ur opinion: :Low glare lighting for garden landscaping or to outline a walk or steps, the Malibu LX58720P low voltage lighting kit is a great DlY project. The kit includes 14 tier lights and 6 Zoom Floodlights, which can be changed to spot lights with a turn of the wrist. The fixtures can be arranged in any pattern along the 100 feet of cable included with the kit. Each 12-volt 4-watt fixture is attached to ...
0ur opinion: :The Weber Q Rolling Cart is quick-folding, so it can be used as a grill stand and as a caddy to transport your Weber Q. For the ride mode, simply fold the cart down, place your Weber Q into position, use the included strap, and you're ready to roll. To park it, just remove the grill and unfold.
0ur opinion: :This turkey fryer and poultry rack set provides a perforated poultry and turkey rack, grab hook, 12 inch stainless steel thermometer, 2 oz. Seasoning injector with stainless needle and 3 piece detachable skewer set. A great addition for your turkey fryer Pot & Stand.
0ur opinion: :Reduce ladder work and over-reaching while cleaning your gutters. Gutters need to be cleaned regularly to avoid water damage, overspills and ice dams. Plus, dirty gutters create a breeding ground for carpenter ants, mosquitoes and other pests. Now you can avoid climbing and repositioning a ladder multiple times while juggling tools and over reaching from dangerous heights. iRobot Looj makes regular gutter cleaning faster and easier. The iRobot Looj cleans up to 80 feet ...
We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.
The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?
Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.
This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.
Stephen Sondheim's Victorian horror thriller Sweeney Todd: The Demon Barber of Fleet Street is generally considered his greatest work, macabre but darkly humorous with a viscerally powerful score that has found a home both on Broadway and in opera houses. George Hearn (who replaced Len Cariou of the original Broadway cast) plays the title character, a wronged man whose lust for revenge drives him to murder (an 18th-century legend who has been traced to a real-life barber), and Angela Lansbury plays his partner in crime, Mrs. Lovett, who finds a practical business use for Todd's victims. This combination of horror and humor is echoed in Sondheim's score: brooding menace ("The Ballad of Sweeney Todd," "My Friend"), achingly beautiful ballads ("Johanna," "Not While I'm Around"), clever puns ("A Little Priest"), coloratura arias ("Green Finch and Linnet Bird"), and intricate choral and ensemble numbers.
Continuing a fortuitous tradition of capturing the Sondheim legacy on video recordings, this performance was filmed before a live audience in Los Angeles during the 1982 national tour. Almost 20 years later, Hearn returned to the role opposite Patti LuPone in an acclaimed concert production. But Sweeney Todd is an especially compelling experience in this 1982 version, complete with the clever staging tricks (e.g., the barber's chair) and as close to the original cast as we're likely to see. --David Horiuchi
A guilty, guilty pleasure, perhaps not one a left-wing feminist should be admitting to in public. Female boomers should recall yearly TV reruns of this Rodgers and Hammerstein production, featuring such delights as "Impossible" and "Do I Love You Because You're Beautiful?" It may appear a bit stark to younger viewers, but part of the charm of this 1964 network TV special, a remake of the live 1957 telecast originally built around Julie Andrews, is its utter simplicity. An extremely young Lesley Ann Warren and Stuart Damon (of General Hospital fame) are joined by Ginger Rogers, Walter Pidgeon, and Celeste Holm. Warren is all sweetness and innocence without a hint of saccharine artificiality, while Damon is a clear-eyed romantic. This very handsome love story is a bit of an oddity, but worth owning just for the memorable score. --Rochelle O'Gorman
John Waters made his bid for PG respectability with this enjoyably trashy comedy about the racial integration of a teen dance show on Baltimore television in the early '60s. Waters, as always, makes a virtue of junk culture and the powerful emotional forces it can represent as kids vie to get on the show. Meanwhile, a parade of former stars (Pia Zadora, Debbie Harry, Sonny Bono) and pseudostars (Divine, Ricki Lake) cross the screen, playing freakish characters absorbed by thoughts of fame. (Waters himself turns up as a weirdo psychiatrist.) This transitional film for Waters is rough going at times and not as interesting or funny as his later features Cry-Baby and Serial Mom, but it's worth a look. --Tom Keogh
Martina McBride has long been a champion of music as social consciousness, particularly for abused women ("Independence Day") and children. On Waking Up Laughing, her ninth album and the follow-up to Timeless, her platinum-selling album of country classics, she advances the theme while expanding it. While two songs explore the issue of unwed mothers (particularly the exquisite "Love Land," which closes the album), and another, "Beautiful Again," touches on child sexual abuse, her overall repertoire embraces the wholeness of family, and of standing strong together in the face of adversity and defeat. Musically, McBride has always proved to be an elegant thorn--her song selection is often inspired (and here, she co-wrote three tunes, including the skyscraping single "Anyway"), but she has tended to use her huge, ride-the-wave soprano full-tilt, without employing the subtle shadings that would make her even more emotionally resonant. On Waking Up Laughing she seems to have worked on the problem, yet in her second foray as solo producer, she still tends to gild the lily instrumentally--inflating string bridges between choruses, for example, or loading the opening country-pop track, "If I Had Your Name," with a Southern-rock guitar break, a listen-to-me fiddle showcase, a Celtic guitar intro, and a close that brings to mind George Harrison's sitar in play-it-backward mode. That said, she makes fine use of what sounds like a black female choir on the uplifting "For These Times," and wisely keeps the haunting break-up ballad "Tryin' to Find a Reason" (with Keith Urban's harmony vocals and guitar solo) lean and affecting. As McBride works to refine her pastiche of creativity, commerciality, and social awareness, she slyly takes more chances than one might think, all the while rallying old fans and making new ones. --Alanna Nash
For right-minded buyers of the reissued Muppet Christmas Carol soundtrack, the odds of disappointment are about as remote as Miss Piggy's chances with Kermit. If you loved the movie, you will love the loopy mayhem of the Muppet Brass Buskers ("Good King Wenceslas"), the cartoonish malice of the black-hearted misanthropes Marley & Marley ("Marley & Marley"), and the hope-swollen harmonies of Tiny Tim and Family ("Bless Us All"), Muppeted here to hilariously humble effect. If, on the other hand, your interest in this disc has more to do with its inclusion in the way-narrow Christmas-record-for-kids category--if the spirit of the season doesn't extend, for you, to the magic of the Muppets--you may want to keep browsing, as it's a soundtrack first (overture, instrumentals, and all) and a Christmas CD second. That's not to suggest you're stuck with an un-fun disc should it land on your holiday stack without a prior screening, though. Miles Goodman's score sweeps and inspires, and certain tracks--"One More Sleep 'til Christmas" and "Fozziwig's Party"--are future classics. (Note to the right-minded: After a misstep on the original release, Martina McBride's version of "When Love is Gone" is back.) -Tammy La Gorce